Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.

This study explores the design and application of natural language text-based processing systems, based on generative linguistics, empirical copus analysis, and artificial neural networks. It emphasizes the practical tools to accommodate the selected system.

This book presents a Paninian perspective towards natural language processing. It has three objectives: (1) to introduce the reader to NLP, (2) to introduce the reader to Paninian Grammar (PG) which is the application of the original Paninian framework to the processing of modern Indian languages using the computer, (3) to compare Paninian Grammar (PG) framework with modern Western computational grammar frameworks.Indian languages like many other languages of the world have relatively free word order. They also have a rich system of case-endings and post-positions. In contrast to this, the majority of grammar frameworks and designed for English and other positional languages. The unique aspect of the computational grammar describes here is that it is designed for free word order languages and makes special use of case-endings and post-positions. Efficient parsers for the grammar are also described. The computational grammar is likely to be suitable for other free word order languages of the world.Second half of the book presents a comparison of Paninian Grammar (PG) with existing modern western computational grammars. It introduces three western grammar frameworks using examples from English: Lexical Functional Grammar (LFG), Tree Adjoining Grammar (TAG), and Government and Binding (GB). The presentation does not assume any background on part of the reader regarding these frameworks. Each presentation is followed by either a discussion on applicability of the framework to free word order languages, or a comparison with PG framework.

Elkins argues that writing is what art historians produce, and, whether such writing is a transparent vehicle for the transmission of facts or an embattled forum for the rehearsal of institutional relations and constructions of history, it is an expressive medium, with the capacity for emotion and reflection. Therefore, it needs to be taken seriously for its own sake: it is the testament of art history and of individual historians, and it is only weakened and slighted by versions of history that imagine it either as uncontrolled dissemination or as objective discovery and reporting.

Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt - all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power. Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison's earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.

This book is about Arcadia and the pastoral tradition; what it has meant for successive generations and their vision of the landscape, as well as the implications this has had for its design and management. Today the concept of Arcadia, and way it has shaped our landscape, is dimly perceived and little understood by landscape architects and those responsible for the management of land. This is in marked contrast to previous centuries when the vision of Arcadia and the pastoral was implanted by education among the more privileged in society. Young men spent many hours translating and learning by rote the words of Virgil and other classical authors and on the Grand Tour they would be introduced to work of painters like Poussin and Claude and their interpretations of the Ideal pastoral landscape. Today Arcadia holds as powerful an influence as at any time in the past and it is important that we plan our urban environment in ways that harmonize with the natural world. Arcadian Visions provides an alternative landscape history for all those involved with the landscape - either through its design, management, use or enjoyment. It begins by examining the origins of Arcadia and the pastoral in the classical poetry of Theocritus and Virgil, and the effects of, and on, Christianity before outlining its development in renaissance Italy and subsequently in the Netherlands, America and England. It concludes by looking at how Arcadian ecology is bringing about a reappraisal of the pastoral in the 21st century.

This work presents the structure, distribution and semantic interpretation of quantificational expressions in languages from diverse language families and typological profiles. The current volume pays special attention to underrepresented languages of different status and endangerment level. Languages covered include American and Russian Sign Languages, and sixteen spoken languages from Africa, Australia, Papua, the Americas, and different parts of Asia. The articles respond to a questionnaire the editors constructed to enable detailed crosslinguistic comparison of numerous features. They offer comparable information on semantic classes of quantifiers (generalized existential, generalized universal, proportional, partitive), syntactically complex quantifiers (intensive modification, Boolean compounds, exception phrases, etc.), and several more specific issues such as quantifier scope ambiguities, floating quantifiers, and binary (type 2) quantifiers. The book is intended for semanticists, logicians interested in quantification in natural language, and general linguists as articles are meant to be descriptive and theory independent. The book continues and expands the coverage of the Handbook of Quantifiers in Natural Language (2012) by the same editors, and extends the earlier work in Matthewson (2008), Gil et al. (2013) and Bach et al (1995).

The first book to look at this particular subject, The Roman Book of Gardening brings together an extraordinarily varied selection of texts on Roman horticulture, celebrating herb and vegetable gardening in verse and prose spanning five centuries. In vivid new translations by John Henderson, Virgil's Georgics stand alongside neglected works by Columella, Pliny and Palladius, bringing to life the techniques and obstacles, delights and exasperations of the Roman gardener. We also hear of the digging, hoeing, planting and weeding which then, as now, went into creating the perfect garden. This is a timely and valuable contribution to our understanding of gardening history, Roman culture and Latin literature.