Floating Islands in science, history, the arts and any number of sightings elsewhere

A normal walk to school takes a fantastical turn when Damien, Landon, and Elena are drawn to a magical mirror in a local park! When a message in the glass transforms into a portal, they instantly find themselves in the world of Kendryll, where they discover that they are part of an ancient prophecy that foretold the restoration of the Floating Islands. Kendryll is a place with a deep history and exciting future, but to reach that future, the three kids need to defeat the Evil King and his army of magical creatures. To aid them, some special animals who believe in the ancient prophecy rise up, even at the risk of their lives. Guiding them all is the Great Creator, the White Wizard, who makes the ultimate sacrifice for his beloved creation. In this first book of a seven-part series, The Land Beyond the Mirror, Jason Thomassen has crafted an engaging story that will not only entertain readers but will challenge them to consider their own lives—in this world and the next.

First published in 1990. Although one of Jules Verne's lesser known novels, as part of his 'Extraordinary Voyages' collection, there is still much to enjoy about 'The Floating Island'*. Written in 1895 towards the end of his career this is an adventure novel with elements of sci-fi. A French string quartet traveling from San Francisco to their next engagement in San Diego, is diverted to Standard Island. Standard Island is an immense man-made island designed to travel the waters of the Pacific Ocean. The wealth of residents of the island can only be measured in millions. The quartet is hired to play a number of concerts for the residents during their tour of the islands (Sandwich, Cook, Society, etc.) of the South Pacific. The island seems an idyllic paradise; however, it is an island divided in two. The left half's population is led by Jem Tankerdon and is known as the Larboardites. The right half's population is led by Nat Coverley and is known as the Starboardites. Despite the obstacles encountered on their journey, the two parties have a disagreement that threatens the future of the island itself.

A French string quartet traveling from San Francisco to their next engagement in San Diego, is diverted to Standard Island. Standard Island is an immense man-made island designed to travel the waters of the Pacific Ocean. The wealth of residents of the island can only be measured in millions. The quartet is hired to play a number of concerts for the residents during their tour of the islands (Sandwich, Cook, Society, etc.) of the South Pacific. The island seems an idyllic paradise; however, it is an island divided in two. The left half's population is led by Jem Tankerdon and is known as the Larboardites. The right half's population is led by Nat Coverley and is known as the Starboardites. Despite the obstacles encountered on their journey, the two parties have a disagreement that threatens the future of the island itself.

This book is a unique treasury of information about one of nature's marvels: floating islands. It bibliography contains more than 1,500 citations of books and articles in 20 languages on the subject. The entries are annotated and cross-referenced, and there are both thematic and geographic indices. All aspects of floating islands are addressed.

The Working Group "0ffshore Nuclear Power Plants" was established by the Commission of the European Communities in 1971. At that time it appeared that the option offered by creating new sites offshore should be explored. The present development of nuclear power has not, however, reached the stage where offs hore siting can be considered as a near or medium term proposition. The purpose of this report is to summarize the state of the art for the provision of floating or fixed structures, or man-made islands of the size needed for the construction of nuclear and other power stations. It describes the main factors which must be taken into account in the design and location of such islands and provides an indication of feasibility and cost for each design at the present time. It deals mainly with the civil engineering problems and not other major factors, such as the law of the sea, the rights of countries to locate nuclear establishments off their coast, their safety, security, the energy connection with the mainland, the marine ecology, the logistics, etc. ; many of these problems are directly related to the site and have major economic and political implications. By studying application examples the Working Group has occupied itself with these other factors.

Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. The Aesthetics of Island Space discusses islands as central figures in the modern experience of space. It examines the spatial poetics of islands in literary texts, from Shakespeare's The Tempest to Ghosh's The Hungry Tide, in the journals of explorers and scientists such as James Cook and Charles Darwin, and in Hollywood cinema. It traces the ways in which literary and cinematic islands have functioned as malleable spatial figures that offer vivid perceptual experiences as well as a geopoetic oscillation between the material energies of words and images and the energies of the physical world. The chapters focus on America's island gateways (Roanoke and Ellis Island), visions of tropical islands (Tahiti and imagined South Sea islands), the islands of the US-Canadian border region in the Pacific Northwest, and the imaginative appeal of mutable islands. It argues that modern voyages of discovery posed considerable perceptual and cognitive challenges to the experience of space, and that these challenges were negotiated in complex and contradictory ways via poetic engagement with islands. Discussions of island narratives in postcolonial theory have broadened understanding of how islands have been imagined as geometrical abstractions, bounded spaces easily subjected to the colonial gaze. There is, however, a second story of islands in the Western imagination which runs parallel to this colonial story. In this alternative account, the modern experience of islands in the age of discovery went hand in hand with a disintegration of received models of understanding global space. Drawing on and rethinking (post-)phenomenological, geocritical, and geopoetic theories, The Aesthetics of Island Space argues that the modern experience of islands as mobile and shifting territories implied a dispersal, fragmentation, and diversification of spatial experience, and it explores how this disruption is registered and negotiated by both non-fictional and fictional responses.

Includes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.

Theorising Literary Islands is an epistemological study of the development of the Robinsonade genre, its ideological functions within contemporary Anglophone cultural thought, and the role of literary and filmic mediation in constructing twentieth and twenty-first century European and American relations with and to the Pacific region.

This title goes beyond the internal firm strategies of micromarketing and the 'four Ps' to take a broader perspective focused on the interconnectedness of markets, marketing, and society.