Georgia Voices Volume 3, Poetry, is the final anthology in a distinctive multivolume set of works by Georgia's most gifted writers. Offering selections from thirty-nine poets, Georgia Voices Volume 3 presents a variety of literary and cultural traditions. While the poems reflect the places and times of their origins, they also reveal the impact of today's global society in their diverse and contrasting themes. With myriad styles and voices, this work is characteristic of the South's blend of tradition and innovation, elegance and angst. As eclectic as it is representative of Georgia's character and heritage, the volume contains works mainly from the twentieth century. In this collection we encounter some of America's finest poets--Sidney Lanier, Conrad Aiken, James Dickey, Alice Walker, Judson Mitcham, Judith Ortiz Cofer, Rosemary Daniell, Wyatt Prunty, Charlie Smith, Bettie Sellers, Coleman Barks, Stephen Corey, Kathryn Stripling Byer, and many others. Their works of humor, nature, history, discovery, drama, and strength make Georgia Voices Volume 3, Poetry, a worthwhile addition to any bookshelf or library.

Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings supplement most entries. Especially important Georgia books have their own entries: works of social significance such as Lillian Smith's Strange Fruit, international publishing sensations like Margaret Mitchell's Gone With the Wind, and crowning artistic achievements including Jean Toomer's Cane. The literary culture of the state is also covered, with information on the Georgia Review and other journals; the Georgia Center for the Book, which promotes authors and reading; and the Townsend Prize, given in recognition of the year's best fiction. This is an essential volume for readers who want both to celebrate and learn more about Georgia's literary heritage.

Published in 1966, this documentary history examines the history of Georgia from the first appearance of Spanish explorers to the hardships of the Civil War and Reconstruction. Through the accounts of those who experienced the events firsthand, Spencer Bidwell King Jr. allows the reader to experience colonialism, Revolution, and statehood. Within these distinctive eras, King discusses society, education, religion, literature, and the economic and cultural pursuits of the people. He combines extensive quotes from primary sources with historical information to create a continuous narrative. By using the voices of Georgians, King reveals the state's unique character and individuality.

• Fully updated research and inclusion of recent children’s book titles, including more diverse and inclusive literature such as LGBTQ children’s books • New Read, Watch, Listen resources within each chapter; new Activities for Professional Development and Print and Online Resources sections • New emphases and expanded attention to censorship and diversity.

The Essential Voices series intends to bridge English-language readers to cultures misunderstood and under- or misrepresented. It has at its heart the ancient idea that poetry can reveal our shared humanity. The anthology features 130 poets and translators from ten countries, including Garous Abdolmalekian, Kaveh Akbar, Kazim Ali, Reza Baraheni, Kaveh Bassiri, Simin Behbahani, Mark S. Burrows, Athena Farrokhzad, Forugh Farrokhzad, Persis Karim, Ahmad Karimi-Hakkak, Sara Khalili, Mimi Khalvati, Esmail Khoi, Abbas Kiarostami, Fayre Makeig, Anis Mojgani, Yadollah Royai, Amir Safi, SAID, H.E. Sayeh, Roger Sedarat, Sohrab Sepehri, Ahmad Shamlu, Solmaz Sharif, Niloufar Talebi, Jean Valentine, Stephen Watts, Sholeh Wolpé, Nima Yushij, and many others. Praise Between arm-flexing states, the U.S. and Iran, the past burns and the future is held hostage. In a twilight present tense, the poets emerge, sure-footed and graceful, imagining another way, another vision of being. The range of these Iranian poets is prodigious and dizzying. Sometimes they "consider the saga of a bee / humming over minefields / in pursuit of a flower," sometimes they "bring your lips near / and pour your voice / into my mouth." Essential Voices: Poetry of Iran and Its Diaspora is a place where heartbreak and hope gather. At the shores of language, drink this bracing, slaking music. —Philip Metres, author of Shrapnel Maps Essential Voices: Poetry of Iran and its Diaspora takes the extraordinary position that poetic arts from the homeland and diaspora should be read alongside each other. This vital book invites English-language readers to step into a lineage and tradition where poems—from playful to elegiac, prosaic to ornate—are fundamental to everyday living. It is the kind of book that requires two copies: one to give to a beloved, and one to keep for oneself. —Neda Maghbouleh, author of The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race Essential Voices: Poetry of Iran and Its Diaspora offers a profoundly satisfying journey into the poetic canon of my homeland—an anthology with an ambition, expanse, depth, and diversity that truly earns its essential tag. So many poets I was hoping would be in here are here, from contemporary icons to new luminaries, plus I got to explore several poets I had never before read. Everyone from students of poetry to masters of the form should take this ride through the soul and psyche of Iran, which endures no matter where the border, beyond whatever the boundary! —Porochista Khakpour, author of Brown Album: Essays on Exile and Identity Iranians rely on poetry to give comfort, elevate the ordinary, and illuminate the darkness. Essential Voices: Poetry of Iran and its Diaspora layers the work of the masters with fresh voices, using sensual imagery to piece together a society fractured by revolution, war, and exile. Let the poets lead you into an Iran beyond the news reports—a place where tenderness and humor and bitterness and melancholia balance together like birds on a wire, intricately connected and poised to take flight.  —Tara Bahrampour, author of To See and See Again: A Life in Iran and America

In this collection, Philip Lee Williams shows again his well-known ability to combine the arresting image with the moment of sudden insight. Deeply intertwined with the natural world of his Georgia country home, Williams' poems are testaments both to time-tested forms and the free impulse of contemporary verse. While his poems are often clear and sharp as a winter stream, he also writes with a healthy respect for the dense, iconoclastic masters of twentieth-century poetry and from centuries before, examining order and disorder in the human and natural worlds with the kind of fascinated and passionate scrutiny he has shown in many earlier books.

Since the early 19th century, Georgia has produced an impressive number of distinguished fiction writers, from Joel Chandler Harris, Carson McCullers and Flannery O'Connor to such present-day voices as Alice Walker, Ferrol Sams and Pat Conroy. Contains 39 stories and excerpts from novels.

This is the first comprehensive cultural and historical introduction to modern Georgia. It covers the country region by region, taking the form of a literary journey through the transition from Soviet Georgia to the modern independent nation state. Georgia's recorded history goes back nearly 3,000 years. The Georgians converted to Christianity in 330 and their Bagratuni monarchy endured for over 1,000 years. The Soviets ruled the region from 1921 but their vigorous repression did little to eradicate the strong Georgian sense of nationhood and under Gorbachev, Georgian independence became inevitable. Nasmyth's lively and topical survey charts the nation's remarkable cultural and historical journey to statehood. Having travelled extensively in the country over a period of five years, Peter Nasmyth is exceptionally qualified to write on Georgia. His authoritative, dynamic and perceptive book is based on hundreds of interviews with modern Georgians, from country priests to black marketeers. Georgia will be essential reading for anyone interested in this fascinating region as well as for students and researchers requiring an insight into life after the collapse of the old Soviet order in the richest and most dramatic of the former republics.

Poetry and Voice, with a foreword by Helen Dunmore, is a book of essays which fuses critical and creative treatments of poetic voice. Some contributors focus on critical explorations of voice in work by poets such as John Ashbery, Simon Armitage, Eavan Boland, Carol Ann Duffy, Arun Kolatkar, Don McKay and Dragica Rajčić, and on the musical voices of the lyric tradition and of poetry itself. Vicki Feaver, Jane Griffiths, Philip Gross, Waqas Khwaja, Lesley Saunders and David Swann reflect on their own poetic processes of composition, and the development of the voices of childhood, old age, migration, landscape, bilinguality, and imprisonment. Laurel Cohen-Pfister and Tatjana Bijelić examine the nature of poetic voice in exile, the need for fresh voices after war and new spaces in which poetic voices can be heard. In this international collection, the contributors give rare and generous insights into inner poetic processes and external effects. They engage with artistic debates about developing, losing and appropriating voice in poetry and approach the question of what is ‘finding a voice’ in poetry from multiple angles. The book will interest literary critics, poets, lecturers, and undergraduate and postgraduate students of literature, poetry and creative writing.

Georgia has produced some of the major figures of modern literature, including Carson McCullers, Erskine Caldwell and, most notably, Flannery O'Connor. While such writers are firmly established in American literary history, all too few readers are aware of how the state's tradition of literary excellence persists in the present day. The thirty stories in After O'Connor were written during the past fifteen years by authors who were born in Georgia or spent a significant part of their lives and careers in this state. Embracing the social, cultural, and ethnic variety in today's Georgia, After O'Connor both advances and helps redefine the great southern storytelling tradition.