Small-flash photography has become widely popular because of its portability and affordability, and this book offers insights on mastering the use of small-unit, hot shoe–mounted flashes called flashguns. Demonstrating the various light modifiers, techniques, and setups designed for these small powerhouses of light, the book explores how to achieve creative results from working with a single flashgun, multiple flashguns, and colored filters, as well as making adjustments with the camera’s white-balance settings. The guide lists the tools required for location-portrait photography and discusses different lighting setups—from shooting in direct sunlight to night and low-light photos—for various location-portrait situations, giving photographers the confidence to make lighting decisions to produce professional results.

Photographers are always looking for perfect light. Unfortunately, the quality of available light, and the situations in which photos are created, are rarely perfect. This is especially true when photographing weddings or portraits on location. So while finding beautiful existing light is every photographer’s ideal, it isn’t always possible. This is the point at which photographers tend to reach for a portable, on-camera flash. Indeed, these intense light sources can prove invaluable, but only if you know how to use them effectively. In the hands of an inexperienced photographer, on-camera flash will produce images that look flat and lifeless—images with harsh shadows, washed-out skin tones, cavernous black backgrounds, and other unappealing visual characteristics. In this book, acclaimed wedding and portrait photographer Neil van Niekerk shows you how to avoid the pitfalls photographers new to speedlights often encounter so that you can produce professional images using on-camera flash. You’l learn to use simple accessories to manipulate the quality of light from your flash and how to improve a lighting scenario by enhancing rather than overwhelming the existing light. When the available light is too low and too uneven to be combined with flash, he shows you how to override it completely with flash and, with some thought and careful application of specialized techniques, still get results that look great. On-camera flash is one of the most challenging light sources to master, but with the techniques in this book you’ll learn to use it with confidence. For wedding and environmental portrait photographers who must work in ever-changing lighting scenarios, this can mean better images and better sales.

Professionals and advanced-level amateurs seeking to push the envelope and enhance the creativity of their shots are shown how to add mood and manipulate color in their images with this guide. Using a technique known as off-camera flash, digital photographers discover how to alter a viewer’s perception through the use of shadows to mask certain details or to draw attention to a specific feature with a simple beam of light. From a survey of the gear required to create these effects and a detailed description of how the basic techniques are executed to more challenging instruction such as close-up techniques, on-location portraiture, black-and-white photography, and capturing motion, this handbook offers digital photographers step-by-step directions for picking up the tips and tricks to set their work apart.

For decades, professional photographers have been using large, expensive studio lighting setups for their shoots. While powerful and effective, they have certain limitations. A new generation of photographers has embraced speedlights, battery powered flashes that can mount on your camera or be triggered remotely. After years of using studio lights, Michael Mowbray switched over to speedlights. He started gradually but soon realized he could shoot nearly everything with speedlights. Specializing in wedding and senior portraits, Mowbray found freedom and renewed creativity with these lights. As he states in the introduction, he no longer chases light, he creates it. The book begins by outlining the core concepts for using speedlights as a primary light source. Knowing how light works allows you to control it. The same goes for your camera. Understanding how the flash and the camera interact using the camera’s metering system is the center of Mowray’s speedlight technique. It’s also important to understand how your camera and flashes communicate while they aren’t attached to one another. The ability to have remote flashes tucked into unique places for a shoot opens up the lighting options available to you. In addition to wedding and senior portrait photography, Mowbray works in fashion, commercial and family photography. The versatility of speedlights allows a professional photographer to work in many genres. After covering the core concepts, the book presents 60 of Mowbray’s world class images. Each photo is accompanied by a list of the equipment used for capturing the shot, alternate related images and a lighting diagram. One of the major advantages of a speedlight portrait system is that it allows you create the light you want virtually anywhere. Interesting unlit nooks magically become great photo settings. A common theme across much of Mowbray’s location work is using speedlights to create light and contrast where none currently exist. A shoot may require that you work at less than ideal times of the day. It is possible create your own sunrise, shoot at night when there is little natural light, or make the daytime look like night. This flexibility opens up the number and type of clients your business can handle. Attention to detail with the placement of lights can be the difference between a run-of-the-mill portrait and a striking, award winning image. Mowbray provides great detail on what went into making each of his photographs. Don’t get stuck in a rut using the same modifiers and the same lighting over and over again. It may work fine but it will ultimately limit you. Clients like choices, especially when they are investing a lot of money. Choices can often lead to bigger sales as clients feel the need to order more of the varied looks and styles. Working in edgier lighting styles and clothing combinations, unique backgrounds or locations can expand the variety of shots you get from a session. Whether going for that classic studio look or crafting something very dramatic and modern, speedlights give you the ability to improvise and expand your techniques. While Mowbray’s main focus is the power and flexibility of speedlights, he also provides great tips for composition and location scouting. Also necessary is the ability to improvise on the spot if your planned location doesn’t work out, like his rained out plans for an outdoor bridal shoot. While creative use of speedlights gives a lot of control over the image created, there are some instances where digital postproduction adds something extra that really makes the photo pop. Mowbray gives a number of examples where editing helped make the final image exactly what he and the client were looking for. Containing lots of images, diagrams, and detailed text, this book provides readers with a thorough understanding of the benefits of shooting with speedlights.

On-location photographers are faced with ever-changing lighting conditions due to the time of day, the weather, or the surroundings, and this book explores how to evaluate, use, and shape the available light to get the best results in any situation. The book begins by showing photographers how to assess available light and exposure, providing information on the quality and characteristics of light and the necessary tools and techniques for measuring them. The guide then focuses on portable lighting solutions that a single photographer can use—with minimal or no assistance—to customize the given light, from on-camera flashes and monolights with battery packs to umbrellas, soft boxes, and LED video lights. Numerous examples of difficult lighting situations are offered, as well as the progression of different light sources used—both correctly and incorrectly—to capture the final photograph.

Hit the ground running with this no-nonsense guide to outdoor portraits! Acclaimed photo-educator Jeff Smith shows you how to design beautiful images that virtually sell themselves. Quick lessons take you through every step of the process in detail, showing you how to select locations, and then use natural light alone or in harmony with reflected light and/or strobe lighting for flawless results. Smith shows you what to look for (and avoid) when lighting the subject’s eyes and face, and demonstrates exactly how to balance your scene and subject for portraits all day long (even at the tricky midday hours). With this all-day approach to location lighting, you’ll be able to book sessions that are more personalized, more profitable, and more convenient—for both you and your clients.

This useful guidebook begins with light sources, showing readers what to look for, what to avoid and how to tailor their selections to the types of lighting they and their clients will enjoy. Smith brings the same treatment to light modifiers, demonstrating how a few light sources can be infinitely modified to create precision lighting effects that are customised for each subject. Packed with before-and-after images and ample set-up shots that show the lighting set-up from the photographer's and the subject's point of view.

Providing readers with a study of learning how to turn poorly lit images into finely crafted, masterfully lit photographs, this guidebook instills photographers with the self-confidence to think on their feet and photograph any portrait subject anywhere. Acclaimed photographer Neil van Niekirk presents seven distinctly different lighting scenariosÑavailable light, exposure metering, a touch of flash, bounced on-camera flash, off-camera flash, video light, and hard sunlightÑto show readers how to manipulate the direction and quality of light, the subjectÕs and photographerÕs position, and numerous other variables so as to turn a bad image into a stunning, professional-level portrait. Packed with dozens of instructional, full-color photos, this work also features 10 sample photo sessions, allowing readers the opportunity to see the seven lighting scenarios put to practice.

Photographic lighting can sometimes seem to be all about the toys. While it is important to cover types of lighting equipment, it is also important to understand how to make the right decisions about putting the equipment to use in the kinds of situations photographers encounter every day. Employing a simplified approach, ample before, during and after shots and a five-session presentation exploring different lighting challenges, Off-Camera Flash will help readers achieve fantastic, professional results.

While light is required to make a photograph, light alone is not enough. More often, it is the way the light has been modified and shaped that brings an image to life. In this book, Glenn Rand and Tim Meyer offer a comprehensive approach to the tools and techniques photographers can use to shape the light—creating the style, energy, emotion, and feeling that make a photograph exceptional. Clear text is paired with ample before-and-after images and diagrams to make learning easy. Beginning with the physics of light, the authors show you how to predict light’s interaction with the surface of the subject/object you are photographing. Based on this, you can begin to make informed decisions about what kinds of modifiers will help you achieve the look you want. Using softboxes, umbrellas, masks, gels, reflectors, and more, you’ll learn to precisely control the light’s diffused edge and ratio for precise, flawless results.