Freud's thinking about the unconscious has always been seen to be more about representations than affects. When it came to the passions of the transference and the demands of his hysterical patients, Freud was always more interested, wanted to move the focus away from the transference, and onto dreams. Hidden wishes more than manifest ones were what captured his imagination and style. This book returns to the repressed theory of passions in Freud's own thinking, arguing that the repression, fixation and rhythmic movement of affects make up the roots and branches of psychoanalytic thinking. We can think of Freud's unconscious affects as a tree, with the most passionate and primitive affects that make up the core of our psychic life, moving and branching out into more elaborated emotions and representations. So what moves this tree: the house of our first passions? How we move the tree of our affects, or leave it, is integral to Freud's understanding of sexuality and the Oedipal Complex.

John Forrester’s passionate yet probing engagement with Freud and psychoanalysis is legendary. Here, in six introductory lectures delivered to his students at the University of Cambridge, his range and lucidity bring the evolution of Freud’s thinking and the nature of Freud’s discoveries into sharp focus. With an historian’s eye for context, Forrester explores Freud’s biography, the scientific moment, the radical subject matter of the field itself – sex, dreams, desire, the unconscious, childhood, language – as well as Freud’s development of a new clinical practice. Forrester also explores both the growth of the psychoanalytic movement and the question of what kind of beast it might be as it travels through time and geography. He illuminates the cultural and revolutionary impact of psychoanalytic thinking – not only Freud’s, but that of some of his progeny in the many places where the movement flourished. Freud and Psychoanalysis takes us from Vienna to London, from Paris to New York and Hollywood, from the lab to the couch, to the campus, to film and to literature. This is a slim book that packs a big punch. It invites any curious reader into a field and a way of thinking that shaped the twentieth century.

Although Freud makes only occasional, brief references to China and Chinese culture in his works, for almost a hundred years many leading Chinese intellectuals have studied and appropriated various Freudian theories. However, whilst some features of Freud’s views have been warmly embraced from the start and appreciated for their various explanatory and therapeutic values, other aspects have been vigorously criticized as implausible or inapplicable to the Chinese context. This book explores the history, reception, and use of Freud and his theories in China, and makes an original and substantial contribution to our understanding of the Chinese people and their culture as well as to our appreciation of western attempts to understand the people and culture of China. The essays are organised around three key areas of research. First, it examines the historical background concerning the China-Freud connection in the 20th century, before going on to use reconstructed Freudian theories in order to provide a modernist critique of Chinese culture. Finally, the book deploys traditional Chinese thought in order to challenge various aspects of the Freudian project. Both Freudianism’s universal appeal and its cultural particularity are in full display throughout the book. At the same time, the allure of Chinese cultural and literary expressions, both in terms of their commonality with other cultures and their distinctive characteristics, are also scrutinized. This collection of essays will be welcomed by those interested in early modern and contemporary China, as well as the work and influence of Freud. It will also be of great interest to students and scholars of psychology, psychoanalysis, literature, philosophy, religion, and cultural studies more generally.

The Routledge Handbook of Psychoanalysis in the Social Sciences and Humanities provides a comprehensive, critical overview of the historical, theoretical and applied forms of psychoanalytical criticism. This path-breaking Handbook offers students new ways of understanding the powers and limits of psychoanalysis, and of the social, cultural and political possibilities of psychoanalytic critique. The book offers students and professionals clear and concise chapters on the development of psychoanalysis, introducing key theories that have influenced debates over the psyche, desire and emotion in the social sciences and humanities. There are substantive chapters on classical Freudian theory, Kleinian and Bionian theory, object-relations psychoanalysis, Lacanian and post-Lacanian approaches, feminist psychoanalysis, as well as postmodern trends in psychoanalysis. There is a strong emphasis on interdisciplinary approaches to psychoanalytic critique, with contributions drawing from developments in sociology, politics, history, cultural studies, women’s studies and architecture.

consciousness, and the life of emotions. The modernist artistic process, Cuda suggests, is a register of the mind's encounter with forces beyond its control." "Resuscitating the classical definition of passion from the Latin passio, "to be moved" or "to be acted on," Cuda's study demonstrates that the modernist attraction to passivity arises from a desire to gauge the limits of the active mind and to rethink psychology and aesthetics from the perspective of the moved instead of the mover. Focusing on well-known texts as well as uncollected and archival materials - such as Yeats's letters and Eliot's prose - Cuda sheds new light on four canonical writers by examining their work in terms of "passion scenes," vivid, intense tropes, situated somewhere between exhilaration and terror, that recur with insistent regularity over an artist's entire career, exerting an unusual psychological force on the creative mind that conjures them. Cuda also offers a corrective to debates about --

In the tradition of political realism, this book provides an important reappraisal of the concept of human nature in contemporary realist international-political theory. With special reference to the anthropology of Sigmund Freud, a consequential yet terribly neglected and underestimated thinker in International Relations, Schuett demonstrates that analytical and normative theorizing of all international-political reality, its nature, tragedies, and potentialities, requires a sophisticated theory of human nature. Developing a Freudian philosophical anthropology for political realism, he argues for the careful resurrection of the concept of human nature in the wider study of international relations.