Thomas Altizer's Genesis and Apocalypse" engages a theological history of Western culture through the works of Augustine, Luther, Barth, and other important figures in theology, as well as critical theorists such as Hegel and Nietzsche, to ultimately offer a Christology for our modern times.

A complete introduction to the Bible aimed at high school and college students, as well as Bible study groups.

The present volume has been compiled by colleagues and friends as a tribute to Dr. A. Hilhorst, the Secretary of the Journal for the Study of Judaism, on the occasion of his 65th birthday. Its 23 contributions by renowned international experts, reflect the various interests of the honouree, his approach to the Classical and Semitic languages and literatures as forming part of a continuum, and his attention to the interactions between the different literary corpora. Several contributions deal with the interaction of the Old Testament with later Jewish, Gnostic, or Christian writings; others explore the influences of Greek writings within a Jewish context at the levels of philology, of theological ideas, of realia, or of influence of literary compositions. Furthermore, a number of contributions centers on the interaction of Greek motives in Jewish and Christian literature, whereas in several others the focus is on the Martyrium literature or on early Christian texts.

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Too many landscapes have been reduced to silent commodities by being put into golden frames on top of our fireplaces. Too many landscapes have been reified by being considered as objects holding forth referents to an omnipotent looker-on, with his/her language ever ready to seize and transcribe. The articles gathered here, prolonging an international conference held at the University of Caen Basse-Normandie (France), 14-16 June 2007, set the landscapes loose again by engaging with their essentially relational quality. What makes this volume particularly stimulating and critically innovative is this initial acknowledgement of a landscape's reflectiveness - that is the fact that it contains unthought thought, and thus presents itself to us both passively and actively. This straightaway appraisal of the lines of flight in the seemingly static, tranquil images facing us, has opened the way to deeply critical readings bent on questioning old tracks, testing new itineraries, denying the closure of the subject. At the same time, and by way of consequence, it leads us to encounter the force in landscape. A force like an energy, an impetus, which makes it possible - if not advisable - to still compose, read and enjoy landscapes in the XXIst century.

"The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters and themes in popular culture; the Bible in popular cultural genres; "lived" examples; and a concluding section in which we take stock of methodologies like Reception History and the impact of the field on teaching and publishing. These topics are all addressed by focusing on specific examples from film, television, comics, music, literature, video games, science fiction, material culture, museums, and theme parks, to name a few. This book represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of Bible and American popular culture"--