In Graham Greene's Thrillers and the 1930s Brian Diemert examines the first and most prolific phase of Graham Greene's career, demonstrating the close relationship between Greene's fiction and the political, economic, social, and literary contexts of the period. Situating Greene alongside other young writers who responded to the worsening political climate of the 1930s by promoting social and political reform, Diemert argues that Greene believed literature could not be divorced from its social and political milieu and saw popular forms of writing as the best way to inform a wide audience.

In the 1970s and 1980s, Graham Greene adopted the yearly habit of touring Spain and Portugal in the company of his Spanish friend, the priest and university professor Leopoldo Dur?n. The most outstanding fruit of these trips, almost always in summer, was the inspiration for his major Hispanic novel, Monsignor Quixote (1982), a celebration of friendship above ideological, political, or religious differences, incorporating allusions to Cervantes' famous comic novel within a critical vision of post-Franco Spain. Graham Greene's Journeys in Spain and Portugal: Travels with My Priest reconstructs each of Greene's trips through the Iberian Peninsula between 1976 and 1989, detailing their preparations, itineraries, anecdotes, companions, topics of conversation, and often surprising repercussions. Carlos Villar Flor outlines the trips' biographical importance and fills numerous gaps of documented information on this final phase of Greene's life. His detailed inquiry into Greene's Iberian adventures with Dur?n also helps us better to understand the genesis and resonances of Monsignor Quixote, which over time became Greene's favourite of his own novels, and the subsequent television adaptation. The book also addresses incidents and aspects that, for one reason or another, never emerged in Dur?n's own account of their travels together, Graham Greene: Friend and Brother (1994). These include the possible motivations for Greene's first visit to Spain, related to his role as an informant for MI6; the mysterious visits to an old English lady located in Sintra; the writer's attempts in the early 1980s to establish links with Spanish socialists; or the fascinating story of a Spanish nobleman's suspicious proposal to create a Greene Foundation. Ultimately, Greene's trips to Spain and Portugal appear as more layered and intriguing than Dur?n's account suggests, whilst Dur?n himself emerges aptly as a complex and quixotic figure--as much the protagonist of this book as Greene.

Graham Greene's early books are described as 'Catholic Novels' with his later work falling into political and detective genres. This title argues that this is a false dichotomy created by a narrowly prescriptive understanding of the Catholic genre and obscures the impact of Greene's religious imagination on his literary art.

A study of Graham Greene's fiction from the perspective of ethics and community, focusing on the narrative pattern that emerges from the author's idiosyncratic use of keywords like peace, despair, compassion or commitment. This book explores their potential for the textual articulation of narrative conflict and the dramatization of the ethical.

A Study Guide for Graham Greene's "The Third Man," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

This volume provides a detailed description of the literary contact between Graham Greene and Franco’s Spain. Part I describes the most significant political events that affected the Spanish book industry under this regime, with the first chapter offering an account of the methods of control created to exercise authoritative influence over the cultural scene. Part II explores critical studies of Greene’s artistic output in Franco’s Spain, and the second chapter investigates literary critics’ evaluations of the author as published in the national press, magazines and journals, as well as in the prologues, introductions and prefaces to his books. Parts III and IV study the role played by the book industry in the reception of the writer in Spain, as well as the obstacles it faced at the censorship office. Accordingly, chapters three to six provide the names of the publishers and booksellers who attempted to disseminate his work throughout the country. Using the censorship files, these chapters measure with great precision publishers’ interest in Greene’s works, and establish the power Franco’s censorship wielded over the reception of his literature in Spain. The final section of the book brings together a number of significant conclusions developed throughout this study. As such, Graham Greene’s Narrative in Spain provides the reader with a comprehensive overview of the roles played by national literary criticism and the book industry in the reception of the author’s works in Franco's Spain, as well as of the influence exerted by the regime throughout the whole publishing process.

A Study Guide for Graham Greene's "Destructors," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

In Narrative Strategies Roston focuses upon the Greene's texts themselves and their manipulation of reader response, highlighting the innovative strategies that Greene developed to cope with the mid-century invalidation of the traditional hero. The result is a stimulating new reading of the major novels.

Graham Greene remarked that 'politics are in the air we breathe, like the presence or absence of a God' (The Other Man). This study is the first to provide a detailed consideration of the impact of his political thought and involvements on his writings both fictional and factual. It also offers the first detailed consideration of Greene's involvements in espionage and British intelligence from the 1920s until the late-1980s. It incorporates material not only from his major fictions but also from his prolific journalism, letters to the press, private correspondence, diaries and working manuscripts and typescripts, as well as consideration of the diverse political involvements and writings of his extended family network. It shows how the full range of Greene's writings was inspired and underpinned by his fascination with the essential human duality of political action and religious belief, coupled with an insistent need as a writer to keep the political personal.