Concordance to the corrected 2nd edition (1997) edited by A.V.C. Schmidt and published by J.M. Dent.

Concordance to the corrected 2nd edition (1997) edited by A.V.C. Schmidt and published by J.M. Dent.

農夫ピアズの夢のはじめてのコンコーダンス 1

A series of dream visions, Piers Plowman is a moral reckoning of the whole of medieval England, in which every part of society--from church and king to every sort of "folk"--is considered in the light of the narrator's interpretation of Christian revelation. The Middle English poem, rich and beautiful, is a particular challenge to teach: it exists in three versions, lacks a continuous narrative, is written in a West Midlands dialect, weaves a complex allegory, and treats complicated social and political issues, such as labor, Lollardy, and popular uprising. Part 1 of this volume, "Materials," discusses the different versions, critical and classroom editions, and translations of the poem, as well as the many secondary sources. Part 2, "Approaches," helps students engage with the poem's versification, understand its protagonist and its treatment of poverty and equity, and discern connections to the work of other medieval poets, such as Dante and Chaucer.

This is a complete Concordance to the A, B and C texts of Piers Plowman in the Athlone Press editions. Each word in the vocabulary of the three versions (approximately 5,400) is listed alphabetically in its order of occurrence within the particular version, in the succession A, B, C. Except for a few words of extremely frequent occurrence such as the definite and indefinite articles, common conjunctions and the personal pronouns (all these are indexed) each occurrence of each word is listed within its line of context. Words of similar spelling are, where called for, lexicographically distinguished, as are parts of speech. A system of cross-reference to a headword allows for the variety of spelling and dialect forms, and those forms and their frequency are given after the headword. The Latin and French elements in the three texts are concorded in Appendices. The Concordance will prove to be an indispensable tool for the study of the content, language and style of Langland's poems.

These articles are mainly concerned with medieval French literature, particularly those areas in which the honorand of the volume, Rupert T. Pickens, has distinguished himself: Old French Arthurian romance, Marie de France, chanson de geste, later poetry (including Villon), and the Occitan troubadour lyric. Among the contributors are some of the most significant scholars from the U.S.A., Canada, France, Switzerland, and the U.K. working in Old French studies today. The volume will be of interest to specialists in Old French, Occitan, and medieval literature generally. Some of the articles deal with relatively unknown works, and all are informed by current developments in medieval literary studies