When Richard Whiting, beloved father and husband, and the family peacekeeper, is admitted to hospital in a coma, the family begins a swift unraveling, and its unspoken history threatens to reveal itself. Whiting sisters Stacie and Debbie find themselves victim of their mother Margaret’s unfair treatment—Margaret favours Debbie and demonizes Stacie, who responds with equal vitriol. In light of her father’s hospitalization, Stacie’s interrogation of her mother’s past intensifies, and drives Margaret to extremes in order to protect the shadowy family past, and her own unfathomable secrets. Unbeknownst to them, the sisters are blindly following in their mother’s dark footsteps, and where those footsteps wash into the sea, the waves reveal the true evil of the Whiting family. Debbie and Stacie are gradually walking in the dark footsteps of their mother without even realizing it, and unaware that with each step forward is one step closer towards the truth and realization of who they are to their parents, and at the end of that unlit path—where those footsteps will come to an end—is where a dark veil will be lifted to reveal the true evil of the family.

When the First Crusade ended with the conquest of Jerusalem in 1099, jubilant crusaders returned home to Europe bringing with them stories, sacred relics, and other memorabilia, including banners, jewelry, and weapons. In the ensuing decades, the memory of the crusaders' bravery and pious sacrifice was invoked widely among the noble families of western Christendom. Popes preaching future crusades would count on these very same families for financing, leadership, and for the willing warriors who would lay down their lives on the battlefield. Despite the great risks and financial hardships associated with crusading, descendants of those who suffered and died on crusade would continue to take the cross, in some cases over several generations. Indeed, as Nicholas L. Paul reveals in To Follow in Their Footsteps, crusading was very much a family affair.Scholars of the crusades have long pointed to the importance of dynastic tradition and ties of kinship in the crusading movement but have failed to address more fundamental questions about the operation of these social processes. What is a "family tradition"? How are such traditions constructed and maintained, and by whom? How did crusading families confront the loss of their kin in distant lands? Making creative use of Latin dynastic narratives as well as vernacular literature, personal possessions and art objects, and architecture from across western Europe, Paul shows how traditions of crusading were established and reinforced in the collective memories of noble families throughout the twelfth and thirteenth centuries. Even rulers who never fulfilled crusading vows found their political lives dominated and, in some ways, directed by the memory of their crusading ancestors. Filled with unique insights and careful analysis, To Follow in Their Footsteps reveals the lasting impact of the crusades, beyond the expeditions themselves, on the formation of dynastic identity and the culture of the medieval European nobility.

This amazing epic spans fifty years, four continents, three wars, and the multiple identities of one man who had to adapt to survive. As a little boy he endured the holocaust, from shootings on the bloody banks of the Danube to a frustrated rescue attempt by Raoul Wallenberg. From unprecendented stardom in the theater to abandonment on the streets of a strange land, combat in the desert, unprecedented success in foreign lands, and a tender and profound love story, this an inspiring saga for all people. www.ivangabor.com

In His Footsteps is a devotional journal that will aid anyone in drawing closer to God, no matter what life journey you have been through so far. Whether you are newly devoted to God, an experienced Christian for decades, or wondering who in the world this God really is; then this book is for you. Even if you have walked close to God every day of your life, or strayed away from Him at every turn; God longs to draw you close and develop a very personal relationship with you. He desires to reconnect with each one of us and getting into His Word is one of the best places to start.

Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

Luce Irigaray is one of the world's most important and influential contemporary theorists and this book presents a collection of essays exploring the full range of her work from an international team of academics in many different fields.

Using a variety of critical and theoretical approaches, the contributing scholars to this collection analyze culturally specific and globally held attitudes about mothers and mothering, as represented in world cinema. Examining films from a range of countries including Afghanistan, India, Iran, Eastern Europe, Canada, and the United States, the various chapters contextualize the socio-cultural realities of motherhood as they are represented on screen, and explore the maternal figure as she has been glamorized and celebrated, while simultaneously subjected to public scrutiny. Collectively, this scholarly investigation provides insights into where women’s struggles converge, while also highlighting the dramatically different realities of women around the globe.