I have to express my indebtedness first of all to the executors of Henrietta MacOubrey, George Borrow's stepdaughter, who kindly placed Borrow's letters and manuscripts at my disposal. To the survivor of these executors, a lady who resides in an English provincial town, I would particularly wish to render fullest acknowledgment did she not desire to escape all publicity and forbid me to give her name in print. I am indebted to Sir William Robertson Nicoll without whose kindly and active intervention I should never have taken active steps to obtain the material to which this biography owes its principal value.

In 'George Borrow and His Circle' by Clement King Shorter, readers are taken on a scholarly examination of the life and works of the enigmatic figure, George Borrow, and the literary circle that surrounded him. Shorter's meticulous research and insightful analysis provide a comprehensive look into the influences and relationships that shaped Borrow's writing, shedding light on the romanticism and wanderlust that characterize his works. The book delves into Borrow's unconventional approach to language and his fascination with diverse cultures, making it a must-read for literary enthusiasts interested in 19th-century Romantic literature. Shorter's writing style is detailed and engaging, drawing readers into the world of Borrow and his contemporaries with a sense of depth and understanding. By exploring Borrow's relationships with famous figures such as William Thackeray and Charles Dickens, the book provides a fascinating glimpse into the interconnectedness of the literary world of the time. 'George Borrow and His Circle' is a scholarly treasure trove for those seeking a deeper understanding of the man and the era he inhabited.

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Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk

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George Henry Borrow (1803-1881) was an English author who wrote novels and travelogues based on his own experiences around Europe. Over the course of his wanderings, he developed a close affinity with the Romani people of Europe, and they figure prominently in his work. His best known book, Lavengro, is largely autobiographical. He studied law, but languages and literature became his main interests. Because of his precocious linguistic skills George Borrow in his youth became the protege of the Norwich-born scholar William Taylor. Borrow depicts Taylor, an advocate of German Romantic literature, in his semi-autobiographical novel Lavengro (1851). With Taylor's encouragement Borrow embarked upon his first translation: Von Klinger's scandalous variant upon the Faust legend with the full title Faustus, his Life, Death and Descent into Hell, first published in St. Petersburg in 1791. He had a life-long empathy with nomadic people such as Gypsies, and was fascinated by gypsy customs, songs and dance. He became so familiar with their language as to publish a dictionary of it. He also wrote Romantic Ballads (1826) and Targum; or, Metrical Translations (1835).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from George Borrow, Lord of the Open Road In the compilation of this volume I have constantly referred to George Borrow and his Circle, by Mr. Clement King Shorter, to the Guide Books on East Anglia, by the meticulous Barrovian, Mr James Hooper, to Mr. R. A. J. Walling's Life of Borrow, and the Literary Associations of East Anglia, by Mr. W. A. Dutt. My indebtedness to these authors is such as to call for the most unreserved acknowledgement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.