The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

The larger part of this classic symposium on the poetry of Gerard Manley Hopkins was originally assembled as a special number of The Kenyon Review to celebrate in 1944 the centenary of the poet's birth, and then published in the New Directions 'Makers of Modern Literature' series.

the book offers a detailed commentary on the poetry of Hopkins, exploring the significance of contemporary cultural issues and the poet's life as Catholic convert and Jesuit priest. Part 1 traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, instress and sprung rhythm. Part 3, provides a detailed critical commentary on most of the major poems, including The Wreck of the Deutschland, God's Grandeur, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, Felix Randal, Spring and Fall, Inversnaid, the six 'Terrible Sonnets', and That Nature is a Heraclitean Fire. Part 4, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. John Gilroy is also the author of Reading Philip Larkin: Selected Poms

For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.

Gerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years. By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.

This book restores the poet to his full intellectual and literary context as a Victorian convert to Catholicism.

Through the lens of Hopkins's 'masterwork', The Philosophical Mysticism of Gerard Manley Hopkins readdresses Hopkins's frequently overlooked mysticism as an interior narrative within his corpus. Drawing on a range of religious, literary and visual traditions from Augustine's Confessions to the seventeenth-century spiritual emblem, this book demonstrates the ways in which the Wreck deliberately constructs and conceals a mystical and contemplative narrative. Typology and allegory are some of the important hermeneutic tools used in this re-reading of Hopkins, relating the poet to the discursive tradition surrounding the Old Testament Song of Songs, the philosophical theology of the Greek Fathers, and, perhaps most intriguingly, the meditative and visual tradition of the baroque heart-emblem. On the centenary of the publication of Hopkins’s poems, this book places the writer firmly within a mystical tradition, necessitating a fundamental reconsideration of the legacy of this major Victorian poet.

This book analyses the themes of anxiety and transience in the poetical thought of Gerard Manley Hopkins, a prominent 19th-century poet. The book argues that, despite Hopkins’s strong religious beliefs, his artistic vision and quest for an original aesthetic were the foremost concerns in his poetry. The author examines Hopkins’s early interest in transience, which he later developed through the influence of the philosopher Duns Scotus and the aesthetic critic Walter Pater. In the second half of the book, the author employs Martin Heidegger’s philosophy to deepen our understanding of Hopkins’s poetics of anxiety and transience. He illuminates how these themes shaped Hopkins’s poetic voice, revealing his affinity with Romanticism and his belief that transience and anxiety enhance rather than hinder the creative process. The book provides a fresh perspective on Hopkins’s work, challenging the prevailing views that downplay the importance of these themes. While the book is primarily a contribution to literary scholarship, it may also appeal to readers interested in the intersection of literature, philosophy and art.

Machine generated contents note: Introduction; Part I. Forms of Devotion: 1. Bibles; 2. Prayer; Part II. Models of Faith: 3. The soldier; 4. The martyr; Part III. Last Things: 5. Death and judgement; 6. Heaven and hell

Hopkins's 'Dublin Notebook' brings us closer to Hopkins's life and times than any other volume, providing a digitized facsimile of the large journal he used for academic, personal, and religious notes, accompanied by a careful transcription of the hand-written text, and thorough explanatory notes to guide the reader.