Seth MacFarlane has made an immense mark on popular culture through both his live action and animated television series: Family Guy, American Dad!, The Cleveland Show, and The Orville. While MacFarlane has garnered a large legion of fans, even those who do not personally watch Family Guy, this longest running series, will be quick to recognize images of Peter and Stewie Griffin: a caricature of the clueless dads from sitcoms of yesteryear and an inexplicably queer-coded evil baby genius, respectively. This book explores Family Guy and Seth MacFarlane's other animated series closely, examining how the series uses satire and other strategies to construct specific ideas related to sex, gender, and family. The authors argue that the series, like many other television series, contribute to our collective understanding of family, and reinforce (at times) unfavorable gender stereotypes.

Cinderella is about to get wicked... But can a naughty fantasy have a happily-ever-after?

The end of career biography of one of the most loved stars of Australian cricket is now available in paperback with a brand new cover, after selling over 30,000 copies in hardback. Michael Hussey’s huge popularity does not rest solely on his incredible playing record. Popularly known as Mr Cricket, he made his Test debut against the West Indies in Brisbane in November 2005, and has scored 6,183 Test runs over 78 Tests in his career. But to his fans, it is the way he plays the game rather than simply the sum of his achievements that marks him out as one of the best-loved cricketers of his generation. He is a middle-order maestro with a batting average of 51.52, but he has always played cricket with an integrity and sense of values that is the epitome of what cricket stands for. His autobiography takes you behind the scenes to his world of cricket. From his lengthy struggle to break into the Australian side, through to his masterly achievements in the Australian team, in ODI and Indian Premier League – this book follows his extraordinary cricket career., with plenty of surprisingly frank admissions & behind the scenes dramas.

The Aesthetics of Autonomy: Ricoeur and Sartre on Emancipation, Authenticity, and Selfhood argues that, despite their differences, Sartre and Ricoeur have a similar goal. While they are both anti-essentialists, they nevertheless advocate for the notions of selfhood and autonomy. Autonomy, for them, is the end result of an aesthetic path. An identity, at the individual or collective level, is created by weaving together contingent threads of the given. In other words, identity is a narrative construct. The first two chapters focus on the respective methods of Sartre and Ricoeur. Despite their different emphases, Farhang Erfani argues that they have a similar dialectical method, between the situation and our ability to surpass it for Sartre, and between sedimentation and innovation for Ricoeur. The third chapter brings them together and shows how they can complement each other in building a narrative identity at the individual level; Ricoeur is helpful in appreciating Sartrean notions of bad faith and authenticity. The fourth and final chapter turns to collective identity; Erfani argues that Ricoeur's notions of ideology and utopia are better complemented with Sartrean political ethics. Erfani advocates for a Sartrean model of "Dark Utopianism" that overcomes the limits of Ricoeur's political philosophy. Reading Sartre and Ricoeur together provides for a balanced approach to the question of autonomy that at once pays due attention to the weight of the situation and the past, while opening up the space for change, innovation, and progress. The conclusion, accordingly, applies this thesis to the question of globalization. Both Sartre and Ricoeur scholars will be eager to explore and debate the original synthesis presented in The Aesthetics of Autonomy. It also makes contributions to hermeneutics, post-War French philosophy, and philosophy of religion. Finally, given its emphases on politics and aesthetics, the book also places itself within arguments of political theory and literary theory.

The yearbook of world opinion.