Flames of Desire: Love Poetry, is a collection of poems written for one man's muse, Aliona. The book expresses the deep emotion experienced by all those who have the capacity to love deeply. The book is a journey into a love affair that is timeless.

This study of the poetry of Francisco de Quevedo combines a stylistic analysis with a philosophical interpretation in the broad sense.

Ben Diaz, (who writes under the nom de plume of Natureboy) and his family, live in a small community called Goodrich in the state of Michigan. Writing has been an ongoing hobby since he was an adolescent. He enjoys the power of words and the feelings that they can evoke. Ben (or Natureboy as he likes to say) writes poetry and the romance genre is what he enjoys writing about the most. He attributes much of his poetry to life experiences and a day dreaming reverie which often draws him into love poems. Ben has taken several classes in Creative Writing at local community colleges. It is at that time he started really honing his poetic writing skills. Free Verse is very evident in his style of writing. Over the years, he has rebuffed many humorous remarks about how he signed his poetry as Natureboy/Ben Diaz. Natureboy has become his accepted signature on his poetry, and he signs it that way, with a humble acceptance of how he sees himself. He enjoys handcycling and finding ways to exercise in his wheelchair which is an ongoing challenge to him.

A collection of love poetry about the Divine Love journey and the timeless principles of Traditional Wisdom. This book of mystical poetry is written for the lover inside all. A modern day Rumi, according to some readers, Suhail has journeyed to the secret garden where the Divine Masculine and Feminine rejoice, in union, ignited by the celebration of their love. And has returned to share his poetic findings here in Flames of Love. Using the language of the lovers, Suhail’s poetry conveys that this secret garden is not an ephemeral fairy tale; rather it exists in the space between, which resides within us all. Where the great love story lives on, to ignite our own. Suhail’s writing helps us all to continue to expand in the appreciation of the Divine Masculine and Feminine.. Through its poems readers are reminded where the flames of true love reside, knowing that this love is eternal, and can never be extinguished. And through Suhail’s honouring of the Divine Feminine, it permits female readers to find safety and permission to honour their own Femininity, with every reading, strengthening this relationship in the external. This magical book of poetry is more than words. For those who are open, it is an opportunity to reunite with your beloved, over and over again. Nourished by Suhail’s translation, this book will spark your imagination; the infinite space where lovers’ passion cannot be contained. Written by the author of Many Mansions the Amazon number three best selling spiritual book.

An angel saves the life of a man who was trapped in darkness and a depression so deep that he cried for death to come, but death would not come.

This book is a Compilation of most of my poems and saved for posterity. This is Volume One, with Volume Two to follow.

Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another. Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.

A sociorhetorical analysis of First Corinthians Robert H. von Thaden Jr.'s sociorhetorical analysis examines Paul's construction of sexual Christian bodies in First Corinthians by utilizing new insights from conceptual integration (blending) theory about the embodied processes of meaning making. Paul's teaching about proper sexual behavior in this letter is best viewed as an example of early Christian wisdom discourse. This discourse draws upon apocalyptic and priestly cognitive frames to increase the rhetorical force of the argument. Reading Paul's argument through the lens of rhetorical invention, von Thaden demonstrates that Paul first attempts to show the Corinthians why sexual immorality is the worst of all bodily sins before shifting rhetorical focus to explain to them how they can best avoid this infraction against the body of Christ. Features: A programmatic application of conceptual integration theory using a sociorhetorical mode of interpretation A vivid account of key aspects of conceptual integration theory and how they function in sociorhetorical interpretation A detailed application of these strategies to interpret 1 Corinthians 1-4; 6:12-7:7

Statues of the god Priapus stood in Roman gardens to warn potential thieves that the god would rape them if they attempted to steal from him. In this book, Richlin argues that the attitude of sexual aggressiveness in defense of a bounded area serves as a model for Roman satire from Lucilius to Juvenal. Using literary, anthropological, psychological, and feminist methodologies, she suggests that aggressive sexual humor reinforces aggressive behavior on both the individual and societal levels, and that Roman satire provides an insight into Roman culture. Including a substantial and provocative new introduction, this revised edition is important not only as an in-depth study of Roman sexual satire, but also as a commentary on the effects of all humor on society and its victims.