In volumes1-8: the final number consists of the Commencement annual.

The Victorian theatrical partnership of the librettist W. S. Gilbert and composer Arthur Sullivan produced fourteen comic operas that would exact a major influence on the history of theatre. Such popular classics as ‘H.M.S. Pinafore’, ‘The Pirates of Penzance’ and ‘The Mikado’ conjured fanciful "topsy-turvy" worlds, where absurd premises are taken to a logical conclusion. Notable for their humour and pathos, these celebrated operas enjoyed an enduring international success and are still performed frequently throughout the English-speaking world. For the first time in digital publishing, this comprehensive eBook presents Gilbert’s complete extant works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Gilbert and Sullivan’s lives and works * Concise introductions to the operas and other texts * All of the Gilbert and Sullivan operas, with individual contents tables * Features Gilbert’s other dramatic plays and librettos, many appearing for the first time in digital publishing * Excellent formatting of the texts * Special chronological and alphabetical contents tables for Gilbert’s poetry * Easily locate the poems or short stories you want to read * Includes Gilbert’s complete Bab Ballads – available in no other collection * THE BAB BALLADS collection is illustrated with Gilbert’s original artwork * Includes Gilbert’s short fiction * Features four biographies - discover Gilbert and Sullivan’s extraordinary history * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: Gilbert and Sullivan Works THESPIS TRIAL BY JURY THE SORCERER H.M.S. PINAFORE THE PIRATES OF PENZANCE PATIENCE IOLANTHE PRINCESS IDA THE MIKADO RUDDYGORE THE YEOMEN OF THE GUARD THE GONDOLIERS UTOPIA, LIMITED THE GRAND DUKE Gilbert’s Other Dramatic Works RUY BLAS DULCAMARA LA VIVANDIÈRE ALLOW ME TO EXPLAIN A COLOSSAL IDEA HARLEQUIN COCK ROBIN AND JENNY WREN THE MERRY ZINGARA ROBERT THE DEVIL NO CARDS THE PRETTY DRUIDESS AGES AGO A MEDICAL MAN THE PRINCESS THE GENTLEMAN IN BLACK OUR ISLAND HOME THE PALACE OF TRUTH THE BRIGANDS RANDALL’S THUMB A SENSATION NOVEL CREATURES OF IMPULSE GREAT EXPECTATIONS ON GUARD PYGMALION AND GALATEA HAPPY ARCADIA THE WICKED WORLD THE HAPPY LAND THE WEDDING MARCH CHARITY TOPSYTURVEYDOM SWEETHEARTS ROSENCRANTZ AND GUILDENSTERN TOM COBB EYES AND NO EYES; OR, THE ART OF SEEING BROKEN HEARTS PRINCESS TOTO DAN’L DRUCE, BLACKSMITH ON BAIL ENGAGED THE NE’ER-DO-WEEL GRETCHEN FOGGERTY’S FAIRY BRANTINGHAME HALL THE MOUNTEBANKS HIS EXCELLENCY THE FORTUNE HUNTER HARLEQUIN AND THE FAIRY’S DILEMMA THE HOOLIGAN TRYING A DRAMATIST Gilbert’s Short Fiction FOGGERTY’S FAIRY AND OTHER TALES THE STORY OF H.M.S. PINAFORE Gilbert’s Poetry Collections THE BAB BALLADS MORE BAB BALLADS SONGS OF A SAVOYARD MISCELLANEOUS BAB BALLADS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Biographies W. S. GILBERT by Louis Engel SIR ARTHUR SULLIVAN by Louis Engel SIR ARTHUR SULLIVAN by George Grossmith GILBERT AND SULLIVAN OPERA: A HISTORY AND COMMENT by H. M. Walbrook Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.

In this, the first book to focus on the original cast members of the classic Gilbert and Sullivan comic operas, world-renowned musical theater expert Kurt Gänzl provides a concise history of the writing and production of each opera, vividly colored by the often little-known life stories of these early performers. Meticulously researched and lavishly illustrated with rare photographs, Gilbert and Sullivan: The Players and the Plays delves into the professional and personal lives of the British and American actors and singers who created the celebrated "famous fourteen" Gilbert and Sullivan operas.

The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.

Audiences for musical theater are predominantly women, yet shows are frequently created and produced by men. Onstage, female characters are depicted as victims or sex objects and lack the complexity of their male counterparts. Offstage, women are under-represented among writers, directors, composers and choreographers. While other areas of the arts rally behind gender equality, musical theater demonstrates a disregard for women and an authentic female voice. If musical theater reflects prevailing societal attitudes, what does the modern musical tell us about the place of women in contemporary America, the UK and Australia? Are women deliberately kept out of musical theater by men jealously guarding their territory or is the absence of women a result of the modernization of the genre? Based on interviews with successful female performers, writers, directors, choreographers and executives, this book offers a unique female viewpoint on musical theater today.

Illustrated with biographical as well as professional detail, this text suggests that Gilbert and Sullivan's creative partnership was fuelled by their ongoing personality clash, as each partner challenged the other to produce his best work.

Thespis -- Trial by jury -- The sorcerer -- H.M.S. Pinafore -- The pirates of penzance -- Patience -- Iolanthe -- Princess Ida -- The mikado -- Ruddigore -- The yeomen of the guard -- The gondoliers -- Utopia limited -- The grand duke