This is without question the best book ever written on O'Keeffe' New Yorker Born on a wheat farm in Wisconsin in 1887, the second of seven children, Georgia O'Keeffe had her eyes wide open to the beauty of nature from the very beginning, and by her twenties had become a formidable artist, and a strikingly original and spirited young woman. Moving first to Chicago and then to New York to pursue her studies, her consciousness was enlarged by her discovery of the modernist movement, and by the work both produced and shown by the photographer and art dealer Alfred Stieglitz. Making her way in the world – first as a commercial artist and then as an art teacher – O'Keeffe developed her own original style. When Alfred Stieglitz discovered her work he was the first to exhibit it. Twenty-three years her senior, Stieglitz later fell in love with the artist as well as the work. O'Keeffe moved to New York in 1918 and married Stieglitz in 1924. She found herself a muse as well as an artist, and entered a circle of America's most vibrant and boundary-pushing artists – and became herself one of the most important and successful of them all. But O'Keeffe fell in love again – this time with the bewitching landscapes of New Mexico,. She began spending half of each year there, and when Stieglitz died in 1949 she moved there for good, and lived there for the rest of her life, taking pleasure in the otherworldly beauty of the Ghost Ranch, north of Abiquiú. Following O'Keeffe's early bud and sensational bloom, her loves, losses, agonies and ecstasies, and her painting against the dying of the light, Roxana Robinson's spellbinding and definitive biography has now been updated for the twenty-first century with a new foreword and access to never-before-seen letters. Written with the cooperation of the O'Keeffe family, and with access to sources closed to biographers during O'Keeffe's lifetime, It remains an unparalleled portrait of one of the most important female artists of all time.

The Concise Dictionary of Women Artists provides an alternative history of Western art from the Middle Ages to the present day. In 200 entries it examines the lives, working conditions, and most of all, the work of a remarkable group of artists.

The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as "Health: General Works" to entries on specific individuals or more focused topics such as "Doctors."

"Georgia O'Keeffe is arguably the 20th century's leading woman artist. Coming of age along with American modernism, her life was rich in intense relationships --with family, friends, and especially noted photographer Alfred Stieglitz. Her struggle between the rigorous demands of love and work resulted in extraordinary accomplishments. Her often-eroticized flowers, bones, stones, skulls, and pelvises became extremely well known to a broad American public"--

One of the greatest and most admired artists of the twentieth century, Georgia O'Keeffe led a life rich in intense relationships--with family, friends, and especially with fellow artist Alfred Stieglitz. Her extraordinary accomplishments, such as the often eroticized flowers, bones, stones, skulls, and pelvises she painted with such command, are all the more remarkable when seen in the context of the struggle she waged between the rigorous demands of love and work. When Roxana Robinson's definitive biography of O'Keeffe was first published in 1989, it received rave reviews and was named a New York Times Notable Book of the Year. 0This new edition features a new foreword by the author setting O'Keefe in an artistic context over the last thirty years since the book was first published, as well as previously unpublished letters of the young O'Keeffe to her lover, Arthur MacMahon. It also relates the story of Robinson's own encounter with the artist. As interest in O'Keeffe continues to grow among museum-goers and scholars alike, this book remains indispensable for understanding her life and art.

Presents, in brief text and illustrations, the life of the painter who drew much of her inspiration from nature.

"The definitive life of O'Keeffe." —Hilton Kramer, Los Angeles Times Georgia O'Keefe (1887?-1986) was one of the most successful American artists of the twentieth century: her arresting paintings of enormous, intimately rendered flowers, desert landscapes, and stark white cow skulls are seminal works of modern art. But behind O'Keeffe's bold work and celebrity was a woman misunderstood by even her most ardent admirers. This large, finely balanced biography offers an astonishingly honest portrayal of a life shrouded in myth. Some images in the ebook are not displayed owing to permissions issues.

The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the “Wild West.” These views of prairie, plains and sky became Georgia’s muses as she embarked on her step-by-step path with her role models—Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887–1945, Nancy Hopkins Reily “walks the Sun Prairie Land,” as if in Georgia’s day as a prologue to her family’s friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia’s defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize.

In this provocative and illuminating book, Marianna Torgovnick explores the psychology of our profound attraction to cultures we call "primitive". Whether located in Africa, the South Pacific, or the American Southwest, the primitive has become synonymous in the Western imagination with a range of emotions and experiences thought to be lost in modern life: reverence for the land and for nature; strong communal bonds; sexual plentitude; and, perhaps most intriguing, and ecstatic sense of connection to the universe and the life force. Torgovnick investigates the numerous ways we have turned toward the primitive out of spiritual hunger for such deeply human experiences - a hunger that could once be satisfied within the West's own mystical traditions but that often no longer can be. Brilliantly encompassing religion, art, psychology, literature, and other aspects of our culture, Primitive Passions offers new insight into our ideas of spirituality and gender, and, ultimately, into the hidden but vital parts of ourselves.

The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the “Wild West.” These views of prairie, plains and sky became Georgia’s muses as she embarked on her step-by-step path with her role models—Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887–1945, Nancy Hopkins Reily “walks the Sun Prairie Land,” as if in Georgia’s day as a prologue to her family’s friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia’s defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize.