In the 21st century, young girls crossed over to the Illusory Dream Continent due to gaming. They met two handsome guys and became extremely powerful people. They destroyed six countries and unified the continent ...

New York Times bestselling author Natasha Ngan delivers a stunningly beautiful, heartbreaking finale to the epic Girls of Paper and Fire series. "Don't struggle, Lei-zhi. It's time to take you back to the Hidden Palce. You're going home." The final pages of Girls of Storm and Shadow brought a jaw-dropping conclusion that had the fates of Lei and Wren hanging in uncertainty. But one thing was certain - the Hidden Palace was the last place that Lei would ever consider home. The trauma and tragedy she suffered behind those opulent walls would plague her forever. She could not be trapped there with the sadistic king again, especially without Wren... The last Lei saw of the girl she loved, Wren was fighting an army of soldiers in a furious battle to the death. With the two girls torn apart and each in terrorizing peril, will they find each other again or have their destinies diverged forever? Girls of Fate and Fury is the epic conclusion to the "glittering" and "adrenaline-soaked" series by Natasha Ngan, hailed as "a stunning, new talent" for her "beautiful, lush, lyrical" writing.

Bree’s brother, her only remaining family, has been kidnapped. She’s racing against the clock to find him before he ends up in the Grey Area, the land of no return. Nikolas tries to protect her, but his castle can only hold her for so long. As a new protector for humans, can she protect herself?

Les arrels del realisme màgic en els escrits de Borges i altres autors d'Amèrica Llatina han estat àmpliament reconeguts i ben documentades produint una sèrie d'estudis crítics, molts dels quals figuren en la bibliografia d'aquest treball. Dins d'aquest marc, aquest llibre presenta als lectors una varietat d'escriptores de grups ètnics, conegudes i menys conegudes, i les col·loca en un context literari en el que es tracten tant a nivell individual com a escriptores així com a nivell col·lectiu com a part d'un moviment artístic més ampli. Aquest llibre és el resultat del treball realitzat a les universitats de Sheffield i la de València i representa una valuosa investigació i una important contribució als estudis literaris.

Symbols and tropes of liquidity have long been connected to notions of the feminine and, therefore, with orthodox constructions of femininity and womanhood. Underpinning these ideas is the vital importance of water as life force, which has given it a central place in cultural vocabularies worldwide. These symbolic economies, in turn, inform the discourses through which positive or negative associations of women with water come to bear impact on the social positioning of female gendered identities. Women and Water in Global Fiction brings together an array of studies of this phenomenon as seen in writing by and about women from around the world. The literature explored in this volume works to make visible, decodify, celebrate, and challenge the cultural associations made between female gendered identities and all kinds of watery tropes, as well as their consequences for key issues connected to women, society, and the environment. The collection investigates the roots of such symbolisms, examines how they inform women’s place in the socio-cultural orders of diverse global cultures, and shows how the female authors in question use these tropes in their work as ways of (re)articulating female identities and their correlative roles.

To what extent did mythological figures such as Circe and Medea influence the representation of the powerful 'oriental' enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? Looking across the millennia, from the distrust of ancient magic and oriental cults, which threatened the new-born Christian religion, to the revival and adaptation of ancient myths and religion in the arts centuries later, this book offers an original analysis of the reception of ancient magic and the supernatural, across a wide variety of different media – from comics to film, from painting to opera. Working in a variety of fields across the globe, the authors of these essays deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations, showing to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture. The authors probe the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship. By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates a false association that has persisted from antiquity, to early modern witch hunts, to the present day.

This fascinating guide to the history and mythology of woman-related symbols features: Unique organization by shape of symbol or type of sacred object 21 different sections including Round and Oval Motifs, Sacred Objects, Secular-Sacred Objects, Rituals, Deities' Signs, Supernaturals, Body Parts, Nature, Birds, Plants, Minerals, Stones and Shells, and more Introductory essays for each section 753 entries and 636 illustrations Alphabetical index for easy reference Three-Rayed Sun The sun suspended in heaven by three powers, perhaps the Triple Goddess who gave birth to it (see Three-Way Motifs). Corn Dolly An embodiment of the harvest to be set in the center of the harvest dance, or fed to the cattle to `make them thrive year round' (see Secular-Sacred Objects). Tongue In Asia, the extended tongue was a sign of life-force as the tongue between the lips imitated the sacred lingam-yoni: male within female genital. Sticking out the tongue is still a polite sign of greeting in northern India and Tibet (see Body Parts). Cosmic Egg In ancient times the primeval universe-or the Great Mother-took the form of an egg. It carried all numbers and letters within an ellipse, to show that everything is contained within one form at the beginning (see Round and Oval Motifs).

Black magic, occult practices and witchcraft still evoke huge curiosity, interest and amazement in the minds of people. Although witchcraft in Europe has been a widely studied phenomenon, black magic and occult are not yet a popular theme of academic research, even though India is known as a land of magic, tantra and occult. The Indian State of Assam was historically feared as the land of Kamrup-Kamakhya, black magic, witchcraft and occultic practices. It was where different Tantric cults as well as other occult practices thrived. The Khasi Hills are known for the practice of snake vampire worship. The village of Mayong is the village, where magic and occult is still practiced as a living tradition. This book is one of the rarest collections where such practices are researched, recorded and academically analyzed. It is one of those collections where studies of all three practices of Black Magic, Witchcraft and Occult are comibned into one single book.