Giambattista Vico (16681744) was an Italian philosopher, rhetorician, and historian. As one of the great thinkers of the Enlightenment, he exerted tremendous influence on the social sciences. He was the first to stress cultural and linguistic dimensions in the development of both the human mind and social institutions. Although his ideas on the relationship between mind and culture and his epistemology have inspired the work of many scholars in psychology, his sizeable influence has been scarcely acknowledged. The volume is organized in two sections. The first locates Vico in his historical context and in the landscape of contemporary human and social sciences. The second part presents those of Vico's concepts that seem promising for the development of a new way of looking at psychological phenomena. In the book's conclusion, Luca Tateo gathers the ideas of the volume's contributors to suggest future development of the psychological sciences. This book aims to show how Vico's insights can inspire future research in the psychological sciences. It collects multidisciplinary contributions of leading international scholars that draw upon the thought of this original thinker. Collectively, the contributors remind us of the legacy and continuing influence of this inspiring historical figure.

Victoria Welby (1837–1912) dedicated her research to the relationship between signs and values. She exchanged ideas with important exponents of the language and sign sciences, such as Charles S. Peirce and Charles S. Ogden. She examined themes she believed crucially important both in the use of signs and in reflection on signs. But Welby's research can also be understood in ideal dialogue with authors she could never have met in real life, such as Mikhail Bakhtin, Susanne Langer, and Genevieve Vaughan. Welby contends that signifying cannot be constrained to any one system, type of sign, language, field of discourse, or area of experience. On the contrary, it is ever more developed, enhanced, and rigorous, the more it develops across different fields, disciplines, and areas of experience. For example, to understand meaning, Welby evidences the advantage of translating it into another word even from the same language or resorting to metaphor to express what would otherwise be difficult to conceive. Welby aims for full awareness of the expressive potential of signifying resources. Her reflections make an important contribution to problems connected with communication, expression, interpretation, translation, and creativity.

This overview of the history of anthropological theory provides a comprehensive history from antiquity through to the twenty-first century, with a focus on the twentieth century and beyond. Unlike other volumes, it also offers a four-field introduction to theory. As a stand-alone text, or used in conjunction with the companion volume Readings for a History of Anthropological Theory, Erickson and Murphy offer a comprehensive, affordable, and contemporary introduction to anthropological theory. The third edition has been updated and fully revised throughout to closely parallel the presentation in the companion reader, making it easier to use both books in tandem. New original essays by contemporary theorists bring theories to life, and portraits of important theorists make it a handsome volume. Sources and suggested readings have been updated, and glossary definitions have been updated, streamlined, and standardized.

Bloomsbury Semiotics offers a state-of-the-art overview of the entire field of semiotics by revealing its influence on a wide range of disciplinary perspectives. With four volumes spanning theory, method and practice across the disciplines, this definitive reference work emphasizes and strengthens common bonds shared across intellectual cultures, and facilitates the discovery and recovery of meaning across fields. It comprises: Volume 1: History and Semiosis Volume 2: Semiotics in the Natural and Technical Sciences Volume 3: Semiotics in the Arts and Social Sciences Volume 4: Semiotic Movements Written by leading international experts, the chapters provide comprehensive overviews of the history and status of semiotic inquiry across a diverse range of traditions and disciplines. Together, they highlight key contemporary developments and debates along with ongoing research priorities. Providing the most comprehensive and united overview of the field, Bloomsbury Semiotics enables anyone, from students to seasoned practitioners, to better understand and benefit from semiotic insight and how it relates to their own area of study or research. Volume 1: History and Semiosis provides a general and historical orientation to semiotic traditions and their methodologies, followed by an in-depth overview of critical issues in the study of sign systems and semiosis. It ends with an exploration of issues of sign classification and practical application, setting the scene for the remaining volumes.

In his study of negative existence and how it affects James Joyce's principal characters, Gian Balsamo joins the ongoing debate about the Irish writer's relationship to Dante and considers the centrality of messianism to that relationship. Finding in Dante a negative poetics that becomes a model for Joyce, Balsamo suggests that the inception and cessation of life - two occurrences that conventionally are deemed impossible to experience personally and directly - typically frame the existential experiences of Joyce's main characters. Balsamo perceives Stephen, Leopold, and Shem as messianic figures because they rebel against this convention, clustering their lives around the very events of inception and burial. Balsamo traces the engagement of each of the three characters in a negative existence immune from the rules and limitations of ordinary experience. Each struggles to express rather than exorcise the fecundity of his own mortality; each reinvents his biography as involving the pivotal transaction of one death - be it a mother's, a son's, or even that of his own body - in return for catharsis. Durkheim, and Noam Chomsky, Balsamo challenges the current debate by identifying the messianic thread that ties together the biographies of Joyce's three characters. Faced with the fissure between history and poetic vocation, Stephen embraces the sacrificial poetry of silence. Faced with the domestic squalor provoked by the loss of his son, Leopold renews at every meal the cathartic exchange of food and semen. Faced with a destiny of death and decomposition, Shem reenacts the tradition of the medieval cycle drama, stretching his own body like a parchment on a cross and then rubricating it like a sacred manuscript.

Perhaps the oldest and most intriguing conundrum of all is the question: What is the mind? In the last decade an interdisciplinary approach, known as cognitive science, has emerged to study the mind with the ideas and methods forged by artificial intelligence researchers. The aim of this book is to suggest ways in which the cognitive science agenda can be shaped more meaningfully according to a view of mind proposed by Giambattista Vico two and a half centuries ago. This view is grounded on the products of imagination. By studying myths, poetry, narrations, etc., the cognitive scientist will discover the creative force behind them.