The saturation of the English-speaking world with psychoanalytic concepts was due largely to one brilliant analyst, Ernest Jones. As Freud's disciple, colleague, and biographer-and the man who rescued Freud from the Nazis-he led the international psychoanalytic movement, shifting its vortex from Vienna to London and spreading its influence to Toronto, New York, and Boston. While negotiating the ferocious politics of the movement, Jones also managed an imposing series of liaisons, including an heiress and her maid, analysands, and a “Druid Bride.” Unlike Freud, he never had to wonder, “What do women want?”

In clear, accessible language, Lee Grossman addresses the disjuncture between analytic literature and clinical work in an effort to render analytic theorizing more representative of clinical experience. Pointing out the ways in which analytic literature can fail to capture the intensity of feeling and the stumbling, lurching, working in the dark that captures much of clinical engagement, Grossman shows how incomprehensibility is sometimes mistaken for wisdom. As an alternative, Grossman shows how attention to what he calls the syntax of thought can naturally define three different broad categories of life experience: the omnipotence of the neurotic, the wishful, short-sighted thinking of the perverse, and the concrete, disordered thinking of the psychotic. Using rich clinical material, interspersed with detailed exposition and artful satire, Grossman departs from conventional theoretical writing to provide new ways of conceptualising analytic therapy. Addressing analytic therapy as an encounter between two people, both governed by forces about which they know very little, this book provides essential insights for psychoanalysts, psychotherapists and other clinical practitioners both in training and in practice.

Portraits of the thirty-eight known patients Sigmund Freud treated clinically—some well-known, many obscure—reveal a darker, more complex picture of the famed psychoanalyst. Everyone knows the characters described by Freud in his case histories: “Dora,” the “Rat Man,” the “Wolf Man.” But what do we know of the people, the lives behind these famous pseudonyms: Ida Bauer, Ernst Lanzer, Sergius Pankejeff? Do we know the circumstances that led them to Freud’s consulting room, or how they fared—how they really fared—following their treatments? And what of those patients about whom Freud wrote nothing, or very little: Pauline Silberstein, who threw herself from the fourth floor of her analyst’s building; Elfriede Hirschfeld, Freud’s “grand-patient” and “chief tormentor;” the fashionable architect Karl Mayreder; the psychotic millionaire Carl Liebmann; and so many others? In an absorbing sequence of portraits, Mikkel Borch-Jacobsen offers the stories of these men and women—some comic, many tragic, all of them deeply moving. In total, thirty-eight lives tell us as much about Freud’s clinical practice as his celebrated case studies, revealing a darker and more complex Freud than is usually portrayed: the doctor as his patients, their friends, and their families saw him.

This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.

Brings together the study of literature with the psychology and history of religions.

How did Freudian Theory come together as a body of ideas, and how did these ideas attract followers who spread this model of mind throughout the West? Makari contextualises Freud's early psychological work amid the great changes occurring in late-nineteenth-century European science, philosophy, and medicine, showing how Freud was a creative, inter-disciplinary synthesizer whose immersion in pre-existing domains of study led to the creation of Freudian Theory. He looks at how Freud's followers built a heterogeneous movement in the years leading to 1914, at the growth of the movement, and its subsequent collapse with the departures of Bleuler, Jung and Adler. Finally, Makari examines the critical, but neglected, Weimar period, when there was an attempt to rebuild a more pluralistic psychoanalytic community. This reformation resulted in the broader theoretical reach of psychoanalysis and its greater acceptance across the Western world outside Europe, where the rise of fascism was to lead to the destruction of psychoanalysis and the culture that once sustained it.

At the heart of this collection of correspondences are the letters of the poet H.D. (1886-1961) to her companion, the novelist Bryher, during the time she underwent psychoanalysis by Sigmund Freud. Friedman (English and women's studies, U. of Wisconsin at Madison) presents the letters as giving an alternative view of Freud's therapeutic style, as well as offering portraits both of late 19th century Vienna and of the literary circle H.D. was part of, which included Havelock Ellis, Kenneth MacPherson, and Ezra Pound. Annotation copyrighted by Book News, Inc., Portland, OR

If the ancient kingdom of Sumer was the due of the serpent or bull hero who defeated the old serpent or bull and had access to the Divine Mother we can understand why her love appears to be a dangerous boon in later ages. For year by year the chosen of Ishtar has to encounter a foe of his own blood and one of the two "bulls" is dispatched to the country without return. -from "The Divine King" Thoroughly fascinating and totally engrossing, this 1930 work is an exploration of myth and magic in ancient cultures and how they tapped into the most elemental of human experiences-sex, death, tribalism, and war-to lay the foundations of modern religion, contemporary politics, and even the tradition of scientific inquiry. Armchair anthropologists, readers of comparative mythology, and anyone interested in the fundamental basis of the human subconscious will find this book extraordinarily enlightening. Hungarian anthropologist GZA RHEIM (1891-1953) was the first professor of anthropology at the University of Budapest, a position he held from 1919 to 1938, when he fled to the United States to escape the unrest of Europe just prior to World War II. He is also the author of The Riddle of the Sphinx (1934), The Origin and Function of Culture (1943), The Eternal Ones of the Dream (1945), and The Gates of the Dream (1952).

How do readers make sense of a picture, a photograph, or a map in literary narratives in which visual signs play a critical role? How do authors accomplish their various objectives in constructing such complex texts? What strategies and techniques do they use to project fictional worlds and to provide their readers with the means for orienting themselves there? This book investigates the dynamics of the imaginary diagrams created by cartographers, photographers, and writers of narratives, giving ample evidence of how mapping practices have inspired the imagination of a vast number of authors from Thomas More up to contemporary writers. A special focus is on the effects created by the projection of photographs into the narrative space, and how our seemingly effortless interpretation of photographs and even maps masks complex cognitive processes. The theoretical horizon of this study encompasses the fields of cartography, mental maps, iconicity research, and the spatial turn in cultural studies.

Donald Kalsched explores the interior world of dream and fantasy images encountered in therapy with people who have suffered unbearable life experiences. He shows how, in an ironical twist of psychical life, the very images which are generated to defend the self can become malevolent and destructive, resulting in further trauma for the person. Why and how this happens are the questions the book sets out to answer. Drawing on detailed clinical material, the author gives special attention to the problems of addiction and psychosomatic disorder, as well as the broad topic of dissociation and its treatment. By focusing on the archaic and primitive defenses of the self he connects Jungian theory and practice with contemporary object relations theory and dissociation theory. At the same time, he shows how a Jungian understanding of the universal images of myth and folklore can illuminate treatment of the traumatised patient. Trauma is about the rupture of those developmental transitions that make life worth living. Donald Kalsched sees this as a spiritual problem as well as a psychological one and in The Inner World of Trauma he provides a compelling insight into how an inner self-care system tries to save the personal spirit.