Essay from the year 2005 in the subject English Language and Literature Studies - Comparative Literature, grade: A, University of Paderborn, language: English, abstract: application of the science of psychology to the study of culture. The screening of the movie Secrets of a Soul on the birthday of the founding father of psychoanalysis Sigmund Freud in Berlin demonstrated the initial point of convergence between one of the most important and influential psychological theories of the 20th century and film production. Although Freud did not consider the cinematic medium as appropriate to fully explain the abstract concepts of psychoanalysis, which the film attempts by means of a case study concerning a patient's treatment, there apparently occurred some sort of transference process between the analyst and the artists. Thus, by mutually reinforcing each other, both discourses gained legitimacy making it worthwhile to further examine this relationship. G.W. Pabst's 1926 film, Secrets of a Soul (Geheimnisse einer Seele), is one such encounter, a chapter in the still unwritten and untheorized metahistory of psychoanalysis and cinema. This paper aims to make a contribution to that metahistorical text, proposing a combination of abstract analytical thought and popular entertainment during the Weimar Cinema period. In agreement with the notion, that "the ready appeal of cinema as an analogy for mental processes brings about the danger of the loss of the specificity of psychoanalytic understanding"3, I will not try to equate the two discourses, but rather follow two objectives: First, utilize psychoanalytic theory as an instrument for strategic interpretation of the story / plot of a particular film and second, attempt to crystallize out the way it corresponds with cinematic representation. In regards to the latter aspect I operate under the assumption, that the creative process of film making entails a big part of the unconscious and thus lends itself to psychoanalytic inter

Essay from the year 2005 in the subject English Language and Literature Studies - Comparative Literature, grade: A, University of Paderborn, language: English, abstract: application of the science of psychology to the study of culture. The screening of the movie Secrets of a Soul on the birthday of the founding father of psychoanalysis Sigmund Freud in Berlin demonstrated the initial point of convergence between one of the most important and influential psychological theories of the 20th century and film production. Although Freud did not consider the cinematic medium as appropriate to fully explain the abstract concepts of psychoanalysis, which the film attempts by means of a case study concerning a patient’s treatment, there apparently occurred some sort of transference process between the analyst and the artists. Thus, by mutually reinforcing each other, both discourses gained legitimacy making it worthwhile to further examine this relationship. G.W. Pabst’s 1926 film, Secrets of a Soul (Geheimnisse einer Seele), is one such encounter, a chapter in the still unwritten and untheorized metahistory of psychoanalysis and cinema. This paper aims to make a contribution to that metahistorical text, proposing a combination of abstract analytical thought and popular entertainment during the Weimar Cinema period. In agreement with the notion, that “the ready appeal of cinema as an analogy for mental processes brings about the danger of the loss of the specificity of psychoanalytic understanding”3, I will not try to equate the two discourses, but rather follow two objectives: First, utilize psychoanalytic theory as an instrument for strategic interpretation of the story / plot of a particular film and second, attempt to crystallize out the way it corresponds with cinematic representation. In regards to the latter aspect I operate under the assumption, that the creative process of film making entails a big part of the unconscious and thus lends itself to psychoanalytic interpretation. Although in contrast to Secrets of a Soul it does not deal with the method of psychoanalysis directly, I chose the movie The Cabinet of Dr Caligari for this paper, because I suppose that it contains various elements of the conceptual framework of the theory which comes about in narrative and visual terms. Primarily leaning onto a core text in the history of German film, written by the Marxian representative Krakauer, I will thus treat the movie as an allegory of psychoanalysis in general and try to see to what extent it can be considered a reflection of the so called collective unconscious. [...]

"Joyful and funny . . . Park uses science, compassion, humor, diverse stories and examples of her own shame-free living to take the stigma out of these infections." —The New York Times With curiosity and wit, Strange Bedfellows rips back the bedsheets to expose what really happens when STDs enter the sack. Sexually transmitted diseases have been hidden players in our lives for the whole of human history, with roles in everything from World War II to the growth of the Internet to The Bachelor. But despite their prominence, STDs have been shrouded in mystery and taboo for centuries, which begs the question: why do we know so little about them? Enter Ina Park, MD, who has been pushing boundaries to empower and inform others about sexual health for decades. With Strange Bedfellows, she ventures far beyond the bedroom to examine the hidden role and influence of these widely misunderstood infections and share their untold stories. Covering everything from AIDS to Zika, Park explores STDs on the cellular, individual, and population-level. She blends science and storytelling with historical tales, real life sexual escapades, and interviews with leading scientists—weaving in a healthy dose of hilarity along the way. The truth is, most of us are sexually active, yet we’re often unaware of the universe of microscopic bedfellows inside our pants. Park aims to change this by bringing knowledge to the masses in an accessible, no-nonsense, humorous way—helping readers understand the broad impact STDs have on our lives, while at the same time erasing the unfair stigmas attached to them. A departure from the cone of awkward silence and shame that so often surrounds sexual health, Strange Bedfellows is the straight-shooting book about the consequences of sex that all curious readers have been looking for.

An examination of Critical Incident Stress Management and Traumatic Incident Reduction and how cross-training could benefit facilitators of both CISM and TIR.

A veteran scholar of government recounts how a handful of passionately committed policy activists and intellectuals prevailed against the overwhelming majority of US policymakers who opposed the eastward expansion of the Atlantic alliance as threatening to the emerging relationship between Russia and the west. He draws from his own interviews with over 60 international affairs specialist in the US and Europe. Annotation copyrighted by Book News, Inc., Portland, OR

Explores the role of law in different areas of BRICS cooperation and the impact it can make on global governance.

Our world has been divided into two distinct eras, the pre-coronavirus era and the post-coronavirus era. In the post-coronavirus era, everything is changing about how we live, think, work, study, travel, worship, do business and socialize. Our dispositions to the changes will determine what the post-coronavirus world will look like for us. Rigidity will be a great undoing for many in the days to come. We all have to prepare to learn, unlearn and relearn new skills in order to survive the impact of the pandemic. The church in Africa, and, indeed, ECWA is not immune to the changes taking place. If the church in Africa and beyond is to survive and be of impact in this new-normal era of the world, then it must be like the men of Issachar, ‘who understood the times and knew what Israel should do . . .’ (1 Chronicles 12:32). This book examines the effects of the coronavirus lockdown on corporate worship in ECWA. It discusses the response of ECWA to the same and extrapolates the implications to the church in Africa. These implications are important for the future of evangelical Christianity in Africa so the church can strategise to minister in the face of the new realities introduced by the outbreak of the coronavirus pandemic.

This book offers a comprehensive introduction to the developmental history and structural framework of Chinese competition law from a law and economics perspective. It examines the philosophical foundations, the substantive law, and enforcement issues concerning competition law and policy in China by pursuing an economic and comparative approach. Further, the book presents and analyzes competition cases involving monopolistic agreements, abuse of dominant position, and concentration. The book will help professionals and business practitioners to understand the distinct features of competition law and policy in China, and how the substance and enforcement of the law can be compared with competition regulations in the US and EU from an economic perspective. Given its scope, it offers a valuable guide for academic, public sector and professional audiences alike, and will appeal to researchers, students and anyone with an interest in economic law and policy in China. The book can also be used as reading material to accompany courses such as China’s Competition Law and Policy, Comparative Competition Law, and Market Regulation in China for foreign students studying Chinese law and policy at the undergraduate, graduate and doctoral levels.

Based closely in spirit upon the most recent development in prosodic studies, Verbal Transformation, Despair, and Hope in The Waste Land attempts another round of “philosophical investigation”. The book demonstrates how The Waste Land could be read afresh in terms of the hidden verbal transformation that reveals the overlooked performative and collaborative nature of language. This verbal transformation makes The Waste Land flow naturally as truly “rhythmical creation of [meaningful] beauty” the way Poe defines poetry, especially through what Eliot calls “auditory imagination” or what Herder calls “intermediary sensation” that makes the poetry “the first language” of humanity or “the dictionary of the soul.” The verbal transformation also serendipitously makes sounds of despair the sounds of hope.

Vincent Carocci's story is the story of a professional lifetime in and around Pennsylvania state government. He describes the characters who covered the news in the State Capitol, their work habits, their character, their strengths, and their foibles. Carocci's story is also the story of the legislative process and those who gave it life and breath. He describes an unpredictable, sometimes unsightly process of politics, personal machinations, and legislative reorganizations. Finally, Carocci's story is the story of Pennsylvania governors, six in all, who assumed the pinnacle of political power in the state - their successes, their shortcomings, and, above all, their legacies. Having worked most closely with Robert Casey, Carocci recounts the many trials and tribulations of his two terms in office, including the 1992 Democratic convention when Casey's steadfast opposition to abortion made him a virtual outcast within his own party, and the recurring medical problems that challenged him throughout his tenure.