Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Film noir is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 1950s--shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But Film Noir: A Very Short Introduction demonstrates that the genre has much earlier origins and is more international in scope. The key themes and styles of film noir are discussed along with some of the most iconic film noirs, exploring important aspects of their history and ongoing influence: their critical reception, major literary sources, methods of dealing with censorship and budgets, social and cultural politics, variety of styles, and future in a world of digital media and video streaming.

In this book, Harold Hellwig analyzes film noir, outlining the major genres which it includes: the city and the detective; science fiction, the Western; and comedy. Elements of American film noir and its contexts are evaluated within different adaptations in film and television.

Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over. Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to colour, and considers its genres from intellectual art house to mass market entertainment. ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

American classic films noir, beginning with 1941's The Maltese Falcon and ending with 1950's Sunset Boulevard, and the neo-noir films made from the 1970s onward, share certain thematic aspects, stylistic qualities, and cultural contexts. Their concern with politics, their depiction of con artists, and the way their characters are shaped by America's puritanical religious roots show that these films are examples of a unique American genre, even when the films' directors are German emigres with artistic roots in European Expressionism. The films' psychological depth is revealed stylistically through complex narratives, with select directors generating visual poetry as they deal with sex, violence and betrayal. Some films are based on popular novels inspired by true crime cases. A unique approach to film noir scholarship, this book discusses the genre's thematic aspects, cultural contexts and stylistic qualities. For those films based upon novels, in-depth analysis of the fiction is provided alongside the film version, resulting in a fuller, more thorough understanding of the genre.

One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.

For millions of years reptiles have walked, crawled, and slithered over the face of our Earth. From the mighty dinosaurs who dominated the land, the pterosaurs who took to the air, and the marine adapted ichthyosaurs, to the living reptiles today such as the lizards, snakes, crocodiles, and turtles, plus the single species of tuatara in New Zealand, reptiles have come in all shapes and sizes. In this Very Short Introduction Tom Kemp discusses the adaptations reptiles made to first leave the sea and colonise the land in dry conditions, such as their waterproof skin, their ability to expel almost dry waste products, their efficient use of external heat for maintaining their body temperature, and the amniotic egg that is laid and develops on dry land. Considering the different living groups of reptiles today, Kemp then describes how their respective bodies are adapted for their different ways of life, from snake feeding patterns to the way crocodiles breathe. Finally, Kemp assesses the threat of extinction to reptile species due to over-exploitation, habitat destruction, and climate change, and considers what can be done. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Martin Heidegger, considered by some to be the greatest charlatan ever to claim the title of 'philosopher', by some as an apologist for Nazism, and by others as an acknowledged leader in continental philosophy, is probably the most divisive thinker of the twentieth century. In the second edition of this Very Short Introduction, Michael Inwood focuses on Heidegger's most important work, Being and Time, to explore its major themes of existence in the world, inauthenticity, guilt, destiny, truth, and the nature of time. These themes are then reassessed in the light of Heidegger's multifaceted later thought, and how, despite its diversity, it hangs together as a single, coherent project. Finally, Inwood turns to Heidegger's Nazism and anti-semitism, to reveal its deep connection with his personality and overall view of philosophy. This is an invaluable guide to the complex and voluminous thought of one of the twentieth century's greatest yet most enigmatic philosophers. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this Very Short Introduction, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Beloved by children and adults worldwide, the writings of C.S. Lewis have a broad and enduring appeal. Although he is best known for the iconic Chronicles of Narnia series, C. S. Lewis was actually a man of many literary parts. Already well-known as a scholar in the thirties, he became a famous broadcaster during World War Two and wrote in many genres, including satire (The Screwtape Letters), science fiction ( Perelandra), a novel (Till We Have Faces), and many other books on Christian belief, such as Mere Christianity and Miracles. His few sermons remain touchstones of their type. In addition to these, Lewis wrote hundreds of poems and articles on social and cultural issues, many books and articles in his field of literary criticism and history, and thousands of letters. At Oxford University he became a charismatic lecturer and conversationalist. Taken together his writings have engaged and influenced, often very deeply, millions of readers. Now Lewis societies, television documentaries, movies, radio plays, and theatrical treatments of his work and life have become common, and he is frequently quoted by journalists, critics, and public thinkers. This Very Short Introduciton delves into the vast corpus of C. S. Lewis' work, discussing its core themes and lasting appeal. As James Como shows, C. S. Lewis' life is just as interesting as his work. A complex man, he came to his knowledge, beliefs, and wisdom only after much tortuous soul-searching and many painful events. Moving chronologically through Lewis' life, Como provides throughout a picture of the whole man, his work, and his enduring legacy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.