"This collection of essays treats Gloria Naylor's novels Mama Day and Bailey's Cafe, recognized by scholars and critics as her most significant works. Long understood to be a major African-American woman writer, Gloria Naylor is finally gaining recognition as a contemporary American writer who needs no qualifiers or adjectives before her name. One of the few critical studies of her work, this text represents the work of a group of scholars who are looking seriously and carefully at Naylor, attempting to determine her place, not within an intellectual tradition, but rather within several traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Whitt discloses how Naylor tells the stories of these women on multiple levels and how she helps readers see that all heroines live a life of significance."--BOOK JACKET. "Tracing Naylor's development of the theme of black community, especially among women, Whitt shows how characters move from poverty and isolation to a place where they transcend the racism and sexism that constrict their lives."--BOOK JACKET.

Collected interviews with the author of The Women of Brewster Place, The Men of Brewster Place, and Linden Hills

This edited volume offers innovative ways of analyzing economics in Gloria Naylor’s fiction, using interpretive strategies which are applicable to the entire tradition of African American literature. The writers gathered here embody years of insightful and vigorous Naylor scholarship. Underpinning each of the essays is a celebratory validation that Naylor is one of the most provocative novelists of our time.

In each of her five novels, Gloria Naylor invites the reader to join her characters in their journeys to move beyond established boundaries and embrace an increasingly diverse society. With lucid analyses of each work, this Critical Companion helps readers comprehend how Naylor successfully links the trials of her African American characters to the struggles of human beings at variance with seemingly insurmountable obstacles. Insights into Naylor's own struggles and successes are provided in a richly drawn biographical chapter, which incorporates fresh materials from a recent interview conducted for this book. Naylor's place within the larger framework of the African American narrative traditions is considered as well. Beginning with a full chapter on Naylor's debut success The Women of Brewster Place (1982), the literary components of each novel are examined: Linden Hills (1985) Mama Day (1988), Bailey's Cafe (1992), and The Men of Brewster Place (1998). In addition to a comprehensive plot synopsis, character portraits, and thematic discussions given for each, all works are carefully related to their historical contexts. By understanding the extent to which seminal events, such as the Great Migration and the ushering in of the Civil Rights Movement, serve as the background for Naylor's works, readers can better appreciate them. Throughout the text, particularly in the alternate critical readings provided, all terms and concepts are clearly explained for the student and the general reader. A select bibliography cites biographical sources, interviews, reviews, criticism, and related works of interest.

The Fiction of Gloria Naylor is one of the very first critical studies of this acclaimed writer. Including an insightful interview with Naylor and focusing on her first four novels, the book situates various acts of insurgency throughout her work within a larger framework of African American opposition to hegemonic authority. But what truly distinguishes this volume is its engagement with African American vernacular forms and twentieth-century political movements. In her provocative analysis, Maxine Lavon Montgomery argues that Naylor constantly attempts to reconfigure the home and homespace to be more conducive to black self-actualization, thus providing a stark contrast to a dominant white patriarchy evident in a broader public sphere. Employing a postcolonial and feminist theoretical framework to analyze Naylor’s evolving body of work, Montgomery pays particular attention to black slave historiography, tales of conjure, trickster lore, and oral devices involving masking, word play, and code-switching—the vernacular strategies that have catapulted Naylor to the vanguard of contemporary African American letters. Montgomery argues for the existence of home as a place that is not exclusively architectural or geographic in nature. She posits that in Naylor’s writings, home exists as an intermediate space embedded in cultural memory and encoded in the vernacular. Home closely resembles a highly symbolic, signifying system bound with vexed issues of racial sovereignty as well as literary authority. Through a reinscription of the subversive, frequently clandestine acts of resistance on the part of the border subject—those outside the dominant culture—Naylor recasts space in such a way as to undermine reader expectation and destabilize established models of dominance, influence, and control. Thoroughly researched and sophisticated in its approach, The Fiction of Gloria Naylor will be essential reading for scholars and students of African American, American, and Africana Literary and Cultural studies.

Three lyrical and unforgettable novels from the National Book Award–winning author of The Women of Brewster Place. After winning both the National Book Award and the American Book Award for her now iconic debut novel, The Women of Brewster Place, which was later made into a TV miniseries starring Oprah Winfrey, Gloria Naylor continued to garner acclaim as one of the most original voices in twentieth-century American literature with novels such as Mama Day, Linden Hills, and Bailey’s Cafe. Mama Day: On Willow Springs, an island off the coast between Georgia and South Carolina, superstition is more potent than any trappings of the modern world. Here, the formidable Mama Day uses her powers to heal. But her great-niece, Cocoa, can’t wait to escape to New York City. When Cocoa returns to the island with her husband, George, darker forces challenge the couple—and their only hope may be the mystical matriarch. Steeped in the folklore of the South and inspired by Shakespeare, Mama Day is one of Naylor’s “richest and most complex” novels (Providence Journal). “[A] wonderful novel, full of spirit and sass and wisdom, and completely realized.” —The Washington Post Linden Hills: For its wealthy African American residents, the exclusive neighborhood of Linden Hills is a symbol of making it. But what happens when the dream of material success turns out to be an empty promise? Using Dante’s Inferno as a model, Naylor reveals the true cost of success for the lost souls of Linden Hills—a hell of their own making. “Every page contains a brilliant insight, a fine description, some petty and human, some grandiloquent.” —Chicago Tribune Bailey’s Cafe: This “moving and memorable” national bestseller is set in post–World War II Brooklyn, on a quiet backstreet, where Bailey’s Cafe serves as a crossroads for a broad range of patrons, a place of limbo for tortured souls before they move on—or check out (Boston Globe). “A virtuoso orchestration of survival, suffering, courage and humor.” —The New York Times Book Review

A Study Guide for Gloria Naylor's "The Women of Brewster Place," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.