From Apocalypse to Way of Life is a comprehensive and in depth survey of environmental crisis as it has been understood for the last four decades. Buell recounts the growing number of ecological and social problems critical for the environment, and the impact that the growing experience with, and understanding of, them has had on American politics, society and culture.

This is the first study to examine the rise and fall of a medieval religious group, the Order of Apostles, that began with orthodox support but ended in the fires of heresy. Originating in 1260 in Parma the group was founded by Gerard Segarelli who believed that a life of apostolic poverty was the true path of Christian devotion. Segarelli was initially supported by the Church but as his cohort grew in number and fame he was charged with heresy by the powerful Franciscans, was tried, and burnt as a heretic. The Order's control was assumed by Fra Dolcino who led the Apostles into direct opposition to the Roman Church and was himself executed in 1307. This is an important study presenting new findings in the history of medieval heresy, as well as placing the Order of Apostles within the larger context of political, economic and social history. By examining the rise and fall of the Apostles Pierce shows the dramatic consequences of the transformation of European society during the high Middle Ages.

Bringing together scholars from English literature, geography, politics, the arts, environmental humanities and sociology, Imagining Apocalyptic Politics in the Anthropocene contributes to the emerging debate between bodies of thought first incepted by scholars such as Mouffe, Whyte, Kaplan, Hunt, Swyngedouw and Malm about how apocalyptic events, narratives and imaginaries interact with societal and individual agency historically and in the current political moment. Exploring their own empirical and philosophical contexts, the authors examine the forms of political acting found in apocalyptic imaginaries and reflect on what this means for contemporary society. By framing their arguments around either pre-apocalyptic, peri-apocalyptic or post-apocalyptic narratives and events, a timeline emerges throughout the volume which shows the different opportunities for political agency the anthropocenic subject can enact at the various stages of apocalyptic moments. Featuring a number of creative interventions exclusively produced for the work from artists and fiction writers who engage with the themes of apocalypse, decline, catastrophe and disaster, this innovative book will be of great interest to students and scholars of the politics of climate change, the environmental humanities, literary criticism and eco-criticism.

One “apocalyptic” reading of Paul’s letter to the Galatians has been attempted before and is now widely accepted, but that reading is not based on a thorough engagement with Jewish apocalyptic traditions of the Second Temple period. In this book, James M. Scott argues that there is an essential continuity between Galatians and Paul’s Jewish past, and that Paul uses the apocalyptic Epistle of Enoch (1 Enoch 92–105) as a literary model for his own letter. Scott first contextualizes the Epistle of Enoch using the entire Enochic corpus and explores the extensive similarities (and some significant differences) between the Enochic tradition and early Stoicism. Then he turns to deal specifically with Paul’s letter to the Galatians, showing that, despite their obvious differences, the two apocalyptic letters have some remarkable features in common as well. This approach to the interpretation of Galatians fundamentally stands to change the way biblical scholars understand Paul’s letter and the gospel that he preached. Paul is “within Judaism,” if the net for what is included in “Judaism” is wide enough to encompass the Enochic tradition.

Rewriting Apocalypse in Contemporary Canadian Fiction is the first book to explore the literary, psychological, political, and cultural repercussions of the apocalypse in the fiction of Timothy Finley, Michael Ondaatje, Margaret Atwood, Thomas King, and Joy Kogawa. While writers from diverse nations have adopted and adapted the biblical narrative, these Canadian authors introduce particular twists to the familiar myth of the end. Goldman demonstrates that they share a marked concern with purgation of the non-elect, the loss experienced by the non-elect, and the traumatic impact of apocalyptic violence. She also analyzes Canadian apocalyptic accounts as crisis literature written in the context of the Cold War - written against the fear of total destruction.

Apocalyptic texts are often seen as either frightening or irrelevant, a tool for fearmongering and manipulation or for the lucrative doomsday industry. But Apocalypse When?: Interpreting and Preaching Apocalyptic Texts equips readers to understand these texts as sources of encouragement and strength for the church. As the world faces threats of war, poverty, climate and environmental crises, and political upheaval, churches can draw on the wisdom and courage of our biblical ancestors who faced their own calamities and persecutions. Their struggles against powerful economic, militaristic, cultural, and social forces drew them closer to God. We have much to learn from their faith, ethical integrity, and dedication to the promises of God that engender hope in the midst of turmoil and terror. With solid historical exegesis, thought-provoking ideas for preaching, and examples of sermons that creatively and compellingly proclaim God's word, this book provides much-needed guidance for the church in tumultuous times.

How may people of faith respond wisely, constructively, and courageously to the challenges of a time of terror? How might religious reasons in public debate be a force for reconciliation rather than violence and hatred? In a world in which religious arguments and religious motivations play such a huge public role, there is an urgent responsibility for interpreting what is happening, and engaging with religious views which are commonly regarded as alien, threatening or dangerous. In Apocalypse Now?, Duncan Forrester argues that disorders and atrocities which include the Gulag, the Holocaust, 9/11, the Afghanistan and Iraq wars, and the Tsunami disaster have shown us that we stand not at the end of history but in the midst of an apocalyptic age of terror which has striking similarities to the time in which Christianity was born. Moving between two times of terror - the early Centuries of Christianity, and today - Forrester asks how religious motivations can play a positive role in the midst of conflicts and disasters. Reading the 'signs of the times' to try to understand what is happening in today's age of terror, Forrester argues that there are huge resources in the Christian tradition that can be productively deployed for a more constructive and faithful response. We are at a turning point - this is a book which should be read.

In a world of increasing mobility and migration, population size and composition come under persistent scrutiny across public policy, public debate, and film and television. Drawing on media, cultural and social theory approaches, this book takes a fresh look at the concept of ‘population’ as a term that circulates outside the traditional disciplinary areas of demography, governance and statistics—a term that gives coherence to notions such as community, nation, the world and global humanity itself. It focuses on understanding how the concept of population governs ways of thinking about our own identities and forms of belonging at local, national and international levels; on the manner in which television genres fixate on depictions of overpopulation and underpopulation; on the emergence of questions of ethics of belonging and migration in relation to cities; on attitudes towards otherness; and on the use by an emergent ‘alt-right’ politics of population in ‘forgotten people’ concepts. As such, it will appeal to scholars of sociology, geography and media and cultural studies with interests in questions of belonging, citizenship and population.

Baxter Zevcenko is your average 16-year-old boy. If by average you mean kingpin of a porn-peddling schoolyard syndicate and a possible serial killer who suffers from weird historical dreams. Baxter is the first to admit that he’s not a nice guy. After all, high school is a gaping, icy abyss and Baxter is not about to allow anybody to drag him down. That is until his girlfriend, Esme, is kidnapped and the clues point toward supernatural forces at work. Faced with navigating the increasingly bizarre landscape of Cape Town’s supernatural underworld, Baxter turns to the only person drunk enough to help: bearded, booze-soaked, supernatural bounty hunter, Jackson “Jackie” Ronin. On a mission that takes them through the realms of impossibility, they face every conceivable nightmare to rescue Esmé, including the odd brush with the Apocalypse.

DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.