This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.

This book explores how two early modern and two modern Japanese writers - Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902), and Natsume Sōseki (1867-1916) - experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature. Matthew Mewhinney is Assistant Professor of Japanese in the Department of Modern Languages and Linguistics at Florida State University, USA, where he teaches Japanese language, literature, and culture. His research interests include lyric poetry and theory, literati culture, narrative, subjectivity, and translation. His scholarship has appeared in Poetica: An International Journal of LinguisticLiterary Studies, The Wenshan Review of Literature and Culture, and Japanese Language and Literature.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Expanding Verse explores experimental poetic practice at key moments of transition in Japan's media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms in modern and contemporary Japan--many of which have never been examined in detail before--including the cinepoem, the tape recorder poem, the protest performance poem, the music video poem, the online sign language poem, and the augmented reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.

In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.

Among the leading specialists on Japan, the authors—both Japanese and Western—represent a range of disciplines from economics, history, and political science, to sociology, anthropology, psychiatry, and literary criticism. Some of the essays draw comparisons with China or Korea, some with England, Europe, or America, and some with countries of the Third World. By showing us how the Japanese experience relates to that of other contexts, the authors provide us with important insights into Japan as well as into other societies undergoing a modern transformation. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Lavishly illustrated, these works draw particular focus to the unique intertwinement of poetry and the pictorial arts that is fundamental to the Japanese tradition. In addition to providing new readings and translations of Japanese and Chinese poems, The Poetry of Nature sheds new light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

This book investigates the diverse visual representations of the Orchid Pavilion Gathering produced during the Edo period Japan.

This catalogue explores New York's superlative private collections of Japanese, Chinese and Korean art through a broad and diverse selection of paintings, calligraphy, sculpture, ceramics, and lacquerware that reflect the highest achievements of the classical traditions of East Asian culture. Leading authorities of Asian art discuss the objects within the dynamic context of East Asia as an enduring cultural sphere, offering an expanded view of the art of this region as it traversed national boundaries, transforming and being transformed in the process.