In a century of mass atrocities, the Khmer Rouge regime marked Cambodia with one of the most extreme genocidal instances in human history. What emerged in the aftermath of the regime's collapse in 1979 was a nation fractured by death and dispersal. It is estimated that nearly one-fourth of the country's population perished from hard labor, disease, starvation, and executions. Another half million Cambodians fled their ancestral homeland, with over one hundred thousand finding refuge in America. From the Land of Shadows surveys the Cambodian diaspora and the struggle to understand and make meaning of this historical trauma. Drawing on more than 250 interviews with survivors across the United States as well as in France and Cambodia, Khatharya Um places these accounts in conversation with studies of comparative revolutions, totalitarianism, transnationalism, and memory works to illuminate the pathology of power as well as the impact of auto-genocide on individual and collective healing. Exploring the interstices of home and exile, forgetting and remembering, From the Land of Shadows follows the ways in which Cambodian individuals and communities seek to rebuild connections frayed by time, distance, and politics in the face of this injurious history.

His third book of cultural criticism, From the Land of Shadows sees essayist, critic and poet Clive James at his erudite, enlightening best. '[T]he lasting impression is of our critic's truly amazing breadth of reference' – Times Literary Supplement Collecting his work from the late 1970s and into the early 1980s, this book contains engaging, informed discussions of such writers as Bernard Levin, Gore Vidal, John le Carré, Anthony Burgess, Evelyn Waugh, Kingsley Amis, Philip Larkin, W. H. Auden and Vladimir Nabokov. The four sections – In a Free Society; Fact Meets Fiction; Poetry, Criticism & Aesthetics, and The Giant in the East – together provide a lively image of literature in the mid-to-late twentieth century. The last section concerns Russian literature, the pieces written during the days of the Soviet Union and all the more fascinating for this context. '"Literature"', [James] writes, "says most things itself, when it is allowed to." Criticism like this expands that allowance and adds to its pleasure' – Observer Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert

The Jewish American-Danish lawyer, Jon Baeksgaard, and his Israeli born fiancee Eve, who works in a real-estate firm on the 86th Floor of the South-Tower of the World Trade Center are amongst the 9/11victims caught in the conflagration. He tries to rescue her from the building, and the events following a murder case he is conducting for the defence of a Moslem client bring him and the co-workers of his small East village office into the midst of a tense political situation. The natural fear and anger in the wake of 9/11 give rise to prejudice and the threat of compounding injustice arising through the public outrage committed against New York city. The love between Jon and Eve is of central to the story, which eventually leads the reader to Jerusalem and Hebron.

When Cyclone Daria hit our Devon small holding in the winter of 1989/90 my husband, John, and I lost everything. This total disaster actually kick started an amazing journey which took us from wet, muddy England to the land of my husband's birth - Zimbabwe. It was an adventure that I had never thought possible. This book follows our unexpected journey, the people of the land, their culture and the humour and laughter that is rarely far away, living in the wide brown lands of rural Africa.

"A fresh voice in crime fiction. Fast, funny, heartbreaking and wise...Elouise Norton is the best new character you'll meet this year." —Lee Child, New York Times bestselling author, on Rachel Howzell Hall's Land of Shadows Along the ever-changing border of gentrifying Los Angeles, seventeen-year-old Monique Darson is found dead at a condominium construction site, hanging in the closet of an unfinished unit. Homicide detective Elouise "Lou" Norton's new partner, Colin Taggert, fresh from the comparatively bucolic Colorado Springs police department, assumes it's a teenage suicide. Lou isn't buying the easy explanation. For one thing, the condo site is owned by Napoleon Crase, a self-made millionaire. . .and the man who may have murdered Lou's missing sister, Tori, thirty years ago. As Lou investigates the death of Monique Darson, she uncovers undeniable links between the two cases. But her department is skeptical. Lou is convinced that when she solves Monique's case she will finally bring her lost sister home. But as she gets closer to the truth, she also gets closer to a violent killer. After all this time, can he be brought to justice. . .before Lou becomes his next victim? "Gives voice to a rare figure in crime fiction: a highly complex, fully imagined black female detective." - Kirkus Reviews, starred review on Trail of Echoes At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A MEDIEVAL MYSTERY. On a remote East Anglian coast stands Tyndal Priory, home to a rare monastic order where men and women live and work together in close proximity. Twenty-year-old Eleanor of Wynethorpe has been appointed prioress by Henry III over the elected choice of the priory itself. Young and inexperienced, Eleanor will face a grave struggle – in a place dedicated to love and peace, she will find little of either. In March, 1279, Edward I takes a break from hammering the Welsh and bearing down on England's Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. And there one life begins as Queen Eleanor labours to birth a new daughter, and one draws to an end when apoplexy fells Baron Adam Wynethorpe. Hotfoot to the baron's deathbed comes his elder son, Hugh, a veteran of Edward I's Crusades, who can't shake off the battle horrors he's witnessed. The baron's daughter, Prioress Eleanor, has already arrived, bringing along both her sub-infirmarian, Sister Anne, and the monk, Brother Thomas, to tend her father. Awaiting Hugh is his bastard son, Richard, a youth filled with rebellion and a secret. The royal manor is packed with troubling guests including a sinister priest, an elderly Jewish mother from nearby Oxford mourning a son hanged for the treason of coin-clipping, contentious and greedy courtiers, and a lusty wife engaged with more than one lover. Quite soon, the wife is found hanged. Eleanor and Sister Anne persuade the High Sheriff of Berkshire that Mistress Hawis death was not a suicide. In fact, many at the manor had reason to wish Hawis dead.

This book was previously published in 2013 under the same title. While the text and cover have been updated, the story remains the same. It’s been five years since a woman came between Ethan Barstow and his brother, Charley, and it’s high time they buried the hatchet. When Ethan travels to Arizona Territory to make amends, he learns that Charley has abruptly disappeared after breaking more than one heart in town. And an indignant fiancée is hot on his trail. When Charley Barstow abandons a local girl after getting her pregnant, Kate Kinsella pursues him without a second thought. She’s determined he set things right, and even more determined to end her own engagement to him, a sham from the beginning. But an ill-timed encounter with a group of ruffians lands her in the company of Charley’s brother, Ethan, who suggests they search together. As Ethan and Kate move deeper INTO THE LAND OF SHADOWS, family tensions and past tragedies threaten to destroy a love neither of them expected. A sensuous historical western romance set in 1893 Arizona Territory. Into The Land Of Shadows is a stand-alone, full-length novel. 2014 Carolyn Readers’ Choice Award Finalist “Kristy McCaffrey brings us a story with heart and spirit, characters that live, and an understanding of the place and people that far surpasses a traditional romance…” ~ Marcy Waldenville, author of Tears of the Damned “… a must read … a story that is engaging and edge-of-the-seat gripping. [McCaffrey’s] vivid descriptions and great cast of characters, with exceptional dialogue, bring this story to life.” ~ Coffee Time Romance & More “…a haunting story with suspense, passion, and excellent character building.” ~ Romance Reviews Today “With a vividly painted background, engaging and compelling characters and pages that just fly by, Into The Land Of Shadows is a superb read for any western or historical romance lover.” ~ Romance Junkies “The author’s descriptions of the Arizona desert and the Indians who inhabit it are beautiful. You almost feel as if you are there. There are surprises, an element of the paranormal, which is done exceptionally well, and romance. If you love Westerns, then don’t miss this one.” ~ Paranormal Romance Guild “…as if ‘Romancing The Stone’ and ‘The Good, the Bad and the Ugly’ and ‘Dances With Wolves’ got together and had a kid.” ~ Reading Alley Reviewer

Dežela senc je berilo za uporabo pri pouku zgodovine v slovenskih osnovnih in tudi srednjih šolah. V prvem delu so predstavljene zgodovinske razmere, ki so vodile do anti-semitizma in holokavsta v Evropi, v drugem pa so podrobneje predstavljene slovenske razmere. Podrobneje je opisana izkušnja preživele interniranke Erike Fürst, posebna pozornost pa je namenjena izboru slikovnenega gradiva, med katerim so tudi odlomki iz dveh grafičnih novel: Maus Arta Speigelmana in Berlin (knjiga 1 in 2) Jasona Lutesa. Z angleško različico želimo tragično izkušnjo prekmurskih Judov predstaviti zainteresirani javnosti zunaj Slovenije.

As Wiccans and Pagans rediscover their Celtic heritage, there has been a great emergence of writings on the Irish Craft. Here are the rituals and Craft of the Tuatha De Danann Celtic Coven, the Children of Danu, and the varied aspects of the Celtic Way. Clark also explains the folklore that has grown up around the older myths and the ancient Pagan calendar.

Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film. In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.