THE STORIES: PRINCESS REBECCA BIRNBAUM. In the living room of the Birnbaum's Bronx apartment, Rebecca's mother, her married sister and her piano teacher wait eagerly for Rebecca's appearance in the dress she has chosen for her first prom. When she

Example in this ebook THE STORY OF RACHEL. A Play in One Act. Characters: Captain William Carteret, R.N. (about 48). Rachel (his wife, 28). A maid—not a speaking part—who only brings in a letter. Rachel and Carteret sitting in their comfortable drawing room, Rachel in armchair R.C. near a table, cutting a book with a paper-knife. Carteret on small sofa, L.C., with a little table near him on which is an ash-tray. He is smoking, and reading the "Pall Mall Gazette." Rachel [continuing conversation as the curtain goes up]. Don't you agree with what I'm saying? I'm sure men are like that. Will, do you mean to say you don't agree? Carteret [absently, looking up and down columns of paper]. Yes, I daresay. Rachel. I know quite well what it means when a man says in that way [imitating his tone]—'Yes, I daresay,' and goes on reading. It means you're not thinking of what I'm saying—you're thinking of nothing but the paper. Carteret [still looking up and down the columns]. Well, there are very interesting things in the paper. Rachel. Of course there are. And it's still more interesting trying to guess which of them are true. But still it is rather boring that you should be reading the newspaper while I'm talking. Carteret. Oh? I thought you were talking while I was reading the newspaper. Rachel. That is a one-sided view, I must say. [Carteret smiles, shakes the ash off his cigarette, and goes on reading without speaking]. Rachel. It is a pity you don't enjoy my society, isn't it? Carteret [smiling]. A great pity. Rachel. Will, I suppose that you like me as I am? Carteret. Absolutely and entirely. Even when you talk unceasingly when I'm having a quiet read and smoke before dressing for dinner. Rachel. Anyhow, you'd have to be interrupted soon, because you must go up when the clock strikes, and see Mary in bed. Carteret [laughing happily]. Yes, the little monkey. I should never hear the end of it if I didn't. She's a tremendous tyrant, isn't she. Rachel. Yes. I wonder what she'll be like when she grows up. Carteret [smiling]. Like her mother, I daresay. Apt to talk when her husband's reading. Rachel. To-night I want to talk. Do listen, Will—just this once! [Carteret smiles and puts his paper down on his knee]. Carteret. Just this once, if you're sure it won't happen again. Rachel. I was thinking about what men are like, and what women are like. Carteret. You see, men don't want to be taking their souls to pieces perpetually as women do, to see what they're made of. Rachel. But it is so interesting to do it, even if one's afraid of what one finds there. Carteret. Afraid! Rachel. Oh, yes. There are times when I'm thinking of things, when I'm all over the place. I can't help it. Carteret. All over the place! Yes, that's quite true. You are. Rachel. Well, as I said, I've been thinking—and I see that in heaps of ways men and women are so different. Carteret. That's a very profound remark. Don't get beyond my depth, Rachel, pray. Rachel. Will, you horrid old thing! But I don't care for your laughing at me. I'll go on. Men are so simple—— Carteret. And women so complicated?… Rachel. Sometimes. Men take things and people for granted so much more than women do—sailors I do believe especially, are made like that. You take things for granted; you like everybody; you believe in everybody. Carteret. Well, my experience has shewn me that you come fewer croppers in life if you believe in people, than if you're suspicious of them. It may be an illusion, but that's my experience. Rachel. I wonder?… And there is another great difference. Women—so many women—are cowards; afraid, always afraid. Carteret. Afraid of what, you foolish creature? To be continue in this ebook

THE STORIES: THE FROEGLE DICTUM. An absurdist comedy which contrasts the widely divergent lifestyles (and personalities) of two couples to devastating effect. The action focuses on the plight of the unwashed Al, who fails repeatedly (and hilariousl

THE STORIES: The monologue DAYS AHEAD portrays the fraught psyche of a fastidious little man as he confronts the memory of an early love which he perceives as a dusty, crumbling wall through which he must dig. (1 man.) THE MADNESS OF LADY BRIGHT tr

DigiCat Publishing presents to you this special edition of "Four Short Plays" by John Galsworthy. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

These four short plays, written in succession, make a bit of a point of documenting our human evolution out of modernity into the contemporary realm of communal reality. They would therefore be of interest mainly to those who find within themselves a developmental tendency in that direction.

The Heinemann Plays series offers contemporary and classic dramas in durable classroom editions. This volume contains four short plays following a Year 7 class through the ups and downs of their first year in secondary school. The plays are lively and humorous while exploring serious issues.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

First published in 1959. The scope of this four volume work makes it valuable as a work of reference, connecting one period with another an placing each author clearly in the setting of his time. This is the fourth volume and includes the Nineteeth Century and after (1789-1939).