For hunters who love the north woods, the past glory of the wilderness is recorded here. Paulina Brandreth, who wrote under the pseudonym Paul Brandreth, was a woman who hunted and photographed deer in the Adirondacks with noted deer hunters Roy Chapman Andrews, General 'Black Jack' Pershing, and Reuben Cary. She began writing for the acclaimed sportsmen's journal Forest and Stream in 1894 at the age of nine. Her material in the magazine was credited to Camp Good Enough, Brandreth Lake, a major deer camp on land purchased by her grandfather specifically for hunting and fishing. One of only a few women writing about hunting at that time, Brandreth chose to continue to write under a pseudonym, publishing Trails of Enchantment in 1930. She was passionate about still-hunting whitetail bucks, evident in a hunt with her guide and friend Reuben Cary: Side by side, we knelt in the snow, waiting for the buck to appear from behind the intervening trunk of a big birch. The suspense was harrowing. And then at last he loomed suddenly before us....

From Hollywood films to novels by Louis L'Amour and television series like Gunsmoke and Deadwood, the Wild West has exerted a powerful hold on the cultural imagination of the United States. Beginning with Theodore Roosevelt's founding of the Boone and Crockett Club in 1887, Christine Bold traces the origins and evolution of the western genre, revealing how a group of prominent eastern aristocrats-a cadre she terms "the frontier club" -created and propagated the myth of the Wild West to advance their own self-interest as well as larger systems of privilege and exclusion. Mining institutional archives, personal papers, novels, and films, The Frontier Club excavates the hidden social, political, and financial interests behind the making of the modern western. It re-reads frontier-club fiction, most notably Owen Wister's bestseller The Virginian, in relation to federal policies and cultural spaces (from exclusive gentlemen's clubs to national parks to zoos); it casts new light on key clubmen, both the famous and the forgotten-figures such as Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, and Frederic Remington-while recovering the women on whom these men depended and without whom this version of the popular West would not exist; and it considers the costs of the frontier-club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, women, and working-class white men. An engaging cultural history that covers print culture, big-game hunting, politics, immigration, Jim Crow segregation, and environmental conservation at the turn of the twentieth century, The Frontier Club provides a welcome new perspective on the enduring American myth of the Wild West.