This profusely illustrated work offers abundant insights into the early development of the skyscraper and the influence of two master builders who played key roles in its evolution. Rare photos, floor plans, and renderings document such influential structures as Sullivan's Wainwright Building in St. Louis, Wright's Larkin building in Buffalo and many others.

An unprecedented look at Frank Lloyd Wright's storied relationship with San Francisco and the Bay Area, highlighting local masterpieces as well as a remarkable body of unbuilt works

Thoroughly researched study of the design and construction of this radical, inspiring workplace draws on much unpublished archival material. From the genesis of the structurally unique Administration Building — its design development, innovations, and furnishings — to the construction and completion of the Research Towers, Lipman presents a wealth of information. 172 black-and-white illustrations.

How did writers and artists view the intersection of architecture and race in the modernist era? Winner of the MSA First Book Prize of the Modernist Studies Association With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex—reducing bodies to specks—to the shadowy mega-blocks it formed at street level, the skyscraper called attention, Brown argues, to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.

The city of New York is the city of skyscrapers. Every first-time visitor to Manhattan experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built. Manhattan Skyscrapers answers the question by presenting the 75 most significant tall buildings that make up the city's famous skyline. From Louis Sullivan's Bayard-Condict Building of 1898 on Bleeker Street to the Conde Nast tower currently rising above Times Square, Manhattan Skyscrapers lavishly presents over a hundred years of New York's most interesting and important tall buildings. Author Eric P. Nash profiles familiar skyscrapers such as the Woolworth Building, the Empire State Building, the Chrysler Building, the World Trade Towers, the AT&T (now Sony) Building, and the Seagram Building, while also championing several often-overlooked yet significant structures, such as the McGraw- Hill, the Metropolitan Life Insurance, and the Fred F. French Buildings. Nash's writing strikes an elegant balance between history, archi-tectural evaluation, and intelligent guidebook. For each building, Nash identifies the building style, gives the overall profile and image of the building, and discusses its construction; also included are quotes from the buildings' architects and the architectural critics of the time. Each skyscraper is illustrated with full-page color photo-graphs by noted photographer Norman McGrath as well as architectural drawings and plans, archival images of the original interiors, postcards, and other ephemera. Manhattan Skyscrapers is essential reading-or an ideal gift-for anyone interested in the buildings that make New York the ultimate skyscraper city.

Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

Examines the life and career of the American architect, detailing the evolution of his innovative design and the structures which won him fame around the world.

As the ever-changing skylines of cities all over the world show, tall buildings are an increasingly important solution to accommodating growth more sustainably in today’s urban areas. Whether it is residential, a workplace or mixed use, the tower is both a statement of intent and the defining image for the new global city. The Tall Buildings Reference Book addresses all the issues of building tall, from the procurement stage through the design and construction process to new technologies and the building’s contribution to the urban habitat. A case study section highlights the latest, the most innovative, the greenest and the most inspirational tall buildings being constructed today. A team of over fifty experts in all aspects of building tall have contributed to the making of the Tall Buildings Reference Book, creating an unparalleled source of information and inspiration for architects, engineers and developers.

Wright's family history, personal adventures, and colorful friends are explored in this evocative biography. Secrest had unprecedented access to an extensive archive of Wright's letters, photographs, drawings and books. "Secrest's achievement is to etch Wright's character in sharp relief. . . . (She) presents Wright in his every guise".--Blair Kamin, "Chicago Tribune". 121 photos.