With this collection of reviews, fans of western movies can enjoy taking another special look at some of our favorites with western author Chuck Lewis as he offers us insight and a unique view of the films we like or even those we don't like. We might remember some of them with a nostalgia that doesn't match up with what the movie was all about. We think we know the stories, or what a good job of acting our heroes did, or perhaps gave no thought to the symbolism of the roles they played, but maybe Chuck can suggest something different. The storylines of these movies are told here in detail and interspersed with appropriate and interesting observations. You will definitely learn while being entertained. Most of these reviews are written with Chuck's subtle sense of humor, but all are informative and surprising at times. They offer interesting facts that never occurred to us when we first saw the movie, but all are honestly assessed with a bite that only Chuck Lewis can give us. -Movies reviewed in Volume One- Shane-Winchester '73-Red River-Conagher-Will Penny-Monte Walsh-The Naked Spur-High Noon-River of No Return-The Unforgiven-The Big Country-Cowboy-Stagecoach-The Wonderful Country-My Darling Clementine-Monte Walsh (TV)-Jeremiah Johnson-The Magnificent Seven-The Wild Bunch-Tombstone-Blood on the Moon-The Searchers-Colorado Territory-The Bravados.

Some films are remembered long after they are released; others are soon forgotten, but do they deserve oblivion? Are factors other than quality involved? This book exhumes some of the films released in Britain over the last seventy years from Daybreak (1948) to 16 Years of Alcohol (2003), and considers the reasons for their neglect. As well as exploring the contributions of those involved in making the films, the book examines such issues as marketing and the response of critics and audiences. Films are grouped loosely into categories such as “B” films and television films. Some works were little seen when they were first released and have stayed that way; others were popular in their day, but have slipped into obscurity. In some cases, social change has overtaken them, making the attitudes or subjects they depict seem dated. Even being released as a DVD does not guarantee that a title will be rehabilitated. In addition, how significant is the American market? This book should appeal to lovers of British film, as well as to film studies students and everybody curious about the vagaries of success and failure in the arts.

A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as "perhaps the greatest screenwriter in history," Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community. In Ernest Lehman: The Sweet Smell of Success, author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner's extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema. Find out more at ernestlehmanbio.com

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 24 APRIL, 1966 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 80 VOLUME NUMBER: Vol. XXXI, No. 17 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-78 ARTICLE: 1. Fertilizers and Food Self Sufficiency 2. The People of Nagaland 3. Art Education In The Changing Concepts 4. Modern Man In Kafka 5. Holier Than Thou AUTHOR: 1. V. Chandra Shekharan 2. Akum Imlong 3. Smt. Rukmini Devi 4. Shiv. S. Kapoor 5. Prof. E. L. Rodrigues KEYWORDS : 1. Import essential nutrients ,new factories, indigenous Resources 2. Persisting Ignorance 3. Education and art, beauty in daily life, a universal spirit 4. A new demonology ,women as possible redeemers, the god that consumes 5. A recent encounter, boredom personified ,Jane Austen's moral prig Document ID : APE-1966 (A-J) Vol-II-04 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

What defines 'quality' in contemporary Hollywood film? Although often seen as inhospitable to such work, the studios of the blockbuster-franchise era continue to produce features that make claims to higher status. Films such as The Social Network, The Assassination of Jesse James by the Coward Robert Ford and Mystic River are marked as distinctive from the mainstream norm. But how exactly, and how are such qualities mixed with more familiar Hollywood ingredients, as found in larger doses in other examples such as Blood Diamond and the blockbuster-scale Inception? Quality Hollywood is the first book to address these issues, featuring close analysis of case study films, critical responses and the wider notions of cultural value on which these draw. Geoff King argues that such films retain a presence as a minority strand of studio output. The reasons for this combine factors relating to economics, the power of certain filmmakers and Hollywood's investment in its own prestige.

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another. An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right. As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.