This book revives the variety of performances that took place in the realms of the French kings and Burgundian dukes.

Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.

Rabelais and Montaigne, Moliere and Racine, Stendhal and Proust--the literature of France boasts a long and glorious tradition. In The New Oxford Companion to Literature in French, readers will have at their fingertips a trusted guide to this rich literary heritage. Written by an international team of experts, the Companion's 3,000 entries capture ten centuries of work produced in France and, more recently, in other French-speaking countries around the world. The coverage they provide is superb. The volume highlights not only poets, novelists, and dramatists, but also historians, scientists, statesmen, and philosophers--providing a sweeping tour of French culture. Here readers will find lengthy articles on the giants of French letters, from Voltaire, Flaubert, and Balzac, to Valery, Cocteau, and Sartre. Among the new features of the Companion are substantial essays that reflect the latest scholarship on topics such as literary movements and genres; historical subjects such as chivalry or Occupation and Resistance in wartime France; intellectual movements from Scholasticism to Feminism; linguistic topics; coverage of the sciences; and the arts and media, including opera, cinema, and journalism. There is generous coverage of painters such as Degas and Delacroix, and composers such as Meyerbeer and Debussy. Scientists and philosophers also appear in these pages (ranging from Poincare and Cuvier to Descartes, Pascal, and Rousseau). There is even an entertaining entry that cites 100 well-known quotations from French literature. Finally, the contributors have approached the literature of France in the widest terms possible, challenging the traditional canon as they examine everything from strip cartoons and pamphlets. Adventurous and wide ranging, the New Companion is more than a simple revision of the original work. Whether you are interested in Condillac or Condorcet, Lamartine or Lamarck, Madame de Stael or Madame Deficit (Marie-Antoinette), The New Oxford Companion to Literature in French provides informed and engaging coverage of the vast literary tradition of France.

Provides information for students wishing to narrow their choice of course before turning to prospectuses - saving them precious time when they need it most. Grouped by study field, this volume is divided into subject chapters with courses arranged alphabetically by title and institution.

Includes selections from the papers given at the Sixth Triennial Colloquium of the International Society for the Study of the Medieval Theatre (SITM)--held at Lancaster, Great Britain, July 13-19, 1989.

Focusing on the vastly understudied area of how women participated in the book trades, not just as authors, but also as patrons, copyists, illuminators, publishers, editors and readers, Women and the Book Trade in Sixteenth-Century France foregrounds contributions made by women during a period of profound transformation in the modes and understanding of publication. Innovatively, Broomhall here broadens the concept of publication to include methods of scribal publication, through the circulation and presentation of manuscripts, and expands notions of authorship to incorporate a wide sample group of female writers and publishing experiences. The work presents the only checklist of all known women's writings in printed texts between 1488 and 1599. Women and the Book Trade in Sixteenth-Century France constitutes the most comprehensive assessment of women's contribution to contemporary publishing yet available. It is of interest not only to book historians and French historians, but also to a broad range of scholars who work with other European literatures and histories, and/or women's studies.