*NATIONAL BESTSELLER* *A STONEWALL AWARD HONOR BOOK* *The Millions Most Anticipated List of 2023* *A Vogue Best LGBTQ+ Book of 2023* From journalist and drag historian Elyssa Maxx Goodman, an intimate, evocative history of drag in New York City exploring its dynamic role, from the Jazz Age to Drag Race, in queer liberation and urban life From the lush feather boas that adorned early female impersonators to the sequined lip syncs of barroom queens to the drag kings that have us laughing in stitches, drag has played a vital role in the creative life of New York City. But the evolution of drag in the city—as an art form, a community and a mode of liberation—has never before been fully chronicled. Now, for the first time, Elyssa Goodman unearths the dramatic, provocative untold story of drag in New York City in all its glistening glory. Glitter and Concrete ducks beneath the velvet ropes of Harlem Renaissance balls, examines drag’s crucial role in the Stonewall Uprising, traces drag's influence on disco and punk rock as well as its unifying power during the AIDS crisis and 9/11, and culminates with the modern-day drag queen in the era of RuPaul’s Drag Race. Including original interviews with high-profile performers, as well as glamorous color photos from exclusive sources and the author herself, Glitter and Concrete is a significant contribution to queer history and an essential read for anyone curious about the story that echoes beneath the heels. "Deeply researched and featuring a cast of characters who can truly be described as fabulous, Glitter and Concrete is urban history on fire." —Thomas Dyja, author of New York, New York, New York

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Glitter reveals the complexity of an object often dismissed as frivolous. Nicole Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity. Object Lessons is published in partnership with an essay series in The Atlantic.

NEW YORK TIMES BESTSELLER • A memoir from the author of The Middle Place about mothers and daughters—a bond that can be nourishing, exasperating, and occasionally divine. When Kelly Corrigan was in high school, her mother neatly summarized the family dynamic as “Your father’s the glitter but I’m the glue.” This meant nothing to Kelly, who left childhood sure that her mom—with her inviolable commandments and proud stoicism—would be nothing more than background chatter for the rest of Kelly’s life, which she was carefully orienting toward adventure. After college, armed with a backpack, her personal mission statement, and a wad of traveler’s checks, she took off for Australia to see things and do things and Become Interesting. But it didn’t turn out the way she pictured it. In a matter of months, her savings shot, she had a choice: get a job or go home. That’s how Kelly met John Tanner, a newly widowed father of two looking for a live-in nanny. They chatted for an hour, discussed timing and pay, and a week later, Kelly moved in. And there, in that house in a suburb north of Sydney, 10,000 miles from the house where she was raised, her mother’s voice was suddenly everywhere, nudging and advising, cautioning and directing, escorting her through a terrain as foreign as any she had ever trekked. Every day she spent with the Tanner kids was a day spent reconsidering her relationship with her mother, turning it over in her hands like a shell, straining to hear whatever messages might be trapped in its spiral. This is a book about the difference between travel and life experience, stepping out and stepping up, fathers and mothers. But mostly it’s about who you admire and why, and how that changes over time. Praise for Glitter and Glue “I loved this book, I was moved by this book, and now I will share this book with my own mother—along with my renewed appreciation for certain debts of love that can never be repaid.”—Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love “Kelly Corrigan’s thoughtful and beautifully rendered meditation invites readers to reflect on their own launchings and homecomings. I accepted the invitation and learned things about myself. You will, too. Isn’t that why we read?”—Wally Lamb, New York Times bestselling author of We Are Water “Kelly Corrigan is no stranger to mining the depths of her heart. . . . Through her own experience of caring for children, she begins, for the first time, to appreciate the complex woman who raised her.”—O: The Oprah Magazine

Becky Barnes has just endured a long and arduous journey from Nashville to her tiny North Carolina hometown. When she arrives at her sister’s doorstep and receives a lukewarm welcome, no one has any idea that Becky is in a desperate situation. Years earlier, Becky grabbed her chance to take her incredible voice and intense ambition to Nashville, deserting her new husband and infant son in the process. Within weeks, Becky had secured a hit on the charts and what she thought was the beginning of a successful singing career. Then—nothing. Now as Becky attempts to rebuild her life, bank account, and reputation in a place where she has obviously burned too many bridges, she must overcome judgments, perceptions, and her own insecurities while facing challenges and new possibilities along with a compelling need to connect to the child she abandoned. As she courageously sets down a rocky path toward an uncertain future, only time will tell if it leads her to happiness or more disappointment. Glitter is a tale of perseverance, forgiveness, and love as a discouraged country singer returns home to rural North Carolina to begin a new chapter.

Rare, romantic, and forever: The diamond industry depends on these myths to reap billions of dollars of profit. This sensational investigation explodes such fallacies and reveals how multimillion-dollar advertising campaigns create the impression of rarity and romance. It reveals a very secret and unromantic world, one that is dominated and controlled by a handful of mighty corporations. With Leonardo DiCaprio’s movie The Blood Diamond making more people than ever aware of the seamy side of the diamond trade, Janine Roberts’ explosive exposé, taking us through seven decades of intrigue and manipulation, is the right book at the right time.

I've loved Kellan Bellarose since we were ten. He's beautiful, damaged, and toxic AF. But he's mine. Four years after tragedy tore us apart, we found each other again. Together we moved to LA to do something crazy and defy our humble beginnings. Our worlds were flipped on their axis when we both got signed by Enigma Models INC Then I met Luke St. James. He's sexy, slightly dangerous, and older than me. Like...a lot older than me, and will do anything to make me his...and I am feeling things for him I thought I'd reserved for Kellan. When Kellan's growing addictions get out of control, and my past gets exposed. I turned to him. One night. One kiss. One tabloid. And none of us will ever be the same.

Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music’s intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today’s conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here.

Presenting the definitive story of the Ash Forest nuclear disaster, Glitter and Radioactive Ash draws on first hand accounts to provide an understanding of how the disaster unfolded. Beginning with the start of construction and ending with a journey back to the irradiated town next to the plant, this book focuses on the forest in which the plant was built and how the malignant force beneath it caused a catastrophe.

This true crime saga—with an eccentric Southern backdrop—introduces the reader to the story of a murder in a crumbling Louisville mansion and the decades of secrets and corruption that live within the old house’s walls. On June 18, 2010, police discover a body buried in the wine cellar of a Victorian mansion in Old Louisville. James Carroll, shot and stabbed the year before, has lain for 7 months in a plastic storage bin—his temporary coffin. Homeowner Jeffrey Mundt and his boyfriend, Joseph Banis, point the finger at each other in what locals dub The Pink Triangle Murder. On the surface, this killing appears to be a crime of passion, a sordid love tryst gone wrong in a creepy old house. But as author David Dominé sits in on the trials, a deeper story emerges: the struggle between hope for a better future on the one hand and the privilege and power of the status quo on the other. As the court testimony devolves into he-said/he-said contradictions, David draws on the confidences of neighbors, drag queens, and other acquaintances within the city's vibrant LGBTQ community to piece together the details of the case. While uncovering the many past lives of the mansion itself, he enters a murky underworld of gossip, neighborhood scandal, and intrigue.

In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual’s sonic possibilities with the Black body’s physical, representational, and metaphorical use in art. She employs her concept of “visual aesthetic musicality” to interpret Black visual art by examining the musical genres of jazz and rap along with the often-overlooked innovations of funk and rumba within art historiography. From Bailey’s use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra’s Afrofuturism to Stout’s life-sized cast of her own body that recalls funk musician Betty Davis to Campos-Pons’s performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling manikin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.