German writers, be it Goethe, Nietzsche, Marx, Brecht or Mann, have had a profound influence on the modern world. This Very Short Introduction illuminates the particular character and power of German literature, and examines its impact on the wider cultural world.

Europe 1783–1914 provides a comprehensive overview of Europe from the background of the French Revolution to the origins of the First World War. William Simpson and Martin Jones combine accounts of the most important countries with the wider political, economic, social and cultural themes affecting Europe as a whole, including: the impact of the French Revolution and Napoleon the rise of industry the growth of nationalism the 1848 revolutions Imperialism Marxism and left wing movements. This second edition has been significantly expanded with additional sections on Science and Technology and Thought and Culture. There are two entirely new chapters – 'Changes in the World of Ideas', which explores European responses to the Enlightenment and the French Revolution as reflected in literature, music and painting; and 'Europe and the United States', which examines the reciprocal relationship between these two continents during this critical period. The final chapter, 'Retrospect and Prospect', now addresses the changing intellectual climate under the influence of figures such as Darwin, Freud and Nietzsche, and new departures in the arts evident at the dawn of the twentieth century. Every chapter features a list of key dates, concise background information, and suggestions for further reading, as well as a concluding 'Topics for Debate' section which contains relevant contemporary sources and outlines the contrasting views of recent historians on the key issues. Extensively illustrated throughout with maps, contemporary cartoons and portraits, Europe 1783–1914 is a clear, detailed and highly accessible analysis of this turbulent and formative period of European History.

"A special double issue of Publications of the English Goethe Society to celebrate the 70th birthday of Professor Martin Swales (UCL, UK) This volume collects papers from a conference held at the Institute of Germanic and Romance Studies in October 2010. The conference aimed to analyse how literary texts articulate (and give voice to) ideas and ideologies. In contrast to most philosophy, literature rarely makes claims to systematic conceptual rigour. Literary statements are always conjectural; they are also conditioned by the conventions of the genre in which they are made. Because literature is such a hypothetical medium of expression, it is uniquely suited to philosophical experimentation. Indeed, because literature invokes imagined or remembered experience, it functions as a laboratory in which ideas may be tested against experience. Literature's formal qualities, which allow for statement and counter-statement, move and counter-move, make it a highly sophisticated mode of discourse in which to test out ideas. Concepts can be played against each other, and genre conventions may be adhered to or subverted, in order to create multiple layers of signification. The papers presented are published here in this special issue of Publications of the English Goethe Society, and take account of German (or European) poetry, drama or prose literature from 1750 to the present day."

Modern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors--from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valery, Djuna Barnes, and Adorno-- he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity.

It is 1938 when the Kolbers, affluent Viennese Jews, flee their country for Shanghai after its annexation by the Nazis. Eva and her daughter take the Trans-Siberian Railroad through war zones where they must confront border guards and Japanese imprisonment. Meanwhile, her husband, Josef, and their twin sons travel by ocean liner, hiding valuables in crates. Similarly in China, the politically powerful Gan Chen family finds their lives upended by Japanese invaders. Forced to abandon their estate, the family seeks refuge in Shanghai. While the families adapt to their new lifestyles during the war, their children meet. Walter Kolber is a handsome violinist; Chao Chen is a gifted pianist. After a forbidden romance blossoms, Chao Chen discovers she is pregnant. Without familial blessings, the lovers marry in December 1946 and head with their newborn to a refugee camp in Austria. As Chao Chen grapples with language and cultural barriers, the family is met with turmoil and tragedy. Now only time will tell if they will survive their troubles to start a new life in the United States. A remarkable true story, Thrown upon the World tells the tale of two families brought together during World War II in Shanghai and the twist of fate that split them apart.

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.

The words, phrases, and stories of the New Testament permeate the English language. Indeed, this relatively small group of twenty-seven works, written during the height of the Roman Empire, not only helped create and sustain a vast world religion, but also have been integral to the larger cultural dynamics of the West, above and beyond particular religious expressions. Looking at the New Testament through the lens of literary study, Kyle Keefer offers an engrossing exploration of this revered religious text as a work of literature, but also keeps in focus its theological ramifications. Unique among books that examine the Bible as literature, this brilliantly compact introduction offers an intriguing double-edged look at this universal text--a religiously informed literary analysis. The book first explores the major sections of the New Testament--the gospels, Paul's letters, and Revelation--as individual literary documents. Keefer shows how, in such familiar stories as the parable of the Good Samaritan, a literary analysis can uncover an unexpected complexity to what seems a simple, straightforward tale. At the conclusion of the book, Keefer steps back and asks questions about the New Testament as a whole. He reveals that whether read as a single document or as a collection of works, the New Testament presents readers with a wide variety of forms and viewpoints, and a literary exploration helps bring this richness to light. A fascinating investigation of the New Testament as a classic literary work, this Very Short Introduction uses a literary framework--plot, character, narrative arc, genre--to illuminate the language, structure, and the crafting of this venerable text. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Organization happens in the act of working with others to accomplish a desired future state. It can happen through intentionally designed activity, spontaneous improvisation, or some combination of the two, but it always requires coordinated effort. This Very Short Introduction provides a lively and thought provoking introduction to the topic.

In 1613 a beautiful Stuart princess married a handsome young German prince. This was a love match, but it was also an alliance that aimed to weld together Europe's two great Protestant powers. Before Elizabeth and Frederick left London for the court in Heidelberg, they watched a performance of The Winter's Tale. In 1943, a group of British POWS gave a performance of that same play to a group of enthusiastic Nazi guards in Bavaria. When the amateur actors suggested doing a version of The Merchant of Venice that showed Shylock as the hero, the guards brought in the costumes and helped create the sets. Nothing about the story of England and Germany, as this remarkable book demonstrates, is as simple as we might expect. A shared faith, a shared hunger for power, a shared culture (Germany never doubted that Shakespeare belonged to them, as much as to England); a shared leadership. German monarchs ruled over England for three hundred years - and only ceased to do so through a change of name. Miranda Seymour has written a rich and heart-breaking story that needs to be heard: the vibrant, extraordinary history - told through the lives of kings and painters, soldiers and sailors, sugar-bakers and bankers, charlatans and saints - of two countries so entwined that one man, asked for his allegiance in 1916, said he didn't know because it felt as though his parents had quarrelled. Thirteen years of Nazi power can never be forgotten. But should thirteen years blot out four centuries of a profound, if rivalrous, friendship? Speaking in 1984, a remarkable Jew who fought for Germany in one war and for England in the next called for an end to the years of mistrust. Quarter of a century later, that mistrust remains as strong as ever and Hitler remains Germany's most familiar face. The stories that Miranda Seymour has recovered from a wealth of unpublished material and exceptional sources, remind us, poignantly, wittily and tragically, of all that we have chosen to forget.

British and US scholars of German literature and culture assess the nature of public communications and the molding of public opinion in historical situations ranging from the late Middle Ages to the 20th century. In particular they look at the representation of the public sphere in literary writing a half century after the German original of Jürgen Habermas' The Structural Transformation of the Public Sphere was published. Their overall themes are publics before the public sphere, thinking about Enlightenment publics, and cultural politics and literary publics. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com).