Feuerbach and the Search for Otherness reconstructs the university writings (1824-32) of the German philosopher Ludwig A. Feuerbach (1804-72). An exercise in the history of ideas, the book argues that the early Feuerbach is obsessed with the problem of subjectivism and, consequently, embarks on an independent project to liberate philosophy from the ego: the search for otherness. By analyzing all the earliest materials from the Feuerbach corpus, including the original dissertation, the letters, and the recently published Erlangen lectures, it proposes a theory concerning the principle of coherence within the corpus, and contributes to an understanding of Feuerbach's view of philosophy, his criticism of religion and his reception of Hegel.

Ludwig Feuerbach is traditionally regarded as a significant but transitional figure in the development of nineteenth-century German thought. Readings of Feuerbach's The Essence of Christianity tend to focus on those features which made it seem liberating to the Young Hegelians: namely, its criticism of reification as abstraction, and its interpretation of religion as alienation. In this book, Van Harvey claims that this is a limited and inadequate view of Feuerbach's work, especially of his critique of religion. The author argues that Feuerbach's philosophical development led him to a much more complex and interesting theory of religion which he expounded in works which have been virtually ignored hitherto. By exploring these works, Harvey gives them a significant contemporary re-statement, and brings Feuerbach into conversation with a number of modern theorists of religion.

This book sets out to shed light on what is specific to American Transcendentalism by comparing it with the atheistic vision of German philosophers and theologians like Ludwig Feuerbach and Arthur Schopenhauer. The study argues that atheism was part of the discursive and religious context from which Transcendentalism emerged. Tendencies toward atheism were already inherent in Transcendentalist thought. The atheist scenario came to the surface in the controversy about Emerson’s “new views.” Contemporary critics charged that the deity Emerson worshipped was himself. Emersonian Transcendentalism thus anticipated some of the central concerns in the works of German atheists like Feuerbach. From idealism to atheism seemed but a short step.

The fourth volume of The History of Evil explores the key thinkers and themes relating to the question of evil in eighteenth and nineteenth centuries. The very idea of "evil" is highly contentious in modern thought and this period was one in which the concept was intensely debated and criticized. The persistence of the idea of evil is a testament to the abiding significance of theology in the period, not least in Germany. Comprising twenty-two chapters by international scholars, some of the topics explored include: Berkeley on evil, Voltaire and the Philosophes, John Wesley on the origins of evil, Immanuel Kant on evil, autonomy and grace, the deliverance of evil: utopia and evil, utilitarianism and evil, evil in Schelling and Schopenhauer, Friedrich Nietzsche and the genealogy of evil, and evil and the nineteenth-century idealists. This volume also explores a number of other key thinkers and topics within the period. This outstanding treatment of the history of evil at the crucial and determinative inception of its key concepts will appeal to those with particular interests in the ideas of evil and good.

Fifty Key Thinkers on Religion is an accessible guide to the most important and widely studied theorists on religion of the last 300 years. Arranged chronologically, the book explores the lives, works and ideas of key writers across a truly interdisciplinary range, from sociologists to psychologists. Thinkers covered include: Friedrich Nietzsche James Frazer Sigmund Freud Emile Durkheim Ludwig Wittgenstein Mary Douglas Talal Asad Søren Kierkegaard Providing an indispensable one volume map of our understanding of religion in the west, the book is fully cross-referenced throughout and provides authoritative guides to important primary and secondary texts for students wishing to take their studies further.

Was Marxism a variety of German Idealist self-actualization in economic form? A deeply flawed blueprint for social engineering? A catechism for post-colonial insurgencies? the intellectual foundations of modern social democracy? In this wide ranging summation, Sullivan tackles the multi-tentacled reach of Marx's legacy, and explores both the limits and the lasting significance of his ideas. Structured around three obstacles to freedom - poverty, corruption and banality - the work engages both Marx and his critics in addressing unresolved issues of the current social and political order. As such, the work, after two introductory chapters, leaves behind Marxology and its familiar cast of characters (Bernstein, Kautsky, Adorno, Lukacs, Fanon, Horkheimer, Marcuse, etc.) to address both neo-Marxist and non-Marxist interpretations of these obstacles. These include growth-led poverty alleviation, human capital theory, current debates on rent-seeking and public choice theory, weaknesses in Frankfurt School approaches to mass culture, and emerging trends in cyberspace and leisure consumption. Marx for a Post-Communist Era is credited as a foundational theoretical source in a wide range of contemporary studies. Some examples include a government-sponsored anti-corruption report in Peru, a study of neoliberalism and education reform in the UK, and an urban planning essay on museum spaces and the public good.

New Makers of Modern Culture will be widely acquired by both higher education and public libraries. Bibliographies are attached to entries and there is thorough cross- referencing.

New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.

Many philosophers since Hegel have been disturbed by the thought that philosophy inevitably favors sameness over otherness or identity over difference. Originally published at a time when the issue was not so widely discussed in the English-speaking world, William Desmond here offers a constructive and positive approach to the problem of difference and otherness. He systematically explores the question of dialectic and otherness by analyzing how human desire inevitably seeks immanent wholeness in a manner that opens it to irreducible otherness. He faces the difficulties bequeathed to Continental thought by Hegelian dialectic and its tendency to subordinate difference to identity, whether appropriately or not. Unlike many recent critics of Hegel, he argues that we must preserve what is genuine in dialectic. Granting the positive power of dialectic, Desmond offers his first articulation of a further philosophical possibility--what he terms the Metaxological--a discourse of the "between,"a discourse doing justice to desire's search for wholeness without any truncating of its radical openness to otherness. In a wide-ranging yet unified discussion, Desmond tackles such issues as the nature of the self, the ambiguous restlessness and inherent power of being revealed by human desire, desire's relation to transcendence, its openness to otherness in agapeic good will and in relation to the sublime as an aesthetic infinitude. Finally, Desmond brings this metaxological understanding to bear on the metaphysical question of the ultimate origin. This book is a remarkable introduction to Desmond's metaxological philosophy, prefiguring many of the ideas with which his later thought is associated. This second edition contains a substantial new preface and an afterword to each chapter in which Desmond reflects on the material from the standpoint of his current thinking.

In her study of Charlotte Brontë, Harriet Martineau and George Eliot, Lesa Scholl shows how three Victorian women writers broadened their capacity for literary professionalism by participating in translation and other conventionally derivative activities such as editing and reviewing early in their careers. In the nineteenth century, a move away from translating Greek and Latin Classical texts in favour of radical French and German philosophical works took place. As England colonised the globe, Continental philosophies penetrated English shores, causing fissures of faith, understanding and cultural stability. The influence of these new texts in England was unprecedented, and Eliot, Brontë and Martineau were instrumental in both literally and figuratively translating these ideas for their English audience. Each was transformed by access to foreign languages and cultures, first through the written word and then by travel to foreign locales, and the effects of this exposure manifest in their journalism, travel writing and fiction. Ultimately, Scholl argues, their study of foreign languages and their translation of foreign-language texts, nations and cultures enabled them to transgress the physical and ideological boundaries imposed by English middle-class conventions.