Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.

Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.

DK Eyewitness Travel Guide: Sri Lanka is your in-depth guide to the very best of this beautiful and diverse country. Explore Sri Lanka region-by-region, from Colombo and the beaches on its idyllic west coast to Kandy and the Hill Country to Jaffna and the north. Visit Yala National Park to see wildlife, play a game of cricket, and take a pilgrimage to Adam's Peak. Discover DK Eyewitness Travel Guide: Sri Lanka. + Detailed itineraries and "don't-miss" destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Detailed city maps include street finder indexes for easy navigation. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Sri Lanka truly shows you this country as no one else can.

All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.

With the world facing increasingly serious global climate change and resource scarcity issues, ecology and the environment have received much attention in recent years. As a major factor in human activity, design plays an important part in protecting the environment, as does the role of digital technology in finding solutions to the pressing problems faced in this regard. This book presents the proceedings of ISWED2023, the International Symposium on World Ecological Design, held on 17 December 2023 in Guangzhou, China. Sponsored by the World Eco-Design Conference (a UN Consultative NGO), the conference provides a platform for professionals and researchers from industry and academia to present and discuss recent advances in the field of ecological design. This year, the conference focused on the four topics of digital technology and health, digital technology and transportation, digital technology and energy, and digital technology and the environment. A total of 518 submissions on these topics were received for the conference, of which 125 were accepted for presentation and publication here. Providing a current overview of research and innovation in ecological design around the world, the book will be of interest to all those working in the fields of ecological design and digital-technology integration.

Collecting a selection of essential writings by some of the leading authors in the field, Kevin Moore examines the developments in, and effectiveness of, museum management in a world dominated by new and exciting heritage and leisure attractions. The selected papers in Museum Management outline the development of museum management to date, the challenges museums currently face, and the key areas of future development in management and marketing practice, and addresses: strategic management issues: policy formulation, corporate planning and performance measurement human resource management financial management the importance of marketing. This volume is an invaluable introduction to the key issues, controversies and debates in the subject. It will be essential reading for all students, museum managers and staff who need to keep up to date with latest developments in this field.

This is a cross-cultural study of the multifaceted relations between Buddhism, its materiality, and instances of religious violence and destruction in East Asia, which remains a vast and still largely unexplored field of inquiry. Material objects are extremely important not just for Buddhist practice, but also for the conceptualization of Buddhist doctrines; yet, Buddhism developed ambivalent attitudes towards such need for objects, and an awareness that even the most sacred objects could be destroyed. After outlining Buddhist attitudes towards materiality and its vulnerability, the authors propose a different and more inclusive definition of iconoclasm-a notion that is normally not employed in discussions of East Asian religions. Case studies of religious destruction in East Asia are presented, together with a new theoretical framework drawn from semiotics and cultural studies, to address more general issues related to cultural value, sacredness, and destruction, in an attempt to understand instances in which the status and the meaning of the sacred in any given culture is questioned, contested, and ultimately denied, and how religious institutions react to those challenges.

The ambit of Buddhist studies reflects not only the spiritual and philosophical domain of Buddhism but also a symbiotic relationship between the monastic establishment and protectors of cultural tradition-a trend that one sees in the context of Buddhist revivalist projects in Mongolia and Buryatia. The presence of a Buddhist order in the political realm has revived intellectual debates about the relationship between spiritual and temporal authority. The interface between South Asian and South East Buddhism on the one hand and Central Asian Buddhism on the other is also delicately balanced in Buddhist cultural discourse. The relevance of Buddhism in a globalized world has also given a new direction to the realm of Buddhist studies. This book takes into account the competing discourses of preservation and revival of Buddhism in the trans-Himalayan sector. It not only deals with the cultural ethos that Buddhism represents in this region but also the diverse Buddhist traditions that are strongly entrenched despite colonial intervention. Juxtaposed to the aesthetic variant is the extremely sensitive response of the Buddhist communities in India and Asiatic Russia centred round the issue of displacement. It is this issue of duality of common traditions and fractured identities that has been dealt with in the present volume. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka