Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

It is impossible to overstate the importance of English poet GEOFFREY CHAUCER (c. 1343 c. 1400) to the development of literature in the English language. His writings which were popular during his own lifetime with the nobility as well as with the increasingly literate merchant class marked the first celebration of the English vernacular as a tongue worthy of literary endeavor, most notably in his unfinished narrative poem The Canterbury Tales, the format and structure of which continues to be imitated by writers today. But the impact of Chaucer s work was felt even into the 16th and 17th centuries, when the first major collections of his writings set a high standard for how authors should be presented to the reading public. This widely esteemed seven-volume set first published in the 1890s by British academic WALTER WILLIAM SKEAT (1835 1912), Erlington and Bosworth Professor of Anglo-Saxon at Cambridge University is based solely on Chaucer s original manuscripts and the earliest available published works (with any significant variations or deviations between versions highlighted in the extensive notes), and comes complete with Skeat s informative commentary on many passages. Volume VI features: Skeat s general introductory to the seven-volume set a glossarial index to Chaucer s language an index of proper names an index of authors quoted or referred to by Chaucer an index of books referred to in Skeat s notes a general index to the seven-volume set and more.

Infinity is an intriguing topic, with connections to religion, philosophy, metaphysics, logic, and physics as well as mathematics. Its history goes back to ancient times, with especially important contributions from Euclid, Aristotle, Eudoxus, and Archimedes. The infinitely large (infinite) is intimately related to the infinitely small (infinitesimal). Cosmologists consider sweeping questions about whether space and time are infinite. Philosophers and mathematicians ranging from Zeno to Russell have posed numerous paradoxes about infinity and infinitesimals. Many vital areas of mathematics rest upon some version of infinity. The most obvious, and the first context in which major new techniques depended on formulating infinite processes, is calculus. But there are many others, for example Fourier analysis and fractals. In this Very Short Introduction, Ian Stewart discusses infinity in mathematics while also drawing in the various other aspects of infinity and explaining some of the major problems and insights arising from this concept. He argues that working with infinity is not just an abstract, intellectual exercise but that it is instead a concept with important practical everyday applications, and considers how mathematicians use infinity and infinitesimals to answer questions or supply techniques that do not appear to involve the infinite. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Niccolò Machiavelli taught that political leaders must be prepared to do evil so that good may come of it, and his name has been a byword ever since for duplicity and immorality. Is his sinister reputation deserved? In answering this question Quentin Skinner traces the course of Machiavelli's adult life, from his time as Second Chancellor of the Florentine republic, during which he met with kings, the pope, and the Holy Roman Emperor; to the fall of the republic in 1512; to his death in 1527. It was after the fall of the Republic that Machiavelli composed his main political works: The Prince, the Discourses, and The History of Florence. In this second edition of his Very Short Introduction Skinner includes new material on The Prince, showing how Machiavelli developed his neo-classical political theory, through engaging in continual dialogue with the ancient Roman moralists and historians, especially Cicero and Livy. The aim of political leaders, Machiavelli argues, should be to act virtuously so far as possible, but to stand ready 'to be not good' when this course of action is dictated by necessity. Exploring the pivotal concept of princely virtù to be found in classical and Renaissance humanist texts, Skinner brings new light to Machiavelli's philosophy of a willingness to do whatever may be necessary - whether moral or otherwise -to maintain a position of power. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Socrates has a unique position in the history of philosophy; it is no exaggeration to say that had it not been for his influence on Plato, the whole development of Western philosophy might have been unimaginably different. Yet Socrates wrote nothing himself, and our knowledge of him is derived primarily from the engaging and infuriating figure who appears in Plato's dialogues. In this Very Short Introduction, Christopher Taylor explores the life of Socrates and his philosophical activity, before looking to the responses his philosophical doctrines have evoked in the centuries since his betrayal and execution at fellow Athenian hands. Examining the relationship between the historical Socrates and the Platonic character, Taylor considers the complex question of how far it is possible to distinguish the philosopher's own thought from that of those others who wrote about him, and explores the enduring image of Socrates as the ideal exemplar of the philosophic life - a thinker whose moral and intellectual integrity permeated every detail of his life. This new edition also includes a new chapter analysing the reception and influence of Socrates in 19th and 20th century philosophical thought. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Any consideration of the 20th century would be incomplete without a discussion of Nazi Germany, an extraordinary regime which dominated European history for 12 years, and left a legacy that still echoes with us today. The incredible force of the destructive vision at the heart of Nazi Germany led to a second world war when the world was still aching from the first one, and an incomprehensible death count, both at home and abroad. In this Very Short Introduction, Jane Caplan's insightful analysis of Nazi Germany provides a highly relevant reminder of the fragility of democratic institutions, and the ways in which the exploitation of national fears, mass political movements, and frail political opposition can lead to the imposition of dictatorship. Considering the emergence and popular appeal of the Nazi party, she discusses the relationships between belief, consent, and terror in securing the regime, alongside the crucial role played by Hitler himself. Covering the full history of the regime, she includes an unflinching look at the dark stains of war, persecution, and genocide. At the same time, Caplan offers unexpected angles of vision and insights; asking readers to look behind the handful of over-used images of Nazi Germany we are familiar with, and to engage critically with a history that that is so abhorrent it risks seeming beyond interpretation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This Very Short Introduction provides a compelling account of the emergence of the earliest literature in Britain and Ireland, including English, Welsh, Scottish, Irish, Anglo-Latin and Anglo-Norman. Introducing the reader to some of the greatest poetry, prose and drama ever written, Elaine Treharne discusses the historical and intellectual background to these works, and considers the physical production of the manuscripts and the earliest beginnings of print culture. Covering both well-known texts, such as Beowulf, The Canterbury Tales and the Mabinogion, as well as texts that are much less familiar, such as sermons, saints' lives, lyrics and histories, Treharne discusses major themes such as sin and salvation, kingship and authority, myth and the monstrous, and provides a full, but brief, account of one of the major periods in literary history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.