As the audacious Monkey King battles his way through a landscape of inexplicable places and unfamiliar passions, Further Adventures on the Journey to the West offers a wry, revisionist critique of the late-Ming fascination with desire. Building on the great sixteenth-century novel Journey to the West, which recounts the escapades of a monk and three companions traveling to India in search of Buddhist scriptures to carry back to China, this sequel is a parable of self-delusion that explores the tension between desire and emptiness from a Buddhist perspective. The consummate literati novel, written by an accomplished artist for a well-educated readership, it is filled with allusions and parodies and features a dream-sequence narrative that is innovative and sophisticated even by modern standards. This new, fully annotated translation by two acclaimed scholars and translators brings to life this remarkably inventive, playful early modern text. The volume includes the original commentaries and illustrations, a critical introduction and afterword, and notes that highlight the sources of the novel’s intertextual references, revealing the author’s erudition and versatility. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation.

In v.1-8 the final number consists of the Commencement annual.

They Voyage Perilousis the first extended interpretation of Willa Cather's writing within the literary tradition of romanticism. Although she partook of the familiar subjects and themes of the Wordsworthian school of romanticism, Cather was not nearly so concerned with what we see as how we see. Her intensely individual perspective, more creatively romantic than has been previously recognized, gave her work its own kind of elegant form. ø Susan J. Rosowski argues that Willa Cather early took up the romantic challenge to vindicate imaginative thought in a world threatened by materialism, then pursued it with remarkable consistency throughout her career. The early essays and stories set out the terms of this life-long commitment. In the early novels Cather celebrates imaginative possibilities; in the middle ones she present increasingly desperate circumstances, asking what is left when the imagination is eclipsed by commercial values; in the late novels she writes in a Gothic mode, the dark counterspirit to optimistic romanticism. ø The book is organized chronologically, with a chapter devoted to each novel. The chapters can be read independently or as part of a unified argument providing a larger picture.

The Afterlife of Character, 1726-1825 reconstructs how eighteenth-century British readers invented further adventures for beloved characters, including Gulliver, Falstaff, Pamela, and Tristram Shandy. Far from being close-ended and self-contained, the novels and plays in which these characters first appeared were treated by many as merely a starting point, a collective reference perpetually inviting augmentation through an astonishing wealth of unauthorized sequels. Characters became an inexhaustible form of common property, despite their patent authorship. Readers endowed them with value, knowing all the while that others were doing the same and so were collectively forging a new mode of virtual community. By tracing these practices, David A. Brewer shows how the literary canon emerged as much "from below" as out of any of the institutions that have been credited with their invention. Indeed, he reveals the astonishing degree to which authors had to cajole readers into granting them authority over their own creations, authority that seems self-evident to a modern audience. In its innovative methodology and its unprecedented attention to the productive interplay between the audience, the book as a material artifact, and the text as an immaterial entity, The Afterlife of Character, 1726-1825 offers a compelling new approach to eighteenth-century studies, the history of the book, and the very idea of character itself.

Includes "List of books indexed" (published also separately)

From the author of "Celestial Sleuth" (2014), yet more mysteries in art, history, and literature are solved by calculating phases of the Moon, determining the positions of the planets and stars, and identifying celestial objects in paintings. In addition to helping to crack difficult cases, these studies spark our imagination and provide a better understanding of the skies. Weather archives, vintage maps, tides, historical letters and diaries, military records and the assistance of experts in related fields help with this work. For each historical event influenced by astronomy, there is a different kind of mystery to be solved. How did the changing tides affect an army's battle plans? How did the phases of the moon affect how an artist painted a landscape? Follow these exciting investigations with a master “celestial sleuth” as he tracks down the truth and helps unravel mysteries as far back as the Middle Ages and as recent as the iconic 1945 photograph of a kiss in Times Square on VJ Day. Topics or "cases" pursued were chosen for their wide public recognition and intrigue and involve artists such as Vincent van Gogh and Claude Monet; historical events such as the campaigns of Braveheart in Scotland and battles in World War II and the Korean War; and literary authors such as Chaucer, Cervantes, Shakespeare, Byron, and Edgar Allan Poe.

Robinson Crusoe is one of the most famous literary characters in history, and his story has spawned hundreds of retellings. Inspired by the life of Alexander Selkirk, a sailor who lived for several years on a Pacific island, the novel tells the story of Crusoe’s survival after shipwreck on an island, interaction with the mainland’s native inhabitants, and eventual rescue. Read variously as economic fable, religious allegory, or imperialist fantasy, Crusoe has never lost its appeal as one of the most compelling adventure stories of all time. In addition to an introduction and helpful notes, this Broadview Edition includes a wide range of appendices that situate Defoe’s 1719 novel amidst castaway narratives, economic treatises, reports of cannibalism, explorations of solitude, and Defoe’s own writings on slavery and the African trade. A final appendix presents images of Crusoe’s rescue of Friday from a dozen of the most significant illustrated editions of the novel published between 1719 and 1920.