Various shorter works of G.R.S. Mead. Subjects included are those of Hermes Trismegistus and the Emerald Tablet, and H.P. Blavatsky.

George Robert Stowe Mead (1863-1933) was a major translator, editor, and commentator on Gnostic and hermetic literature and thus a pivotal figure linking the late 19th-century esoteric revival to 20th-century art, literature, and psychology. As a young convert to the new movement of theosophy, he served as private secretary to its co-founder, Helena Petrovna Blavatsky, and after founding the European section of the Theosophical Society edited its London journal, Lucifer, for many years. Mead's initial interest in theosophy and Hinduism soon blossomed into a lifelong and wide-ranging engagement with the texts of Gnosticism, neo-Platonism, and hermeticism. His editions and commentaries on previously inaccessible sources became standard works before the First World War and an important source of inspiration to such figures as Jung, Ezra Pound, Yeats, and Robert Duncan. A new entry in the Western Masters Series of concise biographies noting key figures in the Western esoteric tradition, G.R.S. Mead and the Gnostic Quest introduces Mead's life, works, and influences, combining a substantial biography with a collection of his most important writings.

To Yeats, as well as to Eliot, Pound, Joyce, and other major writers, as Erich Auerbach put it in Mimesis, "Antiquity means liberation and a broadening of horizons, not in any sense a new limitation or servitude." That is why Greco-Roman themes can be endlessly stimulating, why Yeats could call the Greek and Roman writers "the builders of my soul." Brian Arkin's thematic consideration of Yeat's subject matter under philosophy, myth, religion, history, literature, visual art, and Byzantium, allows us to see coherently how Yeats exploited this material and how, especially in his middle and later periods, he transformed and metamorphosed subject matter from Homer, Phidias, Plato, Plotinus, and Sophocles, and from the myths of Dionysus, Helen of Troy, Leda, and Zeus, to exemplify his central preoccupations. Irish Literary Studies Series No. 32.