Atlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region’s four provinces. Until now there has been no comprehensive history of this diverse body of work. In Shooting from the East, Darrell Varga traces the emergence of art cinema in the 1970s and ’80s, and subsequent rise of a contemporary commercial feature film and television industry by way of representative examples of a great range of titles, including The Adventure of Faustus Bidgood, Life Classes, The Disappeared, and Trailer Park Boys. He provides analysis of documentary filmmaking to emphasize concerns such as the establishment of the regional National Film Board studio and the influence of broadcast policy, but also considers significant recurring themes including the environment, the body, race and First Nations, and the North. Through critical analyses of key films and interviews conducted with filmmakers from all corners of the region, Varga uncovers patterns of meaning across diverse productions and interrogates the concept of region in relation to prevailing notions of national cinema and transnational media culture. With a focus on short films and an extensive history and analysis of the filmmaking production co-operatives located in each province, Shooting from the East sheds light on the creative processes and local economic and cultural conditions for making images on the edge of the Atlantic.

This early guide is both expensive and hard to find in its first edition. A detailed description of big game shooting that will prove of great interest to the hunting enthusiast or historian of the sport. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

Espionage, in the early 1900s was a clumsy affair for the Americans. They tried but had not caught up to the level of spying associating with other nations. Japan was especially good at covert operations. When the Americans developed a new gunnery system for the Navys big guns, the Japanese caught wind of it and sent five secret agents to San Francisco to steal the plans. They hooked up with Atsuto Suzuki, a Japanese super spy in the bay area and brought their plan together. Things would have gone smoothly had it not been for Joe McBride. He stumbled on to the plot and became a nemesis for the Japanese. Trying as hard as they could, they soon discovered that Joe McBride was very difficult to discourage or to kill. Follow Joe and his life and loves along with Atsutos history as they battle each other in West against East.

Drawing on unprecedented access to the video archives of B'Tselem, an Israeli NGO that distributes cameras to Palestinians living in the West Bank, East Jerusalem, and the Gaza Strip, Liat Berdugo lays out an argument for a visual studies approach to videographic evidence in Israel/Palestine. Using video stills as core material, it discusses the politics of videographic evidence in Israel/Palestine by demonstrating that the conflict is one that has produced an inequality of visual rights. The book highlights visual surveillance and counter surveillance at the citizen level, how Palestinians originally filmed to “shoot back” at Israelis, who were armed with shooting power via weapons as the occupying force. It also traces how Israeli private citizens began filming back at Palestinians with their own cameras, including personal cell phone cameras, thus creating a simultaneous, echoing counter surveillance. Complicating the notion that visual evidence alone can secure justice, the Weaponized Camera in The Middle East asks how what is seen, but also who is seeing, affects how conflicts are visually recorded. Drawing on over 5,000 hours of footage, only a fraction of which is easily accessible to the public domain, this book offers a unique perspective on the strategies and battlegrounds of the Israel/Palestine conflict.

From finding prime habitats to creating a plan for success, Hunting Whitetails East & West covers everything related to hunting America’s deer. Each fall, the whitetail deer is sought by millions of hunters throughout the United States and Canada. With the expertise from two men who have decades of hunting experience under their belts, you will learn all that it takes to avoid another “…well, there’s always next year” kind of season. Learn what it means to be a whitetail hunter through Fears and Weishuhn’s personal anecdotes and stories. Fears’s focus on eastern whitetail combined with Weishuhn’s knowledge of whitetails west of the Mississippi makes Hunting Whitetails East & West the only guide you’ll ever need. Topics covered include best times to hunt, where to hunt, which firearms to use, how to deal with different weather conditions, and much more. Hunting Whitetails East & West is rich in content and written with both the amateur and the seasoned hunter in mind. Color photographs, maps, and population charts will prove especially useful to beginners, while interviews with the experts and detailed advice will be welcome for anyone. J. Wayne Fears has a graduate degree in outdoor recreation from the University of Georgia and has written more than fourteen books on the subject. Having written more than three thousand magazine articles, Fears is a member of the Explorer’s Club and was elected to the Legends of the Outdoors Hall of Fame. Fears resides in Huntsville, Alabama. Skyhorse Publishing is proud to publish a broad range of books for hunters and firearms enthusiasts. We publish books about shotguns, rifles, handguns, target shooting, gun collecting, self-defense, archery, ammunition, knives, gunsmithing, gun repair, and wilderness survival. We publish books on deer hunting, big game hunting, small game hunting, wing shooting, turkey hunting, deer stands, duck blinds, bowhunting, wing shooting, hunting dogs, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.