Rhetorical contests about how to frame a war run alongside many armed conflicts. With the rise of internet access, social media, and cyber operations, these propaganda battles have a wider audience than ever before. Yet, such framing contests have attracted little attention in scholarly literature. What are the effects of gendered and strategic framing in civil war? How do different types of individuals - victims, combatants, women, commanders - utilize the frames created around them and about them? Who benefits from these contests, and who loses? Following the lives of eleven ex-combatants from non-state armed groups and supplemented by over one hundred interviews conducted across Colombia, Framing a Revolution opens a window into this crucial part of civil war. Their testimonies demonstrate the importance of these contests for combatants' commitments to their armed groups during fighting and the Colombian peace process, while also drawing implications for the concept of civil war worldwide.

The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.

All historical work on Paul presupposes a story concerning the composition of his letters -- which ones he actually wrote, how many pieces they might originally have consisted of, when he wrote them, where from, and why. But the answers given to these questions are often derived in dubious ways. In Framing Paul Douglas Campbell reappraises all these issues in rigorous fashion, appealing only to Paul s own epistolary data in order to derive a basic frame for the letters on which all subsequent interpretation can be built. Though figuring out the authorship and order of Paul s letters has been thought to be impossible, Campbell s Framing Paul presents a cogent solution to the puzzle.

A study of technological, sociological, and cultural changes in the British bicycle industry from the 1870s to the present.

This detailed guide contains everything the beginner needs to know to get started matting, mounting, and framing works of art or personal mementos. Practical techniques and expert tips on choosing the proper matboard and frame; measuring and cutting single, double, or triple mats; safely mounting your materials; building frames; attaching hanging hardware; and placing the frame for display.

The concept of framing has been pivotal in research on social interaction among anthropologists, sociologists, psychologists, and linguists. This collection shows how the discourse analysis of frames can be applied to a range of social contexts. Tannen provides a seminal theoretical framework for conceptualizing the relationship between frames and schemas as well as a methodology for the discourse analysis of framing in interaction. Each chapter makes a unique theoretical contribution to frames theory while showing how discourse analysis can elucidate the linguistic means by which framing is accomplished in a particular interactional setting. Applied to such a wide range of contexts as a medical examination, psychotic discourse, gender differences in sermon performance, boys' "sportscasting" their own play, teasing among friends, a comparison of Japanese and American discussion groups, and sociolinguistic interviews, the discourse analysis of framing emerges here as a fruitful new avenue for interaction analysis.

A manual for all without traditional skills who want to build with timber framing.

Situations of conflict offer special insights into the history of the interpreter figure, and specifically the part played in that history by photographic representations of interpreters. This book analyses photo postcards, snapshots and press photos from several historical periods of conflict, associated with different photographic technologies and habits of image consumption: the colonial period, the First and Second World War, and the Cold War. The book’s methodological approach to the "framing" of the interpreter uses tools taken primarily from visual anthropology, sociology and visual syntax to analyse the imagery of the modern era of interpreting. By means of these interpretative frames, the contributions suggest that each culture, subculture or social group constructed its own representation of the interpreter figure through photography. The volume breaks new ground for image-based research in translation studies by examining photographic representations that reveal the interpreter as a socially constructed category. It locates the interpreter’s mediating efforts at the core of the human sciences. This book will be of interest to researchers and advanced students in translation and interpreting studies, as well as to those working in visual studies, photography, anthropology and military/conflict studies.