52% of parents admit they never read to their child. Toddlers watch 4.5 hrs of TV daily. More children are obese, enter school developmentally delayed and need special education. So Sally Goddard Blythe draws on neuroscience to unpack the wisdom of nursery rhymes, playing traditional games and fairy stories for healthy child development. She explains why movement matters and how games develop children's skills at different stages of development. She offers a starter kit of stories, action games, songs and rhymes.

Do you know which path you are on? Do you feel divinely connected and linked to all things? Do you feel at home with your spiritual knowledge? Have you changed your chakras and become karma less

By analysing seven of her `key words` the author shows what depth – or height – Therese`s intuition could reach when one knows how to read her.

The Genius of Scotland: The Cultural Production of Robert Burns, 1785-1834 explores the wide-ranging reception history of Robert Burns by examining the sources of his reputation as the ‘Genius of Scotland’ in the Scottish Enlightenment and beyond. Evaluating his changing stature in the eighteenth and nineteenth centuries, the book investigates the figure of Burns as a ‘cultural production’ that was constructed by warring cultural forces in the literary marketplace. The critical promotion of Burns as the ‘Heaven-taught ploughman’ greatly influenced his legacy as a labouring-class ‘genius’ and national icon, both of which relied on blatant censorship and distortion of his biography and works. The Genius of Scotland debunks both the hagiographic and vituperative representations of the poet from this period, revealing not only how (and why) he was culturally produced as a national ‘genius’ but also how the process continues to influence our understanding of Burns into the present day.

A voyage through the business section of your local bookstore can be daunting. You could drown in the sea of books on management and leadership. At the very least the conflicting waves of instruction and advice from one book to the next will toss you back and forth, leaving you confused and disoriented. Which business guru can steer you to the shores of your promised land? Which leadership trend is in, and which ones are out? If an approach works with one person, does that mean it will work with another? Don't let the competing voices make things more complicated than they should be. And don't miss the most powerful example of leadership in history: Jesus. His approach was simple, effective, and brilliant. "How much more information do you need?" asks William Beausay II. "The fact is, very little. What you need are passion and heart. Courage and dreams." You'll find those traits in Jesus' life. The Leadership Genius of Jesus is the lifeboat that will keep you afloat and point the way to fulfilling and dynamic leadership that will impact you and everyone you serve.

If necessity has been the mother of invention throughout the history of professional football, it could also be said that desperation is the father. Rare are the football innovations that have occurred without an owner, general manager, coach, or player up against the wall and reaching for a way to succeed anyway. In this meticulously researched, lively book, Bleacher Report lead NFL scout Doug Farrar traces the schematic history of the pro game through these "if this/then that" moments—paradigm shifts in the game from 1920 through the present. More than just a book about schemes and strategies, The Genius of Desperation: The Schematic Innovations that Made the Modern NFL also tells the stories of the game's most prominent innovators, the adversities they endured, and the ways in which they learned to exceed their own expectations on the path to true greatness. Everyone from George Halas to Greasy Neale, Paul Brown to Sid Gillman, Bill Walsh to Chip Kelly is featured, as well as many more. The Genius of Desperation is a narrative arc through the history of the game as it's never been told before.

The Genius of George Bernard Shaw is a criticism of George Bernard Shaw’s work that explores his art, aesthetics, philosophy, and revolutionary ideas. Shaw wrote his plays raising and dealing with the problems of individuals, families, society, nations, and the world. It is occasionally stated that Shaw’s support for totalitarianism grew out of his frustration with nineteenth-century liberalism, which ineffectually culminated in a disastrous world war. Yet, close analysis to two of Shaw’s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. Indeed, further analysis of a number of plays from before the war shows the impulse to be persistent and undeniable. Shaw hated disorder, and he wanted to see society managed efficiently by a small caste of technocratic experts who were at the same time, in Karl Popper’s memorable phrase, utopian social engineers. He had very little confidence in the average man and woman, who could not work mentally at the same speed? as the Fabian executive committee, his ideal of what a ruling caste would look like. Shaw’s ideal society, what I am calling his utopian vision, resembles Plato’s ideal city or Comte’s Religion of Humanity more than any society that has presumably ever existed on earth. This need for absolute order and control found many means of expression in both his life and work and was intricately bound up with his longing for perfection. This book is useful for world teachers, students, and research scholars in English in schools, colleges, universities all over the world.

A selection of inspiring reportage from pioneering London-based investigative journalist Henry Mayhew, a close friend and influential character in Charles Dickens’ life and works. The 200th anniversary of Henry Mayhew’s birth is overshadowed by that of his friend and collaborator Charles Dickens. But in fact Mayhew was a pioneering investigative journalist who wrote over a million words about the lives of poor working people in London, and whose writings and descriptions may have inspired some of Dickens’ characters. In some respects, Mayhew was his own worst enemy. He was disorganised - one of his books ended in mid-sentence - and cantankerous, and perhaps as a result his funeral was sparsely attended. But embedded in his fine reportage, which included long and moving interviews with Londoners, are passages descriptive of London, of people’s appearances and of their shabby homes, which stand alongside Dickens’ own writings for the quality and compassion of the prose.