Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.

This book provides a comprehensive introduction to theories of development and learning in early childhood and primary education.

The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien.

For research in linguistic anthropology, the successful execution of research projects is a challenging but essential task. Balancing research design with data collection methods, this textbook guides readers through the key issues and principles of the core research methods in linguistic anthropology. Designed for students conducting research projects for the first time, or for researchers in need of a primer on key methodologies, this book provides clear introductions to key concepts, accessible discussions of theory and practice through illustrative examples, and critical engagement with current debates. Topics covered include creating and refining research questions, planning research projects, ethical considerations for research, quantitative and qualitative data collection methods, data processing, data analysis, and how to write a successful grant application. Each chapter is illustrated by cases studies which showcase methods in practice, and are supported by activities and exercises, discussion questions, and further reading lists. Research Methods in Linguistic Anthropology is an essential resource for both experienced and novice linguistic anthropologists and is a valuable textbook for research methods courses.

Atlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region’s four provinces. Until now there has been no comprehensive history of this diverse body of work. In Shooting from the East, Darrell Varga traces the emergence of art cinema in the 1970s and ’80s, and subsequent rise of a contemporary commercial feature film and television industry by way of representative examples of a great range of titles, including The Adventure of Faustus Bidgood, Life Classes, The Disappeared, and Trailer Park Boys. He provides analysis of documentary filmmaking to emphasize concerns such as the establishment of the regional National Film Board studio and the influence of broadcast policy, but also considers significant recurring themes including the environment, the body, race and First Nations, and the North. Through critical analyses of key films and interviews conducted with filmmakers from all corners of the region, Varga uncovers patterns of meaning across diverse productions and interrogates the concept of region in relation to prevailing notions of national cinema and transnational media culture. With a focus on short films and an extensive history and analysis of the filmmaking production co-operatives located in each province, Shooting from the East sheds light on the creative processes and local economic and cultural conditions for making images on the edge of the Atlantic.

The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world. In recent years the number of diverse forms of cultural productions focused on the figure of perpetrator has increased significantly, thus eliciting a turn toward this problematic figure. The originality of these narratives lies in the shift in point of view they propose: their protagonists, rather than being the victims of the atrocities, are instead their perpetrators. A significant number of documentary films examining crimes against humanity from the perpetrators’ perspective have been released in the first two decades of this century. This current tendency together with the growing scholarly interest in the explorations of the perpetrator underscore the timeliness of the present book. It aims to explore how the perpetrator is represented in recent documentary films in different sociocultural contexts around the world. The perpetrator documentary films’ objects of study in this book are contextualized in the following contexts: Indonesian, Cambodian and Rwandan genocides, Chilean and Argentine dictatorship, Spanish Civil War and its aftermaths, Israeli-Palestinian conflict, Nazi legacy, South Africa Apartheid and USA ́s state perpetrations. Among others, the documentary films analysed are as follows: The Act of Killing, The Look of Silence, S-21: The Khmer Rouge Killing Machine, National Bird, Fahrenheit 11/9, Waltz with Bashir, Z32, El Pacto de Adriana, El Color del Camaleón, 70 y Pico, and El hijo del cazador. The Representation of Perpetrators in Global Documentary Film will be a key resource for academics, researchers, and advanced students of Filmmaking, Communication Studies, Media Studies, Visual Studies, Cultural Studies, and Sociology. The chapters included in this book were originally published as a special issue of Continuum.

The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution. The film, focused on a Turkish-speaking woman in Macedonia who cultivates bees to produce honey through an ancient and environmentally sustainable method, raises important questions about the place of humans and economic activity within the broader ecosystem. The documentary also prompts critical reflection about the relationship between observation and storytelling, how the film festival circuit allows certain films to reach a wide audience, the ethics of ethnographic representation, the relationship between human and insect life, and to what extent film can allow us to experience others’ life-worlds. By combining five distinct critical perspectives on a single documentary, this book acts both as an intensive scholarly treatment of the film and as a guide for how to analyze, theorize, and contextualize a documentary text. This book will be of interest to students and scholars of documentary studies, as well as those studying film and media more broadly.

THE BOOK BEHIND THE HIT DOCUMENTARY A glimpse of life inside the world’s most secretive country, as told by Britain’s best-loved travel writer. In May 2018, former Monty Python stalwart and intrepid globetrotter Michael Palin spent two weeks in the notoriously secretive Democratic People’s Republic of Korea, a cut-off land without internet or phone signal, where the countryside has barely moved beyond a centuries-old peasant economy but where the cities have gleaming skyscrapers and luxurious underground train stations. His resulting documentary for Channel 5 was widely acclaimed. Now he shares his day-by-day diary of his visit, in which he describes not only what he saw – and his fleeting views of what the authorities didn’t want him to see – but recounts the conversations he had with the country’s inhabitants, talks candidly about his encounters with officialdom, and records his musings about a land wholly unlike any other he has ever visited – one that inspires fascination and fear in equal measure. Written with Palin’s trademark warmth and wit, and illustrated with beautiful colour photographs throughout, the journal offers a rare insight into the North Korea behind the headlines.

All for the Love of Music is the journey through John Schroeder’s life – after having completed National Service to landing his dream job with E.M.I Records. John’s discovery of Helen Shapiro, and later penning her number 1 hit Walking Back to Happinessmade John a household name. During his time in the music industry, John worked with world renowned artists and musicians including Status Quo, Geno Washington and Sounds Orchestral. John details his rich experiences of what it was like to produce award-winning songs, as well as the treacherous path of founding a record label. All for the Love of Music relives the joys and successes, pitfalls and failures throughout John’s career, which spans over 50 years, as one of the most widely acclaimed and talented record producers in modern music history. ‘It was Monday morning and I felt scared and excited as I walked along East Castle Street for the first time towards EMI’s offices. I still couldn’t get over the fact that the Chairman of the entire Company had written to me. Someday I’d find the answer to that.’ Scattered with photographs that beautifully illustrate his successful career, All for the Love of Music regales John’s time at the forefront of the music industry. This book will be enjoyed by those with a passion for music and those who wish to know more about the music industry from someone who’s experienced it all.