This month: * Command & Conquer * How-To : Python, LibreOffice, and Managing Multiple Passwords With A Script * Graphics : Inkscape. * Linux Labs: Compiling a Kernel Pt 4 and Kodi Pt 2 * Review: Elementary OS * Book Review: Web Development with MongoDB and Node.js * Ubuntu Games: Borderlands 2 plus: News, Arduino, Q&A, and soooo much more.

This month: * Command & Conquer * How-To : Make a Special Edition, LibreOffice, and Bulk Print with Nautilus * Graphics : Inkscape. * Linux Labs: Compiling a Kernel Pt 5 and Graphically Renaming Files Over SSH * Review: Scilabs * Book Review: Build Your Own Web Site * Ubuntu Games: X-Plane Flight Plans plus: News, Arduino, Q&A, and soooo much more.

A unique and authoritative guide to the lives and work of prominent living contemporary choreographers. Representing a wide range of dance genres, each entry locates the individual in the context of modern dance theatre and explores their impact. Those studied include: Jerome Bel Richard Alston Doug Varone William Forsythe Phillippe Decoufle Jawole Willa Jo Zollar Ohad Naharin Itzik Gallili Twyla Tharp Wim Vandekeybus With a new, updated introduction by Deborah Jowitt and further reading and references throughout, this text is an invaluable resource for all students and critics of dance, and all those interested in the fascinating world of choreography.

This book focuses on six brilliant women who are often seen as particularly tough-minded: Simone Weil, Hannah Arendt, Mary McCarthy, Susan Sontag, Diane Arbus, and Joan Didion. Aligned with no single tradition, they escape straightforward categories. Yet their work evinces an affinity of style and philosophical viewpoint that derives from a shared attitude toward suffering. What Mary McCarthy called a “cold eye” was not merely a personal aversion to displays of emotion: it was an unsentimental mode of attention that dictated both ethical positions and aesthetic approaches. Tough Enough traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain. Their writing and art reveal an adamant belief that the hurts of the world must be treated concretely, directly, and realistically, without recourse to either melodrama or callousness. As Deborah Nelson shows, this stance offers an important counter-tradition to the familiar postwar poles of emotional expressivity on the one hand and cool irony on the other. Ultimately, in its insistence on facing reality without consolation or compensation, this austere “school of the unsentimental” offers new ways to approach suffering in both its spectacular forms and all of its ordinariness.

The originality of Women Reclaiming the City lies not only in the variety of themes being presented, but also in the variety of all these different highly respected women researchers. This book is the first in which current societal themes revolving around urbanism, architecture, and city planning are put forth solely through female perspectives. It reveals the importance of having female lenses on certain societal debates. Twenty-five leading female urban scholars draw on principles, concepts, and positions that are foundational to other frameworks and fields—specifically, critical studies, indigenous and ethnic studies, postcolonial theory, queer theory, feminist theory, progressive urban theory, social ecology, urban planning and design, architecture, urban economics and urban social geography, landscape urbanism, new urbanism, heritage management and urbanism, political ecology, and cultural studies— to present alternatives to the current classical theories and conceptualizations that have failed to engage a truly intersectional analysis of dominant city and urban discourses, policies, and practices. The book is intended for scholars of urban studies, policy makers, and city planning professionals.

Scholars, composers and performers write about the art of jazz improvisation.

We Make Each Other Beautiful focuses on woman of color and queer of color artists and artist collectives who engage in direct political action as a part of their art practice. Defined by public protest, rule-breaking, rebellion, and resistance to governmental and institutional abuse, direct-action "artivism" draws on the aims, radical spirit, and tactics of the civil rights and feminist movements and on the struggles for disability rights, queer rights, and immigrant rights to seek legal and social change. Yxta Maya Murray traces the development of artivism as a practice from the Harlem Renaissance to Yoko Ono, Judy Baca, and Marsha P. Johnson. She also studies its role in transforming law and society. We Make Each Other Beautiful profiles the work and lives of four contemporary artivists —Carrie Mae Weems, Young Joon Kwak, Tanya Aguiñiga, and Imani Jacqueline Brown—and the artivist collective Drawn Together, combining new oral histories with sharp analyses of how their diverse and expansive artistic practices bear important aesthetic and politicolegal meanings that address a wide range of injustices.

The fascinating true story of the characters in Hulu's "Mrs. America" and a broader portrait of the two women's movements that spurred an enduring rift between liberals and conservatives. "The many admirers of 'Mrs. America' . . . will find great satisfaction in [Divided We Stand] . . . a clear, compelling and deeply insightful volume." -The Washington Post One of Smithsonian Magazine's Ten Best History Books of the Year In the early 1970s, an ascendant women's rights movement enjoyed strong support from both political parties and considerable success, but was soon challenged by a conservative women's movement formed in opposition. Tensions between the two would explode in 1977 at the congressionally funded National Women's Conference in Houston, Texas. As Bella Abzug, Gloria Steinem, and other feminists endorsed hot-button issues such as abortion rights, the ERA, and gay rights, Phyllis Schlafly and Lottie Beth Hobbs rallied with conservative women to protest federally funded feminism and launch a pro-family movement. Divided We Stand reveals how crucial women and women's issues have been in the shaping of today's political culture. After the National Women's Conference, Democrats continued to back women's rights in cooperation with a more diverse feminist movement while the GOP abandoned its previous support for women's rights and defined itself as the party of family values, irrevocably affecting the course of American politics.