Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.

English religious poetry--Donne and Herbert--Donne's Anniversaries revisited--The generous ambiguity of Herbert's Temple--Marlowe's "amorous poem"--Spencer's Amoretti"--Pure and impure pastoral--The Winter's tale--The masks of mannerism: Thomas Carew--Richard Crashaw--Vaughan and Rembrandt.

This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

This fascinating little book contains a treatise on furniture from around the world, all produced in the Renaissance and Baroque periods. Complete with detailed illustrations and comprehensive information on aspects such as history, manufacturing, and popularity, this book constitutes a veritable must-read for anyone with an interest in the history of furniture and makes for a great addition to collections of such literature. This text has been chosen for modern republication due to its timeless educational value, and we are proud to republish it now complete with a new introduction on the history of furniture.

BAROQUE TOMORROW, written by energy and finance expert Jack Michalowski, questions why information technology advances havem failed to deliver post-industrial nations from rising unemployment, poverty and inequality, longer working hours and declining pay. Comprehensive and topical, this volume looks through today's issues at cycles of our history over the last few hundred years to search for answers to the key question of the day: why are post-industrial societies declining and why pace of progress is slowing. Discover why technology falls short and why even the world's leading economies are still struggling in this fast-paced book that reads like a thriller.

Different eras produce different art styles. By reading this ebook, you will begin to understand how the existing social, political and economic structures shape the art style of the period. In addition, you will also learn to acknowledge personal tastes and preferences of the artists who have created the most popular artwork per art style. Grab a copy today.

Montenegro is a small country in southeastern Europe, bordered by Bosnia and Herzegovina, Serbia, Kosovo, Albania, and the Adriatic Sea. It gained independence in 2006 from Serbia and has a population of about 620,029 people. Its official language is Montenegrin, which is closely related to Serbian, Croatian, and Bosnian. Serbia had ruled Montenegro for over 88 years before its independence, but its history can be traced back to the Illyrians, an ancient Indo-European people who inhabited the western Balkans. Montenegro has a diverse landscape with mountains, lakes, and beaches, making it a popular tourist destination. Montenegro is a member of the United Nations and NATO’s Partnership for Peace program, but it is not an official member of the European Union. The country’s economy relies on tourism and energy production, with significant investment from foreign companies. The country has a Mediterranean climate with hot and dry summers and mild winters. Montenegro is known for its beautiful beaches along the Adriatic coast and its medieval towns, such as Kotor and Budva, which are listed as UNESCO World Heritage Sites. The country is also home to several national parks, including Durmitor and Biogradska Gora, which offer visitors the opportunity to hike, ski, and experience the country's natural beauty.

Italy offers an extraordinary kaleidoscope of regions and experiences for all visitors. Packed with photographs, illustrations and maps the Eyewitness Travel to Italy in the new ebook format has mapped out all of the remarkable flavors of Italy. Use this guide to help you decide where to stay, eat, relax, and shop. Every page in the Eyewitness Travel to Italy has pinpointed the highlights of each fascinating region. Annually revised and updated with beautiful new photos, illustrations, and maps, this guide includes information on local customs, currency, medical services, and transportation. Consistently chosen over the competition in national consumer market research. The best keeps getting better!