"The heroine of the most performed opera in the world since 1875, Carmen has become a universal cultural icon. She has appeared in a multitude of ballets, on stage as well as ice rinks, and in some eighty international films. The success of Bizet' opera owns a lot to the libretto's singular accounting of the 1845 short story on which it is based. In her close textual analyses of Ludovic Halévy's and Henri Meilhac's libretto and Prosper Mérimée's novella, the author strives to account for the multiple aspects of Carmen's attraction that support George Bizet's acclaimed musical score. Through its multi-facetted cultural renditions through time and place, the story of Carmen can be said to have attained the status of a myth. Myths are stories that speak to us, in our own time and place, about personal, social, or cultural issues"--

Score of Suite from the opera "Carmen" by Georges Bizet, arranged for Saxophone Quartet S.A.T.B (advanced level) by Francesco Leone. Included: 1.Aragonaise 2.Chanson Bohèmienne 3.Habanera 4.Toreador 5.Ouverture (duration 10:30). Score : Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone Saxophones. Parts available separately. Audio demo available on www.glissato.it.

Ce recueil donne toutes les clés pour décrypter l'opéra mythique qu'est Carmen de Georges Bizet et pour savourer pleinement ses quatre actes remplis de passion. Il présente la vie du compositeur, la genèse et la création de l'opérette, fait un focus sur les voix, les décors et l'orchestration. Et propose enfin le livret intégral de l'oeuvre tel qu'il fut écrit par Ludovic Halevy et Henri Meilhac en 1875.

“Carmen” is Georges Bizet's famous opera in four acts, first performed on 3 March 1875. The libretto was based on a novella of the same title by Prosper Mérimée and was written by Henri Meilhac and Ludovic Halévy. Unfortunately, Bizet suffered an untimely death after the opera's 33rd performance, and was consequently unaware of the international success it would come to enjoy. Georges Bizet (1838 – 1875) was a French composer during the romantic era. He is most famous for his operas and his final composition, “Carmen”, which remains to this day one of the most popular and commonly performed works in the entire opera repertoire. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

This inexpensive, authoritative edition of one of the world's most popular operas presents the classic 1895 Schirmer edition in the original French, with a complete English singing version by Dr. Theodore Baker. Indispensable for singers, chorus, and rehearsal pianists, this beautiful engraved volume will delight performers and all devotees of great operatic literature. Text in French and English.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

The study of pre-existing film music is now a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies by a range of scholars, including Claudia Gorbman, Jeongwon Joe, Raymond Knapp, and Timothy Warner. The first section explores art music, both instrumental and operatic; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera. Case studies in part 1: Eyes Wide Shut, Raging Bull, Brief Encounter, Detective, The Godfather Part III, three versions of the Carmen story (DeMille's, Preminger's and Rosi's), Amadeus, The Birth of a Nation, M: Eine Stadt sucht einen MA rder, Needful Things, Rat Race. Case studies in part 2: various films by AlmodA^3var, Young Frankenstein, Pulp Fiction, Trainspotting, Amelie, High Fidelity, Ghost World, Heavenly Creatures, The Virgin Suicides, and the video Timber by Coldcut.

A cumulative list of works represented by Library of Congress printed cards.

First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.