In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

Few political figures of the modern age have been so vilified as Fidel Castro, and both the vilification and worship generated by the Cuban leader have combined to distort the true image of Castro. The baseball myths attached to Fidel have loomed every bit as large as the skewed political notions that surround him. Castro was never a major league pitching prospect, nor did he destroy the Cuban national pastime in 1962. In Fidel Castro and Baseball: The Untold Story, Peter C. Bjarkman dispels numerous myths about the Cuban leader and his association with baseball. In this groundbreaking study, Bjarkman establishes how Fidel constructed, rather than dismantled, Cuba’s true baseball Golden Age—one that followed rather than preceded the 1959 revolution. Bjarkman also demonstrates that Fidel was not at all unique in “politicizing” baseball as often maintained, since the island sport traces its roots to the 19th-century revolution. Fidel’s avowed devotion to a non-materialist society would ultimately sow the seeds of collapse for the baseball empire he built over more than a half-century, just as the same obsession would finally dismantle the larger social revolution he had painstakingly authored. A fascinating look at a controversial figure and his impact on a major sport, this volume reveals many intriguing insights about Castro and how his love of the game was tied to Cuba’s identity. Fidel Castro and Baseball will appeal to fans of the sport as well as to those interested in Cuba’s enduring association with baseball.

An exposé of the controversial friendship between Nobel-prize winning author Gabriel Garcia Marquez and Fidel Castro. Few contemporary writers are more revered by Americans than Gabriel Garcia Marquez, the Nobel prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude. And few political leaders are more reviled than Fidel Castro. Yet these two seemingly disparate men are close friends. What could possibly unite these two men in friendship? In Fidel and Gabo, Márquez scholars Ángel Esteban and Stéphanie Panichelli examine this strange, intimate, and incredibly controversial friendship between the beloved author and Cuban dictator, exposing facets of their personalities never before revealed to the greater public. For years, Márquez, long fascinated with power, solicited and flattered Castro in hopes of a personal audience, for he viewed Castro’s Cuba as the model on which Latin American would one day build its own brand of socialism. Upon their first meeting, Castro quickly came to regard Márquez as a genius and still calls him his closest friend and confidant. To this day, Márquez still gives Castro “first look” at all his manuscripts and craves his approval. Fidel and Gabo is a vivid and in-depth look at two of the most influential men of the modern era, their worlds, and the effect this friendship has had on their life and works.

AN ACCOUNT OF THE LIFE, CAREER, PERSONAL AND PUBLIC CHARACTER, TALENTS, AND SHORTCOMINGS OF THE CUBAN LEADER, WRITTEN BY A PSYCHIATRIST AND FORMER U.S. GOVERNMENT OFFICIAL BIBLIOG.

The Secret Fidel Castro is neither a history of the Cuban revolution nor a biography of Fidel Castro. The book was written following what intelligence services call a CPP (short for Comprehensive Personality Profile), similar to the ones intelligence services keep on foreign leaders. It focuses on different aspects of Castro's actions and personality which, for some reasons, have been either ignored, misunderstood, or misrepresented. The main thesis of this book is that there are many different Castros. The most widely known is the symbolic, public one, as it has been portrayed in official Cuban propaganda, Castro-friendly biographies, and mainstream American media. But there are also many secret Castros, highly different from the public one. The Secret Fidel Castro focuses on little known aspects of Castro's personality, important in the better understanding of the man and his actions?what really makes him tick.

Early in Ann Louise Bardach's Cuban voyage she came across Cartas de Presidio or The Prison Letters of Fidel Castro. Edited by Luis Conte Aguero, who was the recipient of most of these letters, they are cited in every important work from Hugh Thomas' opus Cuba to Tad Szulc's Fidel biography, and everything in between and since. These twenty-one letters (nine to Conte Aguero, six to his late sister and close collaborator, Lidia, one to his wife Mirta, one to his comrade in combat, Melba Hernandez letters, one to the great scholar Jorge Manach) are regarded as the single most valuable and revelatory document regarding Fidel Castro and the Cuban Revolution. Never before published in English, these letters were written when Castro was imprisoned for his failed attack on the Moncada from 1953 to 1955 and reveal a man of spectacular ambition and steely determination. A man, who despite being incarcerated to serve a lengthy prison term, never wavers in his confidence that he will one day rule Cuba.

Before Fidel Castro seized power, Cuba was an ebullient and chaotic society in a permanent state of turmoil, combining a raucous tropical nature with the evils of arbitrary and corrupt government. Yet this fascinating period in Cuban history has been largely forgotten or misrepresented, even though it set the stage for Castro's dramatic takeover in 1959. To reclaim the Cuba that he knew—and add color and detail to the historical record—distinguished political scientist Francisco José Moreno here offers his recollections of the Cuba in which he came of age personally and politically. Moreno takes us into the little-known world of privileged, upper-middle-class, white Cubans of the 1930s through the 1950s. His vivid depictions of life in the family and on the streets capture the distinctive rhythms of Cuban society and the dynamics between parents and children, men and women, and people of different races and classes. The heart of the book describes Moreno's political awakening, which culminated during his student years at the University of Havana. Moreno gives a detailed, insider's account of the anti-Batista movement, including the Ortodoxos and the Triple A. He recaptures the idealism and naiveté of the movement, as well as its ultimate ineffectiveness as it fell before the juggernaut of the Castro Revolution. His own disillusionment and wrenching decision to leave Cuba rather than accept a commission in Castro's army poignantly closes the book.