What does it mean to live with life-threatening illness? How does one respond to loss? Freud’s Jaw and Other Lost Objects attempts to answer these questions and, as such, illuminates the vulnerabilities of the human body and how human beings suffer harm. In particular, it examines how cancer disrupts feelings of bodily integrity and agency. Employing psychoanalytic theory and literary analysis, Lana Lin tracks three exemplary figures, psychoanalyst Sigmund Freud, poet Audre Lorde, and literary and queer theorist Eve Kosofsky Sedgwick. Freud’s sixteen-year ordeal with a prosthetic jaw, the result of oral cancer, demonstrates the powers and failures of prosthetic objects in warding off physical and psychic fragmentation. Lorde’s life writing reveals how losing a breast to cancer is experienced as yet another attack directed toward her racially and sexually vilified body. Sedgwick’s memoir and breast cancer advice column negotiate her morbidity by disseminating a public discourse of love and pedagogy. Lin concludes with an analysis of reparative efforts at the rival Freud Museums in London and Vienna. The disassembled Freudian archive, like the subjectivities-in-dissolution upon which the book focuses, shows how the labor of integration is tethered to persistent discontinuities. Freud’s Jaw asks what are the psychic effects of surviving in proximity to one’s mortality, and it suggests that violences stemming from social, cultural, and biological environments condition the burden of such injury. Drawing on psychoanalyst Melanie Klein’s concept of “reparation,” wherein constructive forces are harnessed to repair damage to internal psychic objects, Lin proposes that the prospect of imminent destruction paradoxically incites creativity. The afflicted are obliged to devise means to reinstate, at least temporarily, their destabilized physical and psychic unity through creative, reparative projects of love and writing.

Winner, Alan Bray Memorial Book Award 2022 Lammy Finalist, LGBTQ Studies Can queer theory be erotophobic? This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations. Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.

Fashion, Upcycling, and Memory questions practices and explores its profound connection to memory and sustainability. Through a practice-based researcher lens, the research examines the intricate interplay between upcycling and memory, unveiling assemblages of concepts, objects, and values that inspire action. This book takes readers on a journey through the multidimensional relationship between individuals and clothing. It delves into the disposal of garments and the transformative aspirations embedded within the fashion industry. Employing the unique research methodology known as "A/r/t/ography," which merges artistic practice, rigorous research, and educational development, this book unearths the dynamic interplay between upcycling and memory. The author unravels the intricate web of connections within upcycling through diverse practices, methods, and insightful interviews. By critically questioning established norms and scrutinizing the actions of fashion designers, the book makes significant contributions to existing literature. Additionally, it offers practical recommendations for sustainable fashion education, making it an indispensable resource for individuals involved in the textile and fashion field. Enhanced with visual aids such as images and illustrations, this book ensures an engaging reading experience that immerses readers in the research-based discourse.

An accessible yet erudite deep dive into how platforms are remaking experiences of death "A compelling collection of case studies about how technology breaks down when faced with the messiness of mortality."--Gabriel Nicholas, Washington Post Since the internet's earliest days, people have died and mourned online. In quiet corners of past iterations of the web, the dead linger. But attempts at preserving the data of the dead are often ill-fated, for websites and devices decay and die, just as people do. Death disrupts technologists' plans for platforms. It reveals how digital production is always collaborative, undermining the entrepreneurial platform economy and highlighting the flaws of techno-solutionism. Big Tech has authority not only over people's lives but over their experiences of death as well. Ordinary users and workers, though, advocate for changes to tech companies' policies around death. Drawing on internet histories along with interviews with founders of digital afterlife startups, caretakers of illness blogs, and transhumanist tinkerers, the technology scholar Tamara Kneese takes readers on a vibrant tour of the ways that platforms and people work together to care for digital remains. What happens when commercial platforms encounter the messiness of mortality?

In this challenging collection of essays, the noted historian and philosopher of science John Forrester delves into the disputes over Freud's dead body. With wit and erudition, he tackles questions central to our psychoanalytic century's ways of thinking and living, including the following: Can one speak of a morality of the psychoanalytic life? Are the lives of both analysts and patients doomed to repeat the incestuous patterns they uncover? What and why did Freud collect? Is a history of psychoanalysis possible? By taking nothing for granted and leaving no cliché of psychobabble--theoretical or popular--unturned, Forrester gives us a sense of the ethical surprises and epistemological riddles that a century of tumultuous psychoanalytical debate has often obscured. In these pages, we explore dreams, history, ethics, political theory, and the motor of psychoanalysis as a scientific movement. Forrester makes us feel that the Freud Wars are not merely a vicious quarrel or a fashionable journalistic talking point for the late twentieth century. This hundred years' war is an index of the cultural and scientific climate of modern times. Freud is indeed a barometer for understanding how we conduct our different lives.

With more than three times as many defined entries, biographies, illustrations, and appendices than any other dictionary of psychology ever printed in the English language, Raymond Corsini's Dictionary of Psychology is indeed a landmark resource. The most comprehensive, up-to-date reference of its kind, the Dictionary also maintains a user-friendliness throughout. This combination ensures that it will serve as the definitive work for years to come. With a clear and functional design, and highly readable style, the Dictionary offers over 30,000 entries (including interdisciplinary terms and contemporary slang), more than 125 illustrations, as well as extensive cross-referencing of entries. Ten supportive appendices, such as the Greek Alphabet, Medical Prescription Terms, and biographies of more than 1,000 deceased contributors to psychology, further augment the Dictionary's usefulness. Over 100 psychologists as well as numerous physicians participated as consulting editors, and a dozen specialist consulting editors reviewed the material. Dr. Alan Auerbach, the American Psychological Association's de facto dictionary expert, served as the senior consulting editor. As a final check for comprehensiveness and accuracy, independent review editors were employed to re-examine, re-review, and re-approve every entry.

Campbell's Psychiatric Dictionary is widely recognized as the definitive dictionary of psychiatry--up-to-date, comprehensive, and authoritative. Distinguished by its clarity and scholarship, it is unique among dictionaries in providing nearly encyclopedic discussions of many of the most important entries. The Ninth Edition is nearly double the size of the previous edition and has been updated, revised, and vastly expanded to cover the explosion of new words and terms in psychiatry (including terms reflective of the debate now informing the development of the DSM-V ), neuroscience, cognitive and clinical psychology, and neurodegenerative diseases as well as relevant terms and concepts from a wide range of related fields, including genetics, imaging, general medicine, forensic psychiatry, and sociology. It also covers the full range of treatments, including psychopharmacologic agents, behavior therapy, cognitive therapy, interpersonal therapy, and other brief therapies. The entries are clearly written, so that they can be understood by non-psychiatrists (including general readers), and they feature cross-references, so that readers can easily locate all the relevant information on a topic. Campbell's is written for the working library of a broad and diverse readership of specialists and non-specialists that includes psychiatrists, residents, neurologists, psychologists, nurses, social workers, counselors, lawyers, claims reviewers, and lay readers with an interest in mental health issues.

The concept of "screen memories" was introduced by Freud for the first time in his 1899 paper, reprinted here in its entirety. Although the clinical interest in "screen memories" has perhaps diminished in recent analytic discussion, there is much to be gained from revisiting and re-examining both the phenomenon and Freud's original paper within a contemporary context. To this end, the authors have invited contributions from eight leading psychoanalysts on the current meaning and value to them of the screen memory concept. These comments come from contemporary psychoanalysts practicing in Italy, Francophone Switzerland, Argentina, Israel, and the United States of America, each of whom has been trained in one or another of a variety of psychoanalytic traditions, among which are ego psychology, a French version of Freud, an American version of Lacan and at least two variants of Kleinian thought - one British and one Latin American.

This new edition of the biography of pioneering child analyst Anna Freud includes, among other features, a major retrospective introduction by the author.