The review in this book, covering the films of two decades from 1920 to 1940, illustrates the important part the National Board has itself played in film history -- Introduction.

This is an American novel of formed chaos playfully enacting the centrality of language in late twentieth-century art and life through the voices of two women steeped in Western traditions, one telling the story of her restoration of an ante-bellum house on the Florida Gulf Coast, the other faithfully recording it but running culturally wild in the process. In both literal and extended senses, The Restorationist is a mystery, with attendant bafflements, horrors, attempts to get to the bottom of things: mayhem and murder; artifices of trivialization by media, our technological doubles; arrangements of power in communities and in texts; signs and selves.

A Hugo Award–winning anthology with stories by Ursula K. Le Guin, Kurt Vonnegut, Dean Koontz, Thomas Disch, Ben Bova, and many more. Over the course of his legendary career, Harlan Ellison has defied—and sometimes defined—modern fantasy literature, all while refusing to allow any genre to claim him. A Grand Master of the Science Fiction Writers of America, winner of the Lifetime Achievement Award from the Horror Writers Association as well as winner of countless awards, including the Hugo, Nebula, Edgar Allan Poe, and Bram Stoker, Ellison is as unpredictable as he is unique, irrepressible as he is infuriating. Again, Dangerous Visions is the classic companion to the most essential science fiction anthology ever published, and includes forty‐six original stories edited and with introductions by Harlan Ellison, featuring John Heidenry, Ross Rocklynne, Ursula K. Le Guin, Andrew J. Offutt, Gene Wolfe, Ray Nelson, Ray Bradbury, Chad Oliver, Edward Bryant, Kate Wilhelm, James B. Hemesath, Joanna Russ, Kurt Vonnegut, T. L. Sherred, K. M. O’Donnell (Barry N. Malzberg), H. H. Hollis, Bernard Wolfe, David Gerrold, Piers Anthony, Lee Hoffman, Gahan Wilson, Joan Bernott, Gregory Benford, Evelyn Lief, James Sallis, Josephine Saxton, Ken McCullough, David Kerr, Burt K. Filer, Richard Hill, Leonard Tushnet, Ben Bova, Dean Koontz, James Blish and Judith Ann Lawrence, A. Parra (y Figueredo), Thomas M. Disch, Richard A. Lupoff, M. John Harrison, Robin Scott, Andrew Weiner, Terry Carr, and James Tiptree Jr.

Ill give you half-a-million dollars for the rest of that bottle. Every visit to my friends house was crazy with 3 dogs jumping, barking, and acting wild. All I have to do is spray them with these Flower Essences and they will settle down I said. She burst out laughing at me, the little bottle, and my big promise. Wait 3 minutes. I said while spraying. She checked her watch. In 2 minutes, the German Shepherd and the Border Collie were lying down and the unruly Jack Russell-Chihuahua was quietly chewing on one of his toys. What would you pay for Peace and Quiet? There is no substitute for patience, positive training, and understanding but sometimes we simply need to pull the lamp closer to get a better look at the cause of their discontent, to illuminate, see from a different angle, helping your animal overcome problematic behaviors, attitudes, and emotions.

How do you know if you've found the one? Can you really love the one you're with when you can't forget the one who got away? Emily Giffin, author of the New York Times bestselling novels Something Borrowed, Something Blue, and Baby Proof, poses these questions—and many more—with her highly anticipated, thought-provoking new novel Love the One You're With. Ellen and Andy's first year of marriage doesn't just seem perfect, it is perfect. There is no question how deep their devotion is, and how naturally they bring out the best in each other. But one fateful afternoon, Ellen runs into Leo for the first time in eight years. Leo, the one who brought out the worst in her. Leo, the one who left her heartbroken with no explanation. Leo, the one she could never quite forget. When his reappearance ignites long-dormant emotions, Ellen begins to question whether the life she's living is the one she's meant to live. At once heartbreaking and funny, Love the One You're With is a tale of lost loves and found fortunes—and will resonate with anyone who has ever wondered what if.

First in a delicious new mystery series about Eva Knox and her family’s Georgia olive plantation. In the sweet Southern town of Abundance, Georgia, home of the Knox family’s olive farm, gossip isn’t the only thing that can kill you... After leaving a man at the altar for the second time in her life, Eva Knox decides to head home to her family’s plantation to regroup and soak in some Southern charm. But hiding from her woes is a slipperier proposition than Eva imagined. For one thing, most people in town still haven’t forgiven her for leaving local boy Buck Tanner at the altar and hightailing it up north eighteen years ago. For another, a death on her family’s farm soon makes her the lead suspect in a murder case—and the sheriff investigating is none other than Eva’s old flame Buck. With the police putting the squeeze on her, it’s up to Eva and her sisters, Pep and Daphne, to figure out who could have possibly left a dead body in their olive grove. And they’ll have to catch the greasy killer quickly—because it looks like Eva has been picked as the murderer’s next victim...

Six years ago, Police Officer Frank Cooper found out a secret so damaging he walked away from his family, shattering his reputation, career, and any illusion of being a good man. Now off the force and looking to start life over, the victim in an old case reaches out to him for help. A victim of kidnapping, Katie Tahiri escaped her captors, but the question of exactly how has been a closely held secret. Katie can't remember. And Frank... he hasn't told anyone what he knows. No longer able to outrun the past, Frank and Katie seek out the answers to what exactly happened that terrible night and what it means for their lives. And their souls.

Recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms tied to anecdotes spanning Grlić’s life. “I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can’t put it down and then I got to the last 20 pages slowing down to a snail’s pace and reading so slowly so that it wouldn’t be over so quickly.”—Mike Downey, European Film Academy From his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry. From the introduction by Aida Vidan: The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlić’s stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader’s own “montage” of the book’s universe.... Grlić adroitly captures the absurdities and paradoxes in one’s life resulting from the sort of tectonic shifts with which East European history abounds.

Authors Cara Lockwood, Pamela Redmond Satran, Diane Stingley, Beth Kendrick, Eileen Rendahl, and Megan McAndrew collaborate in this collection of nine separate humorous short stories all centered around young women's experiences on New Years Eve.

This is a history of Western culture, divided into two parts. The first concerns the aggressive championing of monotheism by Jewish people as their distinctive national culture (although they only fell into or embraced it late in their development). Jesus offended by proposing an inversion of the divine protocols and an agenda more in harmony with international political realities: the one God proposed to use the Jews to reach (and transform) the entire human race, which was the actual object of His redemptive and creative energies. With the Renaissance widening opportunities for study, travel, learning and discovery, authorities had greater difficulty justifying limitations on individuals’ freedom of expression of heterodox artistic, political, philosophical or religious positions. This book explores the difficult modern psychological adjustment of dealing with a world with diminishing centers of authority – where it often seems as if no one is in charge – while also doing justice to one’s feelings of frustration and lack of fulfillment without becoming a radical narcissist.