During the 1910s, motion pictures came to dominate every aspect of life in the suburban New Jersey community of Fort Lee. During the nickelodeon era, D.W. Griffith, Mary Pickford, and Mack Sennett would ferry entire acting companies across the Hudson to pose against the Palisades. Theda Bara, "Fatty" Arbuckle, and Douglas Fairbanks worked in the rows of great greenhouse studios that sprang up in Fort Lee and the neighboring communities. Tax revenues from studios and laboratories swelled municipal coffers. Then, suddenly, everything changed. Fort Lee, the film town once hailed as the birthplace of the American motion picture industry, was now the industry's official ghost town. Stages once filled to capacity by Paramount and Universal were leased by independent producers or used as paint shops by scenic artists from Broadway. Most of Fort Lee's film history eventually burned away, one studio at a time. Richard Koszarski re-creates the rise and fall of Fort Lee filmmaking in a remarkable collage of period news accounts, memoirs, municipal records, previously unpublished memos and correspondence, and dozens of rare posters and photographs—not just film history, but a unique account of what happened to one New Jersey town hopelessly enthralled by the movies. Distributed for John Libbey Publishing

A favorite locale of such film pioneers as D. W. Griffith and Mary Pickford, the historic borough of Fort Lee was the first center of the American motion picture industry. Studios lined both sides of Main Street, and enormous film laboratories fed the nickelodeon market with thousands of reels of comedies and cliffhangers. Broadway stars and producers came here to make many of their first feature-length films; but by the 1920s, Theda Bara, Fatty Arbuckle, and Douglas Fairbanks were gone. Yet even after the studios closed down, the film industry was still the backbone of the local economy, with hundreds working behind the scenes in the printing, storage, and distribution of movies being made in Hollywood.

Fort Lee sits on the Palisades, high above the Hudson River, across from Manhattan at the western end of the George Washington Bridge. Fort Lee recounts the rich history of this dynamic borough. Indeed, George Washington slept here, and the Barrymores and the Bennetts and a multitude of actors and entertainers lived and worked here, as it was home to the motion picture industry in the early 1900s. It was also the site of the world-famous Palisades Amusement Park.

THE GRIFFITH PROJECT Paolo Cherchi Usai, General Editor Volume 12: Essays on D.W. Griffith Edited by Paolo Cherchi Usai and Cynthia Rowell With contributions by William M. Drew, Helmut Färber, André Gaudreault, Philippe Gauthier, Lea Jacobs, Joyce Jesionowski, Charlie Keil, Richard Koszarski, Arthur Lennig, Pat Loughney, David Mayer, Russell Merritt, Jan Olsson, Paul Spehr, Yuri Tsivian, Linda Williams In early 1996, an international group of 35 specialists in silent cinema volunteered to write commentaries on more than six hundred films directed, written, produced and supervised by D.W. Griffith – or featuring him as a performer – for the eleven-volume series The Griffith Project, the largest monograph ever assembled on an individual film director, in conjunction with the massive retrospective held at the Pordenone Silent Film Festival from 1996 to 2008. All authors involved in The Griffith Project were bound to strict editorial rules, most notably the fact that all titles in the series would be assigned to them in pre-determined groups rather than as a result of their own individual preference for this or that specific entry. The patience and commitment demonstrated by all scholars in this endeavor requires at least a symbolic recognition. We therefore invited the members of the project team to write an essay on a (D.W. Griffith-related) topic of their own choice. The papers included in this volume constitute the response to our carte blanche invitation. Our offer was also extended to other experts on D.W. Griffith who, for various reasons, were unable to participate in The Griffith Project but consistently supported it with their generous advice and insight. This volume brings The Griffith Project to completion, as 2008 sees the last installment of the D.W. Griffith program at the Pordenone Silent Film Festival with the screening of his films produced between 1925 and 1931. Not surprisingly, twelve years of research on D.W. Griffith have unearthed an impressive wealth of knowledge but also an equally amazing array of new questions, certainly enough of them to fill several more volumes. Some of them (including the increasingly complex issue of D.W. Griffith's role as production supervisor) are only introduced or barely mentioned here, but we are confident that what we have called the 'Griffith Project' will continue – at the Giornate and elsewhere – with more research and newly found or preserved prints. PAOLO CHERCHI USAI is Director of the National Film and Sound Archive of Australia. He is co-founder of the Pordenone Silent Film Festival and of the L. Jeffrey Selznick School of Film Preservation at George Eastman House (Rochester, New York). He directed the experimental feature film Passio (2007). His latest book is David Wark Griffith (Editrice Il Castoro, 2008).

New Jersey has a varied and fascinating history-from its earliest Native American settlements, through its central role in the Revolutionary War, to its strategic position in the major events of our country's past. In History Walks in New Jersey, Lucy D. Rosenfeld and Marina Harrison treat readers to a comprehensive statewide guidebook that includes detailed information on forty-eight of the best sites for historical walks. These outings take the history enthusiast through beautiful green landscapes, natural preserves, and picturesque settlements. Whether you are an amateur historian, a weekend walker, or a teacher planning a class trip, this book will be an essential resource for ideas and information. Walks include the Kingston Loop, a long canal where George Washington, pen in hand, composed his post-Revolutionary War speech, "Farewell Orders to the Armies of the United States." Also included is a mountain walk that traces Native American Leni-Lenape history and one that wends its way into an old Moravian village in the town of Hope. A pirate cove, stops on the Underground Railroad, a Civil War cemetery, and the sites of duels, mines, canals, architectural innovations, estates and resorts, centuries-old agricultural and fishing settlements, and the Hindenburg crash are all here. Each walk includes directions, information on tours, a brief history, and suggestions for additional places to visit in the area. Whether a New Jersey native or a visitor to the Garden State, readers will enjoy going beyond the highways and suburban towns to learn about history while discovering the state's natural beauty.

By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.

Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

Did you know——that a New Jerseyan was the first president of the United States?—that New Jersey was the site of the first organized college football game?—that New Jersey was the location of one of the most devastating espionage attacks of World War I?—that the heroics of a New Jersey woman saved thousands of people from dying of yellow fever?—that one of the first American folk heroes lived in New Jersey—and jumped off waterfalls? These and other fascinating stories can be found in the newly updated Rediscover the Hidden New Jersey, a treasury of New Jersey stories that celebrate the unique heritage and importance of the Garden State. Russell Roberts has scoured New Jersey, from High Point to Cape May, to bring readers a delightful potpourri of facts, essays, lists, photos, stories, and legends about New Jersey. Readers will learn how New Jersey used to be the center of the motion picture universe, the origin of the Jersey Devil and other popular tall tales, where Norman Mailer and Abbot & Costello were born, where Aaron Burr and Leo, the M-G-M lion, lie buried, and much more. Learn about the geology of New Jersey, find out about the state’s ever-changing weather, and how New Jersey was chosen for the famous (or infamous) War of the Worlds radio broadcast that panicked the nation. All this and more is in Rediscover the Hidden New Jersey, the ultimate New Jersey book. This revised edition contains new sections on Lawnside, the Morris Canal, Albert Einstein in Princeton, The Bordentown Manual Training School, Rockefeller/Ocean County Park, the bicycle railroad, Morro Castle, Alice Paul, and more.

It is not enough to say that Edgewater is unique. Nestled on a strip of land between the Hudson River and the base of the Palisades, Edgewater is an anomaly; its geography has made it all but an island with only four roads connecting it to the contiguous municipalities. With stunning photographs, Edgewater follows the development of the community from a day-trip vacation destination for residents of nearby Manhattan, through its industrial years of the early 1900s, to its rebirth as a residential suburb.

A sweeping history of Los Angeles told through the lens of the many marginalized groups—from hobos to taggers—that have used the city’s walls as a channel for communication Graffiti written in storm drain tunnels, on neighborhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city’s urban landscape, Susan A. Phillips traces the hidden language of marginalized groups over the past century—from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression. Graffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. “A-No. 1”), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon “Gidget,” this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.