No other high school in Nebraska evokes as much pride, passion, inspiration, and devotion as Pius X High School. The school that was started in 1956 and remains today Nebraska's largest co-educational parochial school, is a beacon for success and leadership. Thunderbolt athletics has been a bench mark for programs to follow, and only those privileged few student athletes who have had the opportunity to don the Pius X uniform can begin to understand why that is so. Pius X's undeniably rich tradition and success over the past fifty years are enough to separate it from other schools: 54 state titles in both boy and girl sports, 12 all sports awards, nine state football championships, and countless academic all state athletes. Coaches such as Aldrich, Kelley, Aylward, Moore, and Forycki, as well as many others, have set the standard of excellence, and have created the feelings of honor and utmost pride associated with Pius X and being a Thunderbolt. Travel back with us as we take a look at Past great athletes and teams and why they make Pius X such a special and magical place. This is a must read for all past and present Thunderbolt athletes, and for Pius X fans and foes alike. Now read the stories and accounts of past Pius X athletes as they attempt to define the significance of being a part of the storied tradition that is a Pius X Thunderbolt.

The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifically commissioned essays from a team of international experts. The chapters explore the principal areas of inquiry and point to new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in religion and popular music as well as popular culture more broadly. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field.

Author Biography: Alan P. F. Sell, a philosopher-theologian and ecumenist, is employed in research, writing, and lecturing in the United Kingdom and abroad. He has held academic posts in England, Canada, and Wales, and ecclesiastical posts in England and Geneva. He is the author or editor of over thirty books, of which the most recent are Convinced, Concise and Christian: The Thought of Huw Parri Owen (Pickwick, 2012) and Christ and Controversy: The Person of Christ in Nonconformist Thought and Ecclesial Experience (Pickwick, 2012).

This monograph explores the development of Irish drama in the 20th century and discusses recent cultural critiques of the entire enterprise of the Irish theatre. Rollins interprets Yeats, Synge, Beckett, Friel and McGuiness among others as practitioners in a kind of national reformulation of ritual and memory. This is one of the most thorough one volume discussions of the greatest century of Irish dramatic creativity and influence. "...I am impressed with the critical writing in Ronald Rollins's RUIN, RITUAL AND REMBRANCE. His scholarship focuses on Ireland's intricate history and Yeat's definition of maimed Irish space " great hatred, little room." Rollins deals with three playwrights, Sean O'Casey, Denis Johnston and the contemporary Frank McGuiness and their response to the nationalist uprising of 1916. Rollins points up after artful consideration of the older dramatists, the special relevance of McGuiness' idea that the Ulster rebels of pre World War 1 are the same as the Dublin rebels of 1916, the flip side of the coin. These writer see each denomination in Ireland as ordinary, half inspired, half bigoted human beings curiously united in their defiant rhetoric. The central thrust of the study is a consideration of the nationalist poet/playwright and leader Patrick Pearse as a man lost in the labyrinth of revolutionary rhetoric; in Rollins approach to McGuiness' THE SONS OF ULSTER MARCHING TOWARDS THE SOMME, Rollins argues the proposition that the character Piper is a counter figure to Pearse, similarly involved in the ritual chants of war, youth and death. The difference is that the real life Pearse shot by the British survives as an icon of Irish republicanism while the fictional Piper lives to see the Protestant house of Ulster crumble. Rollin's work is full of insights like this. Buy the book." ---James Liddy " ...highly recommended." Professor Robert Mahony-Catholic University of America

In Kentucky, the slavery debate raged for thirty years before the Civil War began. While whites in the lower South argued that slavery was good for master and slave, many white Kentuckians maintained that because of racial prejudice, public safety, and property rights, slavery was necessary but undeniably evil. Harold D. Tallant shows how this view bespoke a real ambivalence about the desirability of continuing slavery in Kentucky and permitted an active abolitionist movement in the state to exist alongside contented slaveholders. Though many Kentuckians were increasingly willing to defend slavery against northern opposition, they did not always see this defense as their first political priority. Tallant explores the way in which the disparity between Kentuckians' ideals and their actions helped make Kentucky a quintessential border state.

The Conversion Experience of a Roman Catholic Priest.

The Conversion Experience of a Roman Catholic Priest.