Reprint of the original, first published in 1883.

A compelling history of the 1846 Mormon expulsion from Illinois that exemplifies the limits of American democracy and religious tolerance. When members of the Church of Jesus Christ of Latter-day Saints (known as Mormons) settled in Illinois in 1839, they had been persecuted for their beliefs from Ohio to Missouri. Illinoisans viewed themselves as religiously tolerant egalitarians and initially welcomed the Mormons to their state. However, non-Mormon locals who valued competitive individualism perceived the saints‘ western Illinois settlement, Nauvoo, as a theocracy with too much political power. Amid escalating tensions in 1844, anti-Mormon vigilantes assassinated church founder Joseph Smith and his brother Hyrum. Two years later, the state expelled the saints. Illinois rejected the Mormons not for their religion, but rather for their effort to create a self-governing state in Nauvoo. Mormons put the essential aspirations of American liberal democracy to the test in Illinois. The saints’ inward group focus and their decision to live together in Nauvoo highlight the challenges strong group consciousness and attachment pose to democratic governance. The Saints and the State narrates this tragic story as an epic failure of governance and shows how the conflicting demands of fairness to the Mormons and accountability to Illinois’s majority became incompatible.

From the author of The Class of 1846: “A swift-paced narrative of Lincoln’s pre-presidential life.” —The Washington Post Book World How did Abraham Lincoln, long held as a paragon of presidential bravery and principled politics, find his way to the White House? How did he become the one man great enough to risk the fate of the nation on the well-worn but cast-off notion that all men are created equal? Here, award-winning historian John C. Waugh takes readers on Lincoln’s road to the Civil War. From his first public rejection of slavery to his secret arrival in the capital, from his stunning debates with Stephen Douglas to his contemplative moments considering the state of the country he loved, Waugh shows us America as Lincoln saw and described it. Much of this wonderful story is told by Lincoln himself, detailing through his own writing his emergence onto the political scene and the evolution of his beliefs about the Union, the Constitution, democracy, slavery, and civil war. Waugh sets Lincoln’s path in new relief by letting the great man tell his own story, at a depth that brings us ever closer to understanding this mysterious, complicated, and truly great man. “Lively prose backed with solid research.” —Publishers Weekly “[Waugh’s] judicious use of the historical record and his dramatic prose make for an enjoyable read.” —Kirkus Reviews

Just as an archeologist can reassemble pot shards and draw inferences about the civilization that produced it, I've examined a mass of verbal chunks left by Lincoln and people around him. I've sorted jumbled piles of fragments, restored them, and pieced them together in a way that reveals the speakers' world. --Richard Lawrence Miller, from the preface Quoting from eyewitness accounts, Richard Lawrence Miller allows Lincoln and his contemporaries to tell the story of this monumental American and bring a fascinating era of American history to life. The book covers Lincoln's birth through his first election to the Illinois legislature in 1834. Subsequent volumes will deal with Lincoln's life up to the White House years.

Pottery, Politics, Art uses the medium of clay to explore the nature of spectacle, bodies, and boundaries. The book analyzes the sexual and social obsessions of three of America's most intense potters, artists who used the liminal potentials of clay to explore the horrors and delights of our animal selves. Richard D. Mohr revives from undeserved obscurity the far-southern Illinois potting brothers Cornwall and Wallace Kirkpatrick (1814-90, 1828-96) and examines the significance of the haunting, witty, and grotesque wares of the brothers' Anna Pottery (1859-96). He then traces the Kirkpatricks' decisive influence on a central figure in the American Arts and Crafts movement, George Ohr (1857-1918), known as the Mad Potter of Biloxi and arguably America's greatest potter. Finally, Mohr gives a new reading to Ohr's contorted, yet lyrical and ecstatic works. Abundant full-color and black-and-white photographs illustrate this remarkable art.

The pivotal speech that changed the course of Lincoln's career and America's history. Complete examination of the speech, including the full text delivered in 1854 in Peoria, Illinois.