Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon -- Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated -- the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.

"This collection tells a story of disciplinary disorder; Disciplining Modernism brings together a group of leading scholars from various disciplines to confront the terminological confusion in the use of modernism and modernity across disciplines, including anthropology, history, the visual arts, literary studies, comparative literature, film studies, Caribbean studies, sociology, and economics. These fourteen essays use artifacts as different as a Catholic pilgrimage shrine, a Caribbean sculpture, a Chinese poet, and the internal combustion engine to explore the uses and the limits of modernism and modernity, undisciplining modernist studies in the process. As Susan Stanford Friedman puts it in her Afterword to the collection, 'Disciplining Modernism might just as aptly have been titled Undisciplining Modernism.'" --Book Jacket.

In examining the work of Theodor Adorno, this collection of essays focuses on the German philosopher's ideas in the field of musicology. Though it addresses complex theories, this inquiry maintains a lucid style, describing the nuances of Adorno's thought while not relying on a great deal of prior knowledge to shed light on his contributions to music theory. Included is a discussion of the applicability of Adorno's ideas to popular music and an assessment of Adorno's continuing relevance in light of other commentaries.

The opening of the economy to external markets has brought about the re assessment of the significance of large spatial agglo­merations and the accentuation of polarization at national scale. The dual movement of centralization and de-concentration proces­ses, inwards and outwards, contributes to urban sprawl beyond the limits of metropolitan areas, as has been demonstrated in Shang­hai, Jakarta, Delta Metropolis, Mexico City, Sao Paolo and Santia­go. lts consequences for urban structure and urban morphology are immense and complex, and it has fostered social fragmentati­on of space, changing location opportunities, land uses and centra­lities. The importance of transport and communication is accentua­ted, large intra and inter urban connectivity are generated together with the generation of articulated networks, corridors, nodes with impact in land values. New lifestyles, new urban environments and new form of governance emerge and need to be theoretically and empirically underpinned.

College text. No index. Article by Stephen Spender in which he mentions "phallic consciousness", pp. 232-247. -dm.